Book contents
- Frontmatter
- PREFACE
- Contents
- CHAPTER I GENERAL INTRODUCTION
- CHAPTER II VIRGIL'S PLACE IN ROMAN LITERATURE
- CHAPTER III LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL
- CHAPTER IV THE ECLOGUES
- CHAPTER V MOTIVES, FORM, SUBSTANCE, AND SOURCES OF THE GEORGICS
- CHAPTER VI RELATION OF THE GEORGICS TO THE POEM OF LUCRETIUS
- CHAPTER VII THE GEORGICS A POEM REPRESENTATIVE OF ITALY
- CHAPTER VIII THE ROMAN EPIC BEFORE THE TIME OF VIRGIL
- CHAPTER IX FORM AND SUBJECT OF THE AENEID
- CHAPTER X THE AENEID AS THE EPIC OF THE ROMAN EMPIRE
- CHAPTER XI THE AENEID AS AN EPIC POEM OF HUMAN LIFE
CHAPTER VI - RELATION OF THE GEORGICS TO THE POEM OF LUCRETIUS
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- PREFACE
- Contents
- CHAPTER I GENERAL INTRODUCTION
- CHAPTER II VIRGIL'S PLACE IN ROMAN LITERATURE
- CHAPTER III LIFE AND PERSONAL CHARACTERISTICS OF VIRGIL
- CHAPTER IV THE ECLOGUES
- CHAPTER V MOTIVES, FORM, SUBSTANCE, AND SOURCES OF THE GEORGICS
- CHAPTER VI RELATION OF THE GEORGICS TO THE POEM OF LUCRETIUS
- CHAPTER VII THE GEORGICS A POEM REPRESENTATIVE OF ITALY
- CHAPTER VIII THE ROMAN EPIC BEFORE THE TIME OF VIRGIL
- CHAPTER IX FORM AND SUBJECT OF THE AENEID
- CHAPTER X THE AENEID AS THE EPIC OF THE ROMAN EMPIRE
- CHAPTER XI THE AENEID AS AN EPIC POEM OF HUMAN LIFE
Summary
Personal affinities and contrast between Lucretius and Virgil
The influence, direct and indirect, exercised by Lucretius on the thought, the composition, and the style of the Georgics was perhaps stronger than that ever exercised, before or since, by one great poet on the work of another. This influence is of the kind which is oftener seen in the history of philosophy than of literature. It was partly one of sympathy, partly of antagonism. Virgil's feeling and conception of Nature have their immediate origin in the feeling and thought of Lucretius; while at the same time his religious convictions and national sentiment derive new strength by reaction from the attitude assumed by his predecessor. This powerful attraction and repulsion were alike due to the fact that Lucretius was the first not only to reveal a new power, beauty, and mystery in the world, but also to communicate to poetry a speculative impulse, opening up, with a more impassioned appeal than philosophy can do, the great questions underlying human life,—such as the truth of all religious tradition, the position of man in the Universe, and the attitude of mind and course of conduct demanded by that position.
It was not however merely a poetical and speculative impulse that Virgil received from his predecessor. Lucretius was the only Latin poet since Ennius who had dealt with a great mass of materials and given to them the unity and continuity of a work of art of large dimensions and proportions.
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- Roman Poets of the Augustan AgeVirgil, pp. 199 - 257Publisher: Cambridge University PressPrint publication year: 2010