Bibliography
Published online by Cambridge University Press: 18 January 2023
Edited by
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- A History of World War One Poetry , pp. 511 - 544Publisher: Cambridge University PressPrint publication year: 2023
References
Adamson, Walter L. ‘Soffici and the Religion of Art’, in Fascist Visions: Art and Ideology in France and Italy, Affron, Matthew and Antliff, Mark (eds.) (Princeton, NJ, 1997), pp. 46–72.Google Scholar
Adcock, A. St. John, ‘For Remembrance: Soldier-Poets Who Have Fallen in the War’, The Bookman (December 1917), pp. 79–91.Google Scholar
Adcock, A. St. John. ‘Poets in Khaki: Some Soldier Poets of Great Britain, Canada, Australasia, South Africa and America’, in The Bookman Christmas Number 1918 (London: 1918), pp. 83–100.Google Scholar
Akhmatova, Anna. My Half Century: Selected Prose, edited by Meyer, Ronald (New York, 2013).Google Scholar
Almanach na rok 1914. Mezi modernou a avantgardou, edited by Gilk, Erik (Praha, 2016).Google Scholar
Ambrose Brown, James. They Fought for King and Kaiser: South Africans in German East Africa 1916 (Rivonia, 1991).Google Scholar
Anz, Thomas. ‘Vitalismus und Kriegsdichtung’, in Kultur und Krieg. Die Rolle der Intellektuellen, Künstler und Schriftsteller im Ersten Weltkrieg, Mommsen, Wolfgang J. (ed.) (Munich, 1996), pp. 235–47.Google Scholar
Anz, Thomas and Vogl, Joseph. Die Dichter und der Krieg Deutsche Lyrik (Stuttgart, 2014).Google Scholar
Appadurai, Arjun and Korom, Frank. Gender, Genre and Power in South Asian Expressive Traditions (Philadelphia, 1991).Google Scholar
Apollinaire, Guillaume. Apollinaire et la guerre, La Revue des lettres modernes, series ‘Guillaume Apollinaire’, vols 12 and 13 (Paris, 1974; 1976).Google Scholar
Apollinaire, Guillaume Calligrammes: Poems of Peace and War (1913–1918), translated by Anne Hyde Greet, introduction by S. I. Lockerbie, commentary by Greet, A. H. and Lockerbie, S. I. (Los Angeles, 1980; 2004). Correspondance, edited by Read, Peter, introduction by Laurence Campa and Peter Read (Paris, 2016).Google Scholar
Apollinaire, Guillaume Chroniques et articles (1915–1918) in Œuvres en prose, edited by Caizergues, Pierre and Décaudin, Michel, vols 2 and 3 (Paris, 1991–2).Google Scholar
Apollinaire, Guillaume Correspondance avec les artistes (1903–1918), edited by Campa, Laurence and Read, Peter (Paris, 2009).Google Scholar
Apollinaire, Guillaume Correspondance générale, edited by Martin-Schmets, Victor, 5 vols. (Paris, 2015).Google Scholar
Apollinaire, Guillaume Le Poète assassiné (1916) in Œuvres en prose, edited by Décaudin, Michel, vol.1. (Paris, 1977).Google Scholar
Apollinaire, Guillaume Letters to Madeleine: Tender as Memory, edited by Campa, Laurence, translated from the French by Donald Nicholson-Smith (London, 2010).Google Scholar
Apollinaire, Guillaume Lettres à Lou, preface and notes by Michel Décaudin; new edition revised and supplemented by Laurence Campa (Paris, 2010).Google Scholar
Apollinaire, Guillaume Lettres à Madeleine. Tendre comme le souvenir, new edition revised and enlarged by Laurence Campa (Paris, 2006).Google Scholar
Apollinaire, Guillaume Vitam impendere amori (1917), Les Mamelles de Tirésias (1917), Calligrammes (1918), Couleur du temps (1918) in Œuvres poétiques, preface by A. Billy, edited by Adéma, Pierre-Marcel and Décaudin, Michel (Paris, 1965).Google Scholar
Apollinaire, Guillaume Zone: Selected Poems, introduction by Peter Read, selected and translated from the French by Ron Padgett (New York, 2015).Google Scholar
Association des écrivains combattants (ed.). Anthologie des écrivains morts à la guerre, 1914–1918, 5 vols (Amiens, 1924–6).Google Scholar
Auden, W. H. ‘The Geste Says This and the Man Who Was on the Field’, Mid-Century Review 39 (March 1962), pp. 9–14.Google Scholar
Audoin-Rouzeau, Stéphane. Men at War, 1914–1918: National Sentiment and Trench Journalism in France during the First World War (Oxford, 1992).Google Scholar
Bab, Julius. Die deutsche Kriegslyrik 1914–1918: Eine historische Bibliographie (Stettin, 1920).Google Scholar
Baetz, Joel. Battle Lines: Canadian Poetry in English and the First World War (Waterloo, Ontario, 2018).Google Scholar
Baldick, Chris. The Oxford English Literary History, Vol 10, 1910–1940: The Modern Movement (Oxford, 2004).Google Scholar
Ball, Hugo. Flight Out of Time: A Dada Diary, John Elderfield (ed.) (New York: Viking Press, 1974).Google Scholar
Bean, C.E.W. (ed.), The Anzac Book, Written and Illustrated in Gallipoli by The Men of Anzac (London, 1916).Google Scholar
Beaupré, Nicolas. ‘Du Bulletin des Ecrivains de 1914 à l’Association des Écrivains Combattants (AEC): des combats à la mémoire, 1914–1927’, in Audoin-Rouzeau, Stéphane, Becker, Annette, Cœuré, Sophie, Duclert, Vincent, and Monier, Frédéric (eds.), La politique et la guerre: Pour comprendre le XXe siècle européen, Hommage à Jean-Jacques Becker (Paris, 2002), pp. 301–15.Google Scholar
Beaupré, Nicolas Écrire en guerre, écrire la guerre. France, Allemagne 1914–1920 (Paris, 2006).Google Scholar
Beaupré, Nicolas Écrits de guerre 1914–1918, preface by Becker, Annette (Paris, 2013).Google Scholar
Beaupré, Nicolas (ed.). Écrivains en guerre 14–18 ‘Nous sommes des machines à oublier’ (Paris, 2016).Google Scholar
