Published online by Cambridge University Press: 22 December 2009
Carrie, the 1952 adaptation of Theodore Dreiser's (1871–1945) Sister Carrie (1900) starring Laurence Olivier, Jennifer Jones, and Eddie Albert, has never been judged one of William Wyler's better films. Contemporary critics found its style “surprisingly conventional” and “static,” and Bosley Crowther, film critic of the New York Times, dismissed it as “a violently sentimental version of Mr. Dreiser's ironic tale of love and its deterioration.” In the ensuing decades, literary critics have echoed Crowther, Carolyn Geduld faulting Wyler for subscribing “to the suburban moral code” and for creating a “bourgeois heroine,” and Lawrence E. Hussman concluding that distortions of Carrie “render the film nearly unrecognizable to the novel's admirers.”
The “fidelity approach” that these critics take, Brian McFarlane declares, is “a doomed enterprise” because it is simply “unilluminating.” Some things can be “transferred” from novel to film, but much “necessarily requires adaptation proper,” that is, “equivalences in the film medium.” Showing a postmodernist bent, Robert Stam argues that a source novel “can generate any number of critical readings and creative misreadings,” for it is “a dense informational network, a series of verbal cues that the adapting film text can then take up, amplify, ignore, subvert, or transform.” Wyler was a skilled filmmaker who admired Dreiser's work. Even though he ignored some aspects of the novel, including virtually all of its dialogue, he took up much else, sometimes amplifying, sometimes subverting, sometimes transforming it through numerous “equivalences.”
To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.