Book contents
- Performing Restoration Shakespeare
- Performing Restoration Shakespeare
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Foreword
- Acknowledgements
- Abbreviations
- Introduction: New Shakespeare for a New Era
- Chapter 1 From Boards to Books: The Circulation of Shakespearean Songs in Manuscript and Print during the Interregnum
- Chapter 2 Heroic Shakespeare at Lincoln’s Inn Fields
- Chapter 3 More than a Song and Dance? Identifying Matthew Locke’s Incidental Music for Macbeth
- Chapter 4 Cross-Dressing in Restoration Shakespeare: Twelfth Night and The Tempest
- Chapter 5 Performing Restoration Shakespeare in the Eighteenth Century
- Chapter 6 An Actor’s Perspective on Restoration Shakespeare
- Chapter 7 Staging Restoration Shakespeare with Restoration Music
- Chapter 8 Davenant’s Lady Macduff and the Subversion of Normative Femininity in Twenty-First-Century Performance
- Chapter 9 Facts as Ideas: The Theatricalisation of Scholarship
- Chapter 10 Syncopated Time: Staging the Restoration Tempest
- Bibliography
- Index
Introduction: New Shakespeare for a New Era
Published online by Cambridge University Press: 28 January 2023
- Performing Restoration Shakespeare
- Performing Restoration Shakespeare
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Foreword
- Acknowledgements
- Abbreviations
- Introduction: New Shakespeare for a New Era
- Chapter 1 From Boards to Books: The Circulation of Shakespearean Songs in Manuscript and Print during the Interregnum
- Chapter 2 Heroic Shakespeare at Lincoln’s Inn Fields
- Chapter 3 More than a Song and Dance? Identifying Matthew Locke’s Incidental Music for Macbeth
- Chapter 4 Cross-Dressing in Restoration Shakespeare: Twelfth Night and The Tempest
- Chapter 5 Performing Restoration Shakespeare in the Eighteenth Century
- Chapter 6 An Actor’s Perspective on Restoration Shakespeare
- Chapter 7 Staging Restoration Shakespeare with Restoration Music
- Chapter 8 Davenant’s Lady Macduff and the Subversion of Normative Femininity in Twenty-First-Century Performance
- Chapter 9 Facts as Ideas: The Theatricalisation of Scholarship
- Chapter 10 Syncopated Time: Staging the Restoration Tempest
- Bibliography
- Index
Summary
The Introduction explains the volume’s scope, material to be investigated, research questions to be pursued and methods to be deployed. Additionally, it situates the book within current scholarship on Shakespeare in performance, theatre history and historical musicology. In doing so, it underlines the volume’s distinctiveness in (i) topic: the first edited collection devoted to Restoration Shakespeare in performance (ii) interdisciplinary methods: the volume integrates archival and practice-led research, embracing Shakespeare studies, theatre history and historical musicology (iii) contributors: chapters are written not just by scholars but also by leading practitioners in music and theatre. We also emphasise how the volume serves as the main publication record for the insights developed during our AHRC-funded project ‘Performing Restoration Shakespeare’ (2017-2020).
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- Performing Restoration Shakespeare , pp. 1 - 14Publisher: Cambridge University PressPrint publication year: 2023
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