Beaupré, Nicolas ‘Soldier-Writers and Poets’, in Winter, Jay M. (ed.), The Cambridge History of the First World War, vol. III (Cambridge, 2014), pp. 445–75, and bibliographical essay, pp. 679–83.Google Scholar
Bellini, Davide., ‘Kobilek di Soffici: dalla guerra-gioco alla narrazione di una comunità’. Annali d’Italianistica 33 (2015), pp. 151–67.Google Scholar
Belzer, Allison Scardino. Women and the Great War: Femininity Under Fire in Italy (New York, 2010).Google Scholar
Bentley, Nancy. ‘Museum Realism’, in Bercovitch, Sacvan (ed.), The Cambridge History of American Literature: Volume Three, Prose Writing 1860–1920 (Cambridge, 2005), pp. 65–107.Google Scholar
Berlin, Isaiah. The Hedgehog and the Fox: An Essay on Tolstoy’s View of History (London, 2009).Google Scholar
Bhabha, Homi. ‘Mimickry and Men’, in The Location of Culture (London, 1994), pp. 85–92.Google Scholar
Bianchi, Nicolas. ‘“À vaincre sans bidon, on triomphe sans boire!” Les journaux de tranchées, support médiatique pour poèmes martiaux, 1914–1918’, Matériaux pour l’histoire de notre temps, vol. 121–2, no. 3–4, 2016, pp. 71–81.Google Scholar
Bianchi, Nicolas. Les ‘Gaîtés’ de la tranchée. Poétique historique du rire romanesque de la Grande Guerre (1914–1939), PhD Diss, Montpellier, 2021.Google Scholar
Bleiker, Ronald. ‘Anna Akhmatova’s Search for Political Light’, Peace Review, 13 (2001), pp. 181–6.CrossRefGoogle Scholar
Blissett, William. ‘David Jones among the War Books’, University of Toronto Quarterly XLII, 3 (Spring 1973), pp. 258–88.Google Scholar
Blunden, Edmund. Fall In, Ghosts: Selected War Prose, Marsack, Robyn (ed.) (Manchester, 2014).Google Scholar
Boens, Daan Van Glorie en Lijden: Sonnetten Uit de Loopgraven Aan Den Yser (Harderwijk, 1917).Google Scholar
Bohn, Willard. ‘Apollinaire and “The New Spirit”’, in The Oxford Critical and Cultural History of Modernist Magazines: Vol. III, Europe 1880–1940, Brooker, Peter, Bru, Sascha, Thacker, Andrew, and Weikop, Christian (eds.) (Oxford and New York, 2013), pp. 120–42.Google Scholar
Bois, Marcel. ‘A Transnational Friendship in the Age of Extremes: Leon Trotsky and the Pfemferts’, Twentieth Century Communism, 10, 2016, pp. 9–29.Google Scholar
Bojić, Milutin. ‘The Blue Tomb’, trans. by Zoran Bogdanović (Beograd, 2015), http://digitalna.milutinbojic.org.rs/Google Scholar
Bonné, Mirko and Tom, Schulz (eds.). Trakl und wir. Fünfzig Blicke in einen Opal (München, 2014).Google Scholar
Borden, Mary ‘Escape, and: Take Me Away From My Wounded Men’, ‘There is a Monster in the Valley’, and: Prefatory Note. Modernism/Modernity (2009), 16, 3, pp. 601–7.Google Scholar
Bose, Sugata and Manjapra, Kris (eds.). Cosmopolitan Thought Zones: South Asia and the Global Circulation of Ideas (London, 2010).Google Scholar
Bouyssou, Roland. ‘Wilfred Owen’s Lament “My heart aches”’, Caliban (2015) 53, pp. 77–88, https://doi.org/10.4000/caliban.987CrossRefGoogle Scholar
Brearton, Fran. ‘“All the strains/Criss-cross”: Irish Memory and the First World War’, Caliban: French Journal of English Studies, 33.2013 (December 9, 2013), pp. 105-22.Google Scholar
Brearton, Fran ‘Francis Ledwidge’, The Cambridge Companion to Irish Poets, Dawe, Gerald (ed.) (Cambridge, 2018), pp. 101-14.Google Scholar
Brearton, Fran The Great War in Irish Poetry, W. B. Yeats to Michael Longley (Oxford, 2000).Google Scholar
Bredin, Hugh. ‘Onomatopoeia as a Figure and a Linguistic Principle’, New Literary History 27: 3, Literary Subjects (Summer, 1996) 555–69.Google Scholar
Brennan, C. J. Poems (1913), Facsimile Edition with an introduction by G. A. Wilkes (Sydney, 1972).Google Scholar
Bridgwater, Patrick. ‘Georg Trakl and the Poetry of the First World War’, in Londoner Trakl-Symposion, Yuill, William E. and Methlagl, Walter (eds.) (Salzburg, 1981), pp. 96–113.Google Scholar
Brindle, Walter. France and Flanders: Four Years Experience Told in Poem and Story (St. John, 1919).Google Scholar
Brittain, Vera. The Broken Wing: Songs of Love, Death and Destiny 1915–1916 (London, 1917).Google Scholar
Brooker, Peter. ‘Harmony, Discord, and Difference: Rhythm (1911–13), The Blue Review (1913), and The Signature (1915)’, in The Oxford Critical and Cultural History of Modernist Magazines: Volume I, Britain and Ireland, 1880–1955, Brooker, Peter and Thacker, Andrew (eds.) (Oxford and New York, 2009), pp. 314–36.Google Scholar
‘“Who Dares to Speak?” Ireland and the Great War’, in English Studies in Transition: Essays from the ESSE Inaugural Conference, Clark, Robert and Boitani, Piero (eds.) (London, 1993), pp. 226–37.Google Scholar
Buck, Claire. ‘British Women’s Writing of the Great War’, in The Cambridge Companion to The Literature of the First World War, Sherry, Vincent (ed.) (Cambridge, 2005), pp. 85–112.CrossRefGoogle Scholar
Buck, Claire ‘Reframing Women’s War Poetry’, in The Cambridge Companion to Twentieth-Century British and Irish Women’s Poetry, Dowson, Jane (ed.) (Cambridge, 2011), pp. 22–41.Google Scholar
Buelens, Geert. ‘Like Seeds in the Sand. On (the Absence of) Flemish War Poets’, in Une Guerre Totale? La Belgique Dans La Première Guerre Mondiale., Actes Du Colloque International Organisé à l’ULB Du 15 Au 17 Janvier 2003, Jaumain, Serge (ed.) (Brussels, 2005), pp. 591–614.Google Scholar
