This essay follows in the footsteps of two women, Cecile Fatiman and Petra Carabalí, to explore the convergence between sacred space, embodied archives, and slave insurgent movements during the eighteenth and nineteenth centuries. Cecile Fatiman was the mambo, or Vodun priestess, who famously presided over the Bois-Caiman ceremony that ignited the Haitian Revolution. Though relatively unknown to historians, Petra Carabalí helped to produce a momentous ritual that erupted during the 1844 slave movement in Cuba. Cecile and Petra’s stories demonstrate that enslaved women were critical participants in several important rituals that became catalysts for organized rebellion. This chapter examines the gendered politics of these ritual spaces and the role of sacred dance in producing a larger insurgent culture. It demonstrates the ways in which ritual activities enabled enslaved people to nourish organic political cultures, reclaim violated bodies, and engage a larger Atlantic ethos of freedom. Ultimately, it uses ritual space and sacred dance as alternative archives to reconceptualize how enslaved people imagined, enacted, and lived their freedom.