Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 ‘Sex ferocity’ and ‘the sadic lusts of certain novelists’: Sexuality, Sadomasochism, and Suppression in Parade's End
- 2 Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford's Wartime Writing
- 3 Empathy, Trauma, and the Space of War in Parade's End
- 4 Fellow Feeling in Ford's Last Post: Modernist Empathy and the Eighteenth-Century Man
- 5 The Self-Analysis of Christopher Tietjens
- 6 Composing the War and the Mind; Composing Parade's End
- 7 The Work of Sleep: Insomnia and Discipline in Ford and Sassoon
- 8 Representing Shell Shock: A Return to Ford and Rebecca West
- 9 ‘I hate soldiering’: Ford, May Sinclair, and War Heroism
- 10 Peace of Mind in Parade's End
- Notes on Contributors
- Bibliography
- Index
Bibliography
Published online by Cambridge University Press: 15 September 2017
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 ‘Sex ferocity’ and ‘the sadic lusts of certain novelists’: Sexuality, Sadomasochism, and Suppression in Parade's End
- 2 Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford's Wartime Writing
- 3 Empathy, Trauma, and the Space of War in Parade's End
- 4 Fellow Feeling in Ford's Last Post: Modernist Empathy and the Eighteenth-Century Man
- 5 The Self-Analysis of Christopher Tietjens
- 6 Composing the War and the Mind; Composing Parade's End
- 7 The Work of Sleep: Insomnia and Discipline in Ford and Sassoon
- 8 Representing Shell Shock: A Return to Ford and Rebecca West
- 9 ‘I hate soldiering’: Ford, May Sinclair, and War Heroism
- 10 Peace of Mind in Parade's End
- Notes on Contributors
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- War and the MindFord Madox Ford's Parade's End, Modernism, and Psychology, pp. 175 - 183Publisher: Edinburgh University PressPrint publication year: 2015