Buelens, Geert Everything to Nothing: The Poetry of the Great War, Revolution and the Transformation of Europe (London, 2015).Google Scholar
Buitenhuis, Peter. The Great War of Words: Literature as Propaganda, 1914-18 and After (London, 1989).Google Scholar
Butler, Gareth and Jeff, Opland (eds.). The Magic Tree: South African Stories in Verse (Cape Town, 1989).Google Scholar
Byles, Joan Montgomery. War, Women, and Poetry, 1914–1945: British and German Writers and Activists (Newark & London, 1995).Google Scholar
Campa, Laurence Poètes de la Grande Guerre. Expérience combattante et activité poétique (Paris, 2010).Google Scholar
Campbell, James, ‘Combat Gnosticism: The Ideology of First World War Poetry Criticism’, New Literary History, Winter, 1999, vol. 30, no. 1, Poetry & Poetics (Winter, 1999), pp. 203–15, p. 204.Google Scholar
Cardinal, Agnès. ‘A Voice out of Darkness: Berta Lask’s Early Poetry’, in German Women Writers 1900–1933: Twelve Essays, Keith-Smith, Brian (ed.) (Lewiston, 1993), pp. 203–19.Google Scholar
Case, C. B. (ed.). Wartime and Patriotic Selections for Recitation and Reading (Chicago, 1918).Google Scholar
Červenka, Miroslav. Čeští spisovatelé vdovám a sirotkům našich vojínů, Jiřina, Václav (ed.) (Praha, 1916).Google Scholar
Chambarlhac, Vincent. ‘Un poète face à la Grande Guerre. Marcel Martinet et les temps maudits’, Cahiers d’histoire. Revue d’histoire critique, 93, 2004, pp. 117–28.Google Scholar
Chandan, Amarjit. Punjabi poetry on war (blogpost). www.sikhfoundation.org/article-Amarjit_Chandan.htmlGoogle Scholar
Christensen, Paul. ‘E. E. Cummings’, in Twentieth Century Poetry, Vinson, James (ed.) (London, 1993).Google Scholar
Christie, Tara. Modernism, the Metaphysical Poets, and the First World War. Unpublished PhD dissertation, Emory University (Georgia, 2007).Google Scholar
Chung, Tan, Amiya Dev, Wang Bangwei and Wei Liming (eds.). Tagore and China (Sage, 2011).Google Scholar
Clark, George Herbert (ed.). A Treasury of War Poetry: British and American Poems of the World War, 1914-1919 (London, New York, Toronto, 1919).Google Scholar
Clausson, Nils. ‘“Perpetuating the Language”: Romantic Tradition, the Genre Function, and the Origins of the Trench Lyric’, Journal of Modern Literature 30 (1, Fall, 2006), pp. 104–28.Google Scholar
Cloete, Netti. n.d. ‘War is hell’: Olive Schreiner. http://www.pala.ac.uk/uploads/2/5/1/0/25105678/cloeten.pdfGoogle Scholar
Clothier, Norman. Black Valour: The South African Native Labour Contingent, 1916–1918, and the Sinking of the Mendi (Pietermaritzburg, 1987).Google Scholar
Cohen, Aaron J. ‘Oh That! Myth, Memory and World War I in the Russian Emigration and the Soviet Union’, Slavic Review, 62 (2003), pp. 69–86.CrossRefGoogle Scholar
Cohen, Joseph. Journey to the Trenches: the Life of Isaac Rosenberg 1890–1918 (London, 1975).Google Scholar
Collectif, Les auteurs de la tranchée. Pages choisies des lauréats du concours des auteurs du front (Paris, 1920)Google Scholar
Collins, Lucy (ed.). Poetry by Women in Ireland: A Critical Anthology 1870–1970 (Liverpool, 2012).Google Scholar
Collins, Lucy ‘Winifred Letts and the Great War: A Poetics of Witness’, in Women Writing War: Ireland 1880–1922, Tina O’Toole, Gillian MacIntosh, and Murieann O’Cinneide (eds.) (Dublin, 2016), pp. 53–66.Google Scholar
Constantine, David. ‘The First World War at Home and Abroad’, lecture transcript, StAnza Poetry Festival (2014).Google Scholar
Conway, Jane. A Woman of Two Wars: The Life of Mary Borden (Chippenham and Eastbourne, 2010).Google Scholar
Cooper, Allison. ‘Giuseppe Ungaretti’s Disanimate Modernism’, Annali d’Italianistica 33: The Great War and the Modernist Imagination in Italy (2015), pp. 99–113.Google Scholar
Cope, Jack and Uys, Krige (eds.). The Penguin Book of South African Verse (Harmondsworth, 1968).Google Scholar
Corcoran, Neil (ed.). The Cambridge Companion to Twentieth-Century English Poetry (Cambridge, 2007).Google Scholar
Cornebise, Alfred E. The Stars and Stripes: Doughboy Journalism in World War I (Westport, 1984).Google Scholar
Corner, Paul. ‘State and Society, 1901–1922’, in Liberal and Fascist Italy, 1900–1945, Lyttleton, Adrian (ed.) (Oxford, 2002), pp. 17–44.Google Scholar
Ćorović, Vladimir. ‘Vojislav Ilić Mlađi, Krvavi cvetovi’, Bosanska vila, 39, 1–6 (1914).Google Scholar
Cortelessa, Andrea. Le notti chiari erano tutte un’alba: Antologia dei poeti italiani nella Prima guerra mondiale (Milan, 1998).Google Scholar
Corvisier, Jean-Nicolas and Vignest, Romain (eds.). La Grande Guerre des écrivains: études (Paris, 2016).Google Scholar
Couzens, Tim and Essop, Patel (eds.). The Return of the Amasi Bird: Black South African Poetry 1891–1981 (Braamfontein, 1991).Google Scholar
Cowan, James. The Maoris in the Great War (1926), reprinted as Māori in the Great War (Christchurch, 2011).Google Scholar
Cripps, Arthur Shearly A Selection of His Prose and Verse, Brown, G. R., Chennells, A. J., and Rix, L. B. (eds.) (Gwelo, 1976).Google Scholar
Cross, Tim (ed.). The Lost Voices of World War I: An International Anthology of Writers, Poets and Playwrights (London, 1988).Google Scholar
Crnjanski, Miloš ‘Objašnjenje Sumatre’, Srpski književni glasnik, NS, I, 4 (Oct. 16, 1920), pp. 265–70.Google Scholar
