Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-17T14:52:18.777Z Has data issue: false hasContentIssue false

Chapter IX - Works on Ingmar Bergman

Published online by Cambridge University Press:  27 January 2021

Get access

Summary

This chapter lists in chronological order bibliographical items that address Ingmar Bergman's life and work, except for items pertaining to Bergman's stagecraft and media productions, which are listed in the Theatre/Media Bibliography (Chapter VII), and interviews, which are found in Chapter VIII. Review articles and essays dealing with a single screenplay, film or theatre production are listed under the appropriate item in either the Filmography, Media or Theatre Chapters (IV, V and VI). Longer articles on individual films or produced plays, which are deemed of special importance are cross-listed and annotated here.

As in the Theatre/Media Bibliography (Chapter VII) selective entries addressing the same subject have been listed as ‘group entries’ and appear at the beginning of the year when the first item in the group was published.

FIAF's database on critical material dealing with Ingmar Bergman's filmmaking currently lists some 800 items, mostly reviews and articles in film journals. There is some overlapping with FIAF material here but care has been taken to focus on sources usually not listed or annotated in FIAF.

1938

949. UNTITLED NEWS ITEM. SvD, 24 May 1938, p. 14.

A press note and first official mention of Ingmar Bergman, referring to him as ‘Kandidat Bergman’ [kandidat was the common titular reference to a student qualified for university studies]. The occasion was Bergman's first (amateur) stage production, Sutton Vane's Outward Bound, at Mäster Olofsgården. See Theatre Chapter VI, (➣ 344).

1945

950. N.A. ‘Från Körkarl till Kejsare’ [From Coachman to Emperor]. Filmbilden XI, no. 1, 1945: 6-7.

The title refers to two important productions in Svensk Filmindustri's history: Körkarlen (The Phantom Carriage) from 1919 and Kejsaren av Portugallien (The Emperor of Portugallia) from 1944, both of them based on novels by Selma Lagerlöf. The article points out the importance of scripts of literary quality and suggests the timeliness of Bergman's debut as a filmmaker and scriptwriter. The item includes a statement by SF producer Carl Anders Dymling: ‘A nation gets the kind of film it deserves’. [En nation får den film den förtjänar].

1946

951. N.A. ‘England vill ha filmmanus av Ingmar Bergman’ [England wants film script by Bergman]. ST, 22 August 1946, p. 7.

Type
Chapter
Information
Ingmar Bergman
A Reference Guide
, pp. 879 - 1030
Publisher: Amsterdam University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×