This essay offers a speculative account of a third wave of Beckett criticism, emerging at the turn of the current century, one which is dedicated to the articulation of a Beckettian literary politics.

The first two waves of Beckett criticism, the essay suggests, despite their manifest differences, shared a sense that Beckett was in some fundamental sense an apolitical writer. The first wave sees his work as invested in a universal condition, which is resistant to any form of political particularity. The second tended to see his writing as a deconstructive endeavour, one which reveals not an essential human condition, but the groundless of all forms of being.

Both of these waves of criticism, the essay argues, tend to overlook a central dynamic in Beckett’s writing, in which a rejection of forms of reference coincides with a longing, however residual, for forms of political community. The urge towards solitude in Beckett is countered by an equally strong urge towards company, towards shared life. To begin to articulate a Beckettian politics, as part of a third wave of Beckett criticism, it is necessary to develop a critical language that can account at once for Beckett’s negativity – his refusal of political commitments – and for his persistent attachment to the word that he seems to disavow.