Cruickshank, John. Variations on Catastrophe: Some French Responses to the Great War (Oxford, 1982).Google Scholar
Csúri, Károly. ‘“Hier Evas Schatten”: über ein intertextuelles Beziehungssystem in Trakls später Dichtung’, in Georg Trakl. Interpretationen. Kommentare. Didaktisierungen. Klettenhammer, Sieglinde and Lughofer, Johann Georg (eds.) (Wien, 2016), pp. 119–34.Google Scholar
Cuthbertson, Guy and Lucy Newlyn (eds.). Branch-Lines: Edward Thomas and Contemporary Poetry (London, 2007).Google Scholar
Cyr, Mark. ‘The Conscientious Killer: Wilfred Owen’s “Strange Meeting”’, Texas Studies in Literature and Language, 58, 1 (Spring 2016), pp. 108–28.Google Scholar
Dalziell, Tanya. ‘Mourning and Jazz in the Poetry of Mina Loy’, in Modernism and Mourning. Rae, Patricia (ed.) (Lewisburg, 2007), pp. 102–117.Google Scholar
Das, Santanu (ed.). The Cambridge Companion of the Poetry of the First World War (Cambridge, 2015).Google Scholar
Das, Santanu ‘Responses to the War in India’, 1914-1918 Online: http://encyclopedia.1914-1918-online.net/article/responses_to_the_war_india.Google Scholar
Davis, Alex and Jenkins, Lee M. (eds.). Locations of Literary Modernism: Region and Nation in British and American Modernist Poetry (Cambridge, 2000).Google Scholar
Dawe, Gerald (ed.). Earth Voices Whispering: An Anthology of Irish War Poetry 1914–1945 (Belfast, 2008).Google Scholar
Dawe, Gerald Of War and War’s Alarms: Reflections on Modern Irish Writing (Cork, 2015).Google Scholar
Dawe, Gerald. Maria Johnston, and Clare Wallace, eds., Stewart Parker: Dramatis Personae and Other Writings (Prague, 2008).Google Scholar
Décaudin, Michel. La crise des valeurs symbolistes. Vingt ans de poésie française 1895-1914 (Paris, 2013 [1st ed., 1960]).Google Scholar
Degner, Uta. ‘“Infirme” Autorschaft. Trakls Helian als poetologischer Selbstentwurf’, in Autorschaft und Poetik in Texten und Kontexten Georg Trakls, Degner, Uta, Weichselbaum, Hans, and Wolf, Norbert Christian (eds.) (Salzburg, 2016), pp. 95–116.Google Scholar
De Reuck, J. ‘Social Suffering and the Politics of Pain: Observations on the Concentration Camps in the Anglo-Boer War 1899–1902’, English in Africa 26 (2 October 1999), pp. 69–88.Google Scholar
de Ridder, Matthijs. Staatsgevaarlik! De Activistische Tegentraditie in de Vlaamse Letteren, 1912–1933 (unpublished PhD thesis Universiteit Antwerpen, 2009).Google Scholar
Deutsches Literarisches Archiv Marbach (ed.). August 1914: Literatur und Krieg (Marbach am Neckar, 2013).Google Scholar
Digby, Peter K. A. Pyramids and Poppies: the 1st SA Infantry Brigade in Libya, France and Flanders 1915–1919 (Rivonia, 1993).Google Scholar
Dilworth, Thomas ‘The Parenthetical Liturgy of David Jones’, University of Toronto Quarterly XLII: 3 (Spring 1973), pp. 241–57.Google Scholar
Doherty, Justin. The Acmeist Movement in Russian Poetry: Culture and the Word (Oxford, 1995).Google Scholar
Dooley, Terence and Christopher Ridgway. The Country House and the Great War: Irish and British Experiences (Dublin, 2016).Google Scholar
Dušanić, Dunja. ‘Plava grobnica Milutina Bojića i elegijska poezija o Prvom svetskom ratu’, Poetika Milutina Bojića, ed. Jovan Delić and Svetlana Šeatović (Belgrade: Institut za književnost i umetnost, Biblioteka ‘Milutin Bojić’, 2017), pp. 559–72.Google Scholar
Dunn, Herbert. The Minstrel Boy: Francis Ledwidge and the Literature of His Life (Dublin, 2006).Google Scholar
Dutta, Krishna and Andrew, Robinson. Rabindranath Tagore: The Myriad-Minded Man (London, 1996).Google Scholar
Neumann, St.K. Neumann; bratři Čapkové: Korespondence [St.K. Neumanna a bratří Čapků] z let 1905–1918. Jarošová, Stanislava, Blahynka, Milan, and Všetička, František (eds.) (Praha, 1962).Google Scholar
Edmond, Murray. ‘“Whatiwhati Taku Pēne”: Three First World War Poems from The Penguin Book of New Zealand Verse’, Journal of New Zealand Literature, 33, 2, 2015, pp. 40–1.Google Scholar
Edwards, Mabel C. and Mary, Booth. (eds.). The Fiery Cross: An Anthology (London, 1915).Google Scholar
Egremont, Max (ed.). Some Desperate Glory: The First World War the Poets Knew (Picador, 2014).Google Scholar
Eliot, T. S. ‘Introduction’, David Jones, In Parenthesis (Faber and Faber, 1961), pp. vii–viii.Google Scholar
Eliot, T. S. ‘Reflections on Contemporary Poetry’, Egoist, September 1917, pp. 118–19.Google Scholar
Eliot, T. S. ‘Tradition and the Individual Talent’, Selected Prose, Hayward, John (ed.) (London, 1953), pp. 21–30.Google Scholar
Epple, Colette Eileen. ‘Katharine Tynan 1861–1931’, in Irish Women Writers: An A-to-Z Guide, Gonzalez, Alexander G. (ed.) (Connecticut, 2006), pp. 314-18.Google Scholar
Esselborn, Hans. ‘Poetologische Leitfiguren Georg Trakls in Autorschaft und Poetik in Texten und Kontexten Georg Trakls, Degner, Uta, Weichselbaum, Hans, and Christian Wolf, Norbert (eds.) (Salzburg, 2016), pp. 235-50.Google Scholar
Fazl-i-Hussain, Muhammed (ed.). Bahar-i-Jarman [The Show of the Germans] (Moradabad, 1915).Google Scholar
Field, Frank. British and French Writers of the First World War: Comparative Studies in Cultural History (Cambridge, 1991).Google Scholar
Finkelstein, David and Alistair, McCleery (eds.). The Book History Reader (London, 2006).Google Scholar
Finnegan, Ruth. Oral Poetry: Its Nature, Significance and Oral Context (Cambridge, 1980).Google Scholar
