Book contents
- Frontmatter
- Dedication
- Contents
- Introduction
- Part One Structure and Design
- Part Two Focus on Motive
- 5 Chopin as an Interpreter of Mozart: The Variations Opus 2 and Don Giovanni
- 6 The First Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and the “Cloud of Mystery”
- 7 “Capricious Play”: Veiled Cyclic Relations in Brahms's Ballades Op. 10 and Fantasies Op. 116
- 8 Chopin's Study in Syncopation
- 9 A Sharp Practice, A Natural Alternative: The Transition into the Recapitulation in the First Movement of Beethoven's “Hammerklavier” Sonata
- 10 Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements in J. S. Bach's Short Keyboard Works
- Part Three Structure and Design II
- List of Contributors
- Index
5 - Chopin as an Interpreter of Mozart: The Variations Opus 2 and Don Giovanni
from Part Two - Focus on Motive
Published online by Cambridge University Press: 14 March 2018
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Book contents
- Frontmatter
- Dedication
- Contents
- Introduction
- Part One Structure and Design
- Part Two Focus on Motive
- 5 Chopin as an Interpreter of Mozart: The Variations Opus 2 and Don Giovanni
- 6 The First Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and the “Cloud of Mystery”
- 7 “Capricious Play”: Veiled Cyclic Relations in Brahms's Ballades Op. 10 and Fantasies Op. 116
- 8 Chopin's Study in Syncopation
- 9 A Sharp Practice, A Natural Alternative: The Transition into the Recapitulation in the First Movement of Beethoven's “Hammerklavier” Sonata
- 10 Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements in J. S. Bach's Short Keyboard Works
- Part Three Structure and Design II
- List of Contributors
- Index
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- Bach to BrahmsEssays on Musical Design and Structure, pp. 71 - 96Publisher: Boydell & BrewerPrint publication year: 2015