Book contents
- Frontmatter
- Contents
- Preface
- 1 Sonnet sequences and social distinction
- 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions
- 3 “An Englishe box”: Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner
- 4 “Nobler desires” and Sidney's Astrophil and Stella
- 5 “So plenty makes me poore”: Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion
- 6 “Till my bad angel fire my good one out”: engendering economic expertise in Shakespeare's Sonnets
- 7 “The English straine”: absolutism, class, and Drayton's Ideas, 1594–1619
- Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere
- Notes
- Index
- Cambridge Studies in Renaissance Literature and Culture
Notes
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Preface
- 1 Sonnet sequences and social distinction
- 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions
- 3 “An Englishe box”: Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner
- 4 “Nobler desires” and Sidney's Astrophil and Stella
- 5 “So plenty makes me poore”: Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion
- 6 “Till my bad angel fire my good one out”: engendering economic expertise in Shakespeare's Sonnets
- 7 “The English straine”: absolutism, class, and Drayton's Ideas, 1594–1619
- Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere
- Notes
- Index
- Cambridge Studies in Renaissance Literature and Culture
Summary
- Type
- Chapter
- Information
- Sonnet Sequences and Social Distinction in Renaissance England , pp. 185 - 231Publisher: Cambridge University PressPrint publication year: 2005