Flint, R. W. (ed.). Marinetti: Selected Writings. Trans. by Flint, R. W. and Coppotelli, Arthur A. (London, 1972).Google Scholar
Fokin, P. ‘Pervaia mirovaia voina: nenuzhnyi opyt. Gliadia na russkuiu literaturu XX veka’, The Ergo Journal: russkaia filosofiia i kul′tura, 31 July 2014, http://russophile.ru/2014/07/31.Google Scholar
Forshaw, Charles F. (ed.). One Hundred of the Best Poems on the European War Vol. 1 (London, 1915).Google Scholar
Forshaw, Charles F. One Hundred of the Best Poems on the European War: By Women Poets of the Empire, vol. 2 (London, 1916).Google Scholar
Fourtier, A., ‘La marche des embusqués’ (sur l’air de la marche des cambrioleurs), in Collectif, Les auteurs de la tranchée.Google Scholar
Fort, Paul. Poèmes de France. Bulletin lyrique de la guerre (1914–1915) (Paris, 1916).Google Scholar
Fowler, Alastair. ‘Genre and the Literary Canon’, New Literary History, 11, 1, Anniversary Issue: II (Autumn, 1979), pp. 97–119.Google Scholar
Frame, Murray. ‘Cultural Mobilization: Russian Theatre and the First World War, 1914-1917’, Slavonic and East European Review, 90 (2012), pp. 288–322.Google Scholar
Freedman, Ariela. ‘Mary Borden’s Forbidden Zone: Women’s Writing from No-Man’s-Land’, Modernism/Modernity (2002), 9, 1, pp. 109–24.Google Scholar
French, Tom. A Bittern Cry: A Testament to Francis Ledwidge, the Man and the Poet (Meath, 2017).Google Scholar
Frick, Werner. ‘“I have a rendezvous with Death”: Gedichte von den Schlachtfeldern des Ersten Weltkriegs’, in Der Erste Weltkrieg im Spiegel der Künste, Frick, Werner and Schnitzler, Günter (eds.) (Freiburg i. Brsg, 2017), pp. 53–93.Google Scholar
Frost, Robert and Edward, Thomas. Elected Friends: Robert Frost and Edward Thomas to One Another, Spencer, Matthew (ed.) (New York, 2003).Google Scholar
Fuller, J. G. Troop Morale and Popular Culture in the British and Dominion Armies, 1914– 1918 (Oxford, 1990).Google Scholar
Garnier, Claire. and Laurent Le Bon (eds.). 1917 (Catalogue de l’exposition du Centre Pompidou-Metz, 2012).Google Scholar
Genis, Gerhard. ‘The “Bit-Less” Corpse or Mannequin Manqué: South African Great War Poetic Embodiment 1914-1918’, Scrutiny 2: Issues in English Studies in Southern Africa (2015), 20, 2, pp. 3–33.Google Scholar
Genis, Gerhard. Poetic Bodies and Corpses of War: South African Great War Poetry (Pretoria, 2018).Google Scholar
Gentile, Emilio. L’apocalisse della modernità: la Grande Guerra per l’uomo nuovo (Milan, 2008).Google Scholar
‘Georgian Poetry of the Twentieth Century’, Westminster Gazette (4 January 1913).Google Scholar
Gerster, Robin. Big-noting: The Heroic Theme in Australian War Writing (Melbourne, 1987).Google Scholar
Gibbon, John Murray. ‘Where Is Canadian Literature?’ Canadian Magazine 50, 4 (1918), pp. 333–40.Google Scholar
Gide, André. Pretexts: Reflections on Literature and Morality, O’Brien, Justin (ed.) (London, 1959).Google Scholar
Gilbert, Sandra M. ‘“Rats’ Alley”: The Great War, Modernism, and the (Anti)Pastoral Elegy’, New Literary History 30, 1, Winter 1999, pp. 179–201.Google Scholar
Gilbert, Sandra M. ‘Soldier’s Heart: Literary Men, Literary Women, and the Great War’, Signs 8, 3. Spring 1983, pp. 422–50.Google Scholar
Gillis, Stacy. ‘“Many Sisters to Many Brothers”: The Women Poets of the First World War’, in The Oxford Handbook of British and Irish War Poetry, Kendall, Tim (ed.) (Oxford, 2009), pp. 100–13.Google Scholar
Gioia, Dana. ‘The Unknown Soldier: An Introduction to the Poetry of John Allan Wyeth’, in This Man’s Army: A War in Fifty-Odd Sonnets (Columbia, 2008), pp. xi–xxix.Google Scholar
Goebel, Stefan. The Great War and Medieval Memory: War, Remembrance and Medievalism in Britain and Germany, 1914-1940 (Cambridge, 2007).Google Scholar
Golini, Vera F. ‘Ardengo Soffici’, in Twentieth-Century Italian Poetry: An Anthology, Picchione, John and Smith, Lawrence R (eds.) (Toronto, 1993), pp. 119–132.Google Scholar
Goldberg, Nancy Sloan. En l’honneur de la juste parole. La poésie française contre la guerre (New York, 1993).Google Scholar
Goldman, Dorothy (ed.). Women and World War 1: The Written Response (Basingstoke, 1993).Google Scholar
Goodman, Henrietta. ‘Mary Borden: Sex and Suicide in Poetry from The Forbidden Zone’, The South Carolina Review (2012) 44, 2, pp. 155–64.Google Scholar
Gordan, John D. Introduction, Letters to an Editor: Georgian Poetry, 1912-1922 (New York, 1967).Google Scholar
‘Das umschriebene Ich. Trakls verhüllte Selbstdeutungen’, in Autorschaft und Poetik in Texten und Kontexten Georg Trakls, Degner, Uta, Weichselbaum, Hans, and Wolf, Norbert Christian (eds.) (Salzburg, 2016), pp. 309–22.Google Scholar
Graves, Robert. Contemporary Techniques of English Poetry: A Political Analogy (London, 1925).Google Scholar
Grundlingh, Albert. Die Suid-Afrikaanse Gekleurdes en die Eerste Wêreldoorlog (Unpublished D.Litt et Phil thesis, University of South Africa, Pretoria 1981).Google Scholar
Grundlingh, Albert. Fighting Their Own War: South African Blacks and the First World War (Johannesburg, 1987).Google Scholar
Grundlingh, Albert. ‘Mutating Memories and the Making of a Myth: Remembering the SS Mendi disaster, 1917’, South African Historical Journal 63(1 March 2011), pp. 20–37.Google Scholar
Gumilev, Nikolai Sobranie sochinenii, Struve, G. P. and Filippov, B. A. (eds.), 4 vols (Washington, DC, 1962).Google Scholar
Gumilev, Nikolai Zapiski kavalerista, in Birzhevye vedomosti, 3 February 1915 to 11 January 1916, available online at https://gumilev.ru/prose/37/.Google Scholar
Gurney, Ivor. Collected Letters, Thornton, R. K. R. and Walter, George (eds.) (Ashington and Manchester, 1991)Google Scholar
Gurney, Ivor ‘The Springs of Music’, The Musical Quarterly, vol. 8, no. 3 (July 1922).Google Scholar
Gurney, Ivor The Complete Poetical Works of Ivor Gurney, vol. I. Lancaster, Philip and Kendall, Tim (eds.) (Oxford, 2020).Google Scholar
Gurney, Ivor Ivor Gurney: Best Poems and The Book of Five Makings (Ashington and Manchester, 1995).Google Scholar
Rewards of Wonder: Poems of Cotswold, France, London. George Walter (ed.) (Ashington and Manchester, 2000).Google Scholar
Hamburger, Michael. ‘Georg Trakl’, in The Lost Voices of World War I, Cross, Tim (ed.) (London, 1988), pp. 112–23.Google Scholar
Hammond, Mary and Shafquat, Towheed (eds.). Publishing in the First World War: Essays in Book History (Basingstoke, 2007).Google Scholar
Hanna, Martha. The Mobilization of Intellect, French Scholars and Writers during the Great War (Cambridge, MA, 1996).Google Scholar
Hardy, Thomas. The Complete Poems of Thomas Hardy, Gibson, James (ed.) (London, 1981).Google Scholar
Harries, Meirion and Susie, Harries. The Last Days of Innocence: America at War, 1917-1918 (New York, 1997).Google Scholar
Harrington, Alexandra. The Poetry of Anna Akhmatova: Living in Different Mirrors (London, 2006).Google Scholar
Haughey, Jim. ‘“The Roses are Torn”: Ireland’s War Poets’, in The Oxford Handbook of Modern Irish Poetry, Brearton, Fran and Gillis, Alan (eds.) (Oxford, 2012), pp. 61–78.Google Scholar
Haughton, Hugh. ‘Anthologizing War’, in The Oxford Handbook of British and Irish War Poetry, Kendall, Tim (ed.) (Oxford, 2007), pp. 421–44.Google Scholar
Hellman, Ben. Poets of Hope and Despair: The Russian Symbolists in War and Revolution (1914–1918) (Helsinki, 1995).Google Scholar
Hemschemeyer, Judith (trans.) and Reeder, Roberta (ed.). The Complete Poems of Anna Akhmatova (Boston, 1997).Google Scholar
Hermetet, Anne-Rachel. ‘Modern Classicism: La Nouvelle Revue Française (1909–43) and Commerce (1924–32)’, in The Oxford Critical and Cultural History of Modernist Magazines: Vol. III, Europe 1880–1940, Brooker, Peter, Bru, Sascha, Thacker, Andrew, and Weikop, Christian (eds.) (Oxford, 2009), pp. 101–19.Google Scholar
Hibberd, Dominic and Onions, John (eds.). The Winter of the World: Poems of the First World War (London, 2007).Google Scholar
Higonnet, Margaret (ed.). ‘The Great War and Female Elegy: Female Lamentation and Silence in Global Contexts’, The Global South, 1 (2007), pp. 120–36.Google Scholar
Higonnet, Margaret Lines of Fire: Women Writers of World War One (Harmondsworth, 1999).Google Scholar
Higonnet, Margaret Nurses at the Front: Writing the Wounds of the Great War (Boston, 2001).Google Scholar
Higonnet, Margaret, Jane Jenson, Sonya Michel, and Margaret Weiz (eds.). Behind the Lines: Gender and the Two World Wars (New Haven and London, 1987).Google Scholar
Hiles, Timothy W. ‘Reality and Utopia in Munich’s Premier Magazines: Simplicissimus (1896–1944) and Jugend (1896–1940)’, in The Oxford Critical and Cultural History of Modernist Magazines: Vol. III, Europe 1880–1940, Brooker, Peter, Bru, Sascha, Thacker, Andrew, and Weikop, Christian. (eds.) (Oxford, 2009), pp. 708–26.Google Scholar
Hills, Paul. ‘In Parenthesis, Making an Opera’, Welsh National Opera, http://inparenthesis.org.uk/episodes/ep-1 (March 2016).Google Scholar
Hollis, Matthew. Now All Roads Lead to France: The Last Years of Edward Thomas (London, 2011).Google Scholar
Holloway, David. Dark Somme Flowing: Australian Verse of the Great War 1914–1918 (Malvern, Victoria, 1987).Google Scholar
Holman, Carrie Ellen (ed.). In the Day of Battle: Poems of the Great War (3rd ed., Toronto, 1918).Google Scholar
Hopkins, Gerard Manley, The Major Works, ed. Catherine Phillips (Oxford: Oxford World’s Classics, 2009).Google Scholar
Horne, John (ed.). Our War: Ireland and the Great War, The 2008 Thomas Davis Lecture Series (Dublin, 2014).Google Scholar
Horne, John and Alan, Kramer. German Atrocities, 1914: A History of Denial (New Haven, CT, 2001).Google Scholar
Howlett, Jana. ‘“We’ll end in hell, my passionate sisters”: Russian Women Poets and World War 1’, in Women and World War 1: The Written Response, Goldman, Dorothy (ed.) (Basingstoke, 1993), pp. 72–91.Google Scholar
Hughes, Colin. David Jones, the Man Who Was on the Field: In Parenthesis as Straight Reporting (Manchester, 1979).Google Scholar
Hutchison, Hazel. The War That Used Up Words: American Writers and the First World War (New Haven and London, 2015).Google Scholar
Hynes, Samuel. A War Imagined: The First World War and English Culture (London, 1990).Google Scholar
Iqbal, Muhammed. Payam-i-Mashriq (A Message from the East) trans. M. Hadi Husain (1922; Lahore, 1977).Google Scholar
Ivanov, A. I. Politika i poetika: russkaia literatura v istoriko-kul′turnom kontekste Pervoi mirovoi voiny, Glukhova, E. V. et al. (eds.) (Moscow, 2014).Google Scholar
Jahn, Hubertus F. Patriotic Culture in Russia during World War I (Ithaca and London, 1995).Google Scholar
Johnson, George M. Mourning and Mysticism in First World War Literature and Beyond: Grappling with Ghosts (London, 2015).Google Scholar
Johnston, John H. ‘David Jones, the Heroic Vision’, Review of Politics 24 (24 January 1962), 62–7.Google Scholar
Jones, Amelia. Irrational Modernism: A Neurasthenic History of New York Dada (Cambridge, MA, 2004).Google Scholar
Jordan, Lothar. ‘Zum Verhältnis traditioneller und innovativer Elemente in der Kriegslyrik August Stramms’, in Das Tempo dieser Zeit ist keine Kleinigkeit. Zur Literatur um 1918, by Drews, Jörg (ed.) (Munich, 1981), pp. 112–27.Google Scholar
Jouve, Pierre Jean Danse des morts (La-Chaux-de-Fonds, Édition d’action sociale, 1917).Google Scholar
Kaplan, Laurie. ‘Deformities of the Great War: The Narratives of Mary Borden and Helen Zenna Smith’, Women and Language (2004), 27, 2, pp. 35–43.Google Scholar
Keble, John. The Christian Year: Thoughts in Verse for the Sundays and Holydays throughout the Year (Oxford, 1827).Google Scholar
Keene, Jennifer D. Doughboys: The Great War and the Remaking of America (Baltimore, 2003).Google Scholar
Keshen, Jeffery A. ‘The First World War in Print’, History of the Book in Canada: 1840–1918 (Toronto, 2005).Google Scholar
Keshen, Jeffery A. Propaganda and Censorship During Canada’s Great War (Edmonton, 1996).Google Scholar
Khlebnikov, Velimir. Kniga pavshikh: poety Pervoi mirovoi voiny, Lukin, Evgenii (ed.) (St Petersburg, 2014).Google Scholar
Kiberd, Declan. Inventing Ireland: The Literature of the Modern Nation London (London, 1995).Google Scholar
Kipling, Rudyard. The Cambridge Edition of Kipling’s Poems, Collected Poems II, Pinney, Thomas (ed.) (Cambridge, 2013).Google Scholar
Knight, W. A. (ed.). Pro Patria et Rege: Poems on War, its Characterisations and Results 1st series (London, 1915).Google Scholar
Knight, W. A. Pro Patria et Rege: Poems on War, its Characterisations and Results 2nd series (London, 1915).Google Scholar
Kolonitskii, Boris. ‘Pervaia mirovaia voina i kul′turnaia pamiat′’, Zvezda, 11 (2014) http://magazines.russ.ru/zvezda/2014/11/10kl.htmlGoogle Scholar
Konstantinović, Radomir. Biće i jezik u iskustvu pesnika srpske kulture dvadesetog veka, 8 vols. (Belgrade, 1983).Google Scholar
Konstantinović, Radomir ‘O jednom ćutanju (Srpska književnost o prvom svetskom ratu’, Letopis Matice srpske 395, 3 (March 1965), pp. 190–200.Google Scholar
Krasnikov, Gennadii. ‘“Vnimaia uzhasam voiny”: Pervaia mirovaia voina v proizvedeniiakh russkikh pisatelei’, Nash sovremennik, 8 (2014), pp. 271–82.Google Scholar
Krockel, Carl. War Trauma and English Modernism: T. S. Eliot and D. H. Lawrence (Houndmills, 2011).Google Scholar
Kyle, Galloway (ed.). More Songs by the Fighting Men: Soldier Poets, Second Series (London, 1917).Google Scholar
Larronde, Carlos (ed.). Anthologie des Ecrivains français morts pour la Patrie, vol. 4 (Paris, 1916).Google Scholar
Laubenthal, Christina. ‘Wilfred Owen’s Onomatopoeic Critique of War’, The Explicator, 73, 3 (2015), pp. 163–7.Google Scholar
Ledwidge, Francis. Selected Poems, Bolger, Dermot (ed.), introduction by Seamus Heaney (Dublin, 2017).Google Scholar
Leonard, S. A. (ed.). Les auteurs de la tranchée. Pages choisies des lauréats du concours des auteurs du front (Paris, 1920).Google Scholar
Lewis-Williams, David. The Mind in the Cave: Consciousness and the Origins of Art (London, 2004).Google Scholar
Libau, Heike, Katrin Bromber, Katharina Lange, Dyala Hamzah, and Ravi Ahuja (eds.). The World in World Wars: Experiences, Perceptions and Perspectives from Africa and Asia (Leiden, 2010).Google Scholar
Liddiard, Jean. ‘Rosenberg, A Personal View of his Reputation since 1918, with an Unpublished Letter to Paul Nash’, War Poetry Review, London 2010, pp. 9-29.Google Scholar
Lighthall, W. D. ‘Canadian Poets of the Great War’, Canadian Bookman 2 (April 1919), 14-22.Google Scholar
Lighthall, W. D. Canadian Poets of the Great War: Presidential Address (Ottawa, 1918).Google Scholar
The Paths of Glory: A Collection of Poems Written during the War 1914–1919 (London, 1919).Google Scholar
Logan, John Daniel. Insulters of Death and Other Poems of the Great Departure (Halifax, 1916).Google Scholar
Logan, John Daniel and Donald, French. Highways of Canadian Literature (Toronto, 1924).Google Scholar
Longley, Edna. The Living Stream: Literature and Revisionism in Ireland (Newcastle-upon-Tyne, 1994).Google Scholar
‘Out of the Smoke: Great War Poems 1965-2014: A Selection’, Requiem: The Great War. Double issue of Agenda, 48, 3-4, pp. 13–29.Google Scholar
Lyons, Philippa (ed.). Twentieth-Century War Poetry: A Reader’s Guide to Essential Criticism (Basingstoke, 2005).Google Scholar
MacDonagh, John. ‘Let Ireland Weep: Poetry of Loss in the First World War’, Journal of France-Irish Studies 4, 1, Article 3, 2015). https://arrow.tudublin.ie/cgi/viewcontent.cgi?article=1036&context=jofisGoogle Scholar
Macdonald, Erskine and S. Gertrude Ford (eds.). A Crown of Amaranth (new/rev. ed., London, 1917).Google Scholar
MacDonald, W. L. ‘Nationality in Canadian Poetry’, Canadian Magazine 63, 5 (March 1924), pp. 303–12.Google Scholar
MacGreevy, Thomas. Collected Poems: An Annotated Edition, Schreibman, Susan (ed.) (Dublin, 1991).Google Scholar
MacGreevy, Thomas. The Life and Work of Thomas MacGreevy: A Critical Reappraisal, Schreibman, Susan (ed.) (London, 2013).Google Scholar
Malysheva, Svetlana. ‘Mass Urban Festivals in the Era of War and Revolution’, in Russian Culture in War and Revolution 1914-1922, Book 2: Political Culture, Identities, Mentalities and Memory, Frame, Murray, Kolonitskii, Boris, Marks, Steven G., and Stockdale, Melissa K. (eds.) (Bloomington, 2014), pp. 99–120.Google Scholar
Marčetić, Adrijana. ‘A Tribute to Princip: Metapoetry and Commentaries’, Transcultural Studies, 11, 2 (2015), pp. 163–70.Google Scholar
Marinetti, Filippo Tommaso. Technical Manifesto of Futurist Literature (London, 1912).Google Scholar
Marsland, Elizabeth A. The Nation’s Cause: French, English, and German Poetry of the First World War (London, 1991; reissued 2011).Google Scholar
Maylam, P. A History of the African People of South Africa: From the Early Iron Age to the 1970s (Cape Town, 1989).Google Scholar
McBride, Douglas Brent. ‘A Critical Mass for Modernism in Berlin: Der Sturm (1910–32); Die Aktion (1911–32); and Sturm-Bühne (1918–19)’, in The Oxford Critical and Cultural History of Modernist Magazines: Vol. III, Europe 1880–1940, Brooker, Peter, Bru, Sascha, Thacker, Andrew, and Weikop, Christian (eds.) (Oxford, 2009), pp. 773–97.Google Scholar
McIntosh, Gillian and Diana, Urquhart (eds.). Irish Women at War: The Twentieth Century (Newbridge, 2010).Google Scholar
McLoughlin, Kate, ‘The Great War and Modern Memory’, Essays in Criticism 64/4 (2014) pp. 436–58.Google Scholar
McNaughton, James. ‘Thomas MacGreevy’s Poetics of Loss: War, Sexuality and Archive’, Journal of Modern Literature 35, 4 (Summer 2012), pp. 130–50.Google Scholar
Medek, Rudolf. Lví srdce (Nákladem informačně-Osvětového Odboru Ministerstva Vojenství: Irkutsko, 1919).Google Scholar
Mengaldo, Elisabetta. ‘“Ein Schatten bin ich … ”? Die Entwicklung des lyrischen Subjekts bei Trakl’, in Autorschaft und Poetik in Texten und Kontexten Georg Trakls, Degner, Uta, Weichselbaum, Hans, and Wolf, Norbert Christian (eds.) (Salzburg, 2016), pp. 323--42.Google Scholar
Merrington, Peter. ‘A Staggered Orientalism: The Cape-to-Cairo Imaginary’, in South Africa in the Global Imaginary, De Kock, L, Bethlehem, L., and Laden, S (eds.) (Pretoria, 2004), pp. 57–93.Google Scholar
Michler, Werner. ‘Avantgarde, Krieg, Trompeten. Form und Gattungsstrategien bei Georg Trakl und im österreichischen Expressionismus’, in Autorschaft und Poetik in Texten und Kontexten Georg Trakls, Degner, Uta, Weichselbaum, Hans, and Wolf, Norbert Christian (eds.) (Salzburg, 2016), pp. 377–92.Google Scholar
Miller, Alisa. ‘Rupert Brooke and the Growth of Commercial Patriotism in Great Britain, 1914-1918’, Twentieth Century British History, 22, 2, 2010, pp. 141–62.Google Scholar
Miller, Cristanne. ‘Distrusting: Marianne Moore on Feeling and War in the 1940s’, American Literature 8, 2 (June 2008), pp. 353–79.Google Scholar
Milligan, J. Lewis. ‘The Poets and the War’, Canadian Magazine 45, 3 (July 1915), pp. 231-39.Google Scholar
Milne, Lesley. ‘“Novyi Satirikon”, 1914–1918: The Patriotic Laughter of the Russian Liberal Intelligentsia during the First World War and the Revolution’, Slavonic and East European Review, 84 (2006), pp. 639–65.Google Scholar
Mir, Farina. The Social Space of Language: Vernacular Culture in British Colonial Punjab (Berkeley, 2010).Google Scholar
Mishra, Pankaj. From the Ruins of Empire: The Revolt Against the West and Remaking of Asia (London, 2013).Google Scholar
Moore, Marianne. Becoming Marianne Moore: The Early Poems, 1907–1924, Schulze, Robin G. (ed.) (Berkeley, 2002).Google Scholar
Morris, William. ‘The Man Born to be King: Argument’, William Morris, ed. Henry Newbolt (ed.), (London, nd).Google Scholar
Morrisson, Mark. ‘BLAST: An Introduction’, The Modernist Journals Project, https://modjourn.org/blast-an-introduction.Google Scholar
Moult, Thomas (ed.). Cenotaph: A Book of Remembrance in Poetry and Prose for November the Eleventh (London, 1923).Google Scholar
Murdoch, Brian. German Literature and the First World War: The Anti-War Tradition: Collected Essays (London and New York, 2017).Google Scholar
Musarra, Franco. ‘Ugo Betti’ in Encyclopedia of Italian Literary Studies, Gaetana Marrone and Paolo Puppa (eds.) (Oxfordshire, 2006).Google Scholar
Nandy, Ashis. The Illegitimacy of Nationalism: Tagore and the Politics of the Self (Delhi, 1994).Google Scholar
Nasson, Bill. ‘Tommy Atkins in South Africa’, in P. Warwick and S. B. Spies (eds.), The South African War: The Anglo-Boer War 1899–1902 (Essex, 1980), p. 124.Google Scholar
Nasson, Bill ‘Delville Wood and South African Great War Commemoration’, English Historical Review 119, 480, 2004, pp. 57–86.Google Scholar
Nasson, B. Springboks on the Somme: South Africa in the Great War 1914–1918 (Johannesburg, 2007).Google Scholar
Natter, Wolfgang G. Literature at War, 1914–1940: Representing the Time of Greatness in Germany (London, 1999).Google Scholar
Nesmelov, Arsenii. ‘Shel v boi Fanagoriiskii polk’, Razgovor: poeticheskii zhurnal, 1 (2014), http://litbook.ru/article/6755/Google Scholar
Neumann, Stanislav Kostka. Stati a projevy. vol. 4, Chlíbcová, Milada (ed.