Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Chapter 11 - The Matter of Black Lives: Baldwin Today
from Part 1 - Life and Afterlife
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Summary
James Baldwin wrote in longhand. With a pen. On paper. These technologies sustained Baldwin’s voice, life, and legacies. His secretary and biographer David Leeming recalls meeting Baldwin in 1961 at the precise moment he finished his third novel: “[I] found the author sitting at a kitchen counter writing furiously on a yellow pad … I looked over his shoulder as he scribbled the last line of … Another Country.” As a professional writer, Baldwin certainly utilized a typewriter regularly. Beyond photographs where Baldwin can be seen perched behind the machine, posing perhaps more than composing, Leeming’s biography tells of a new typewriter purchased in 1987 “for the use of a hired typist,” and of how Baldwin “took the trouble to type” one of his last journal entries on this machine.
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- Chapter
- Information
- James Baldwin in Context , pp. 117 - 124Publisher: Cambridge University PressPrint publication year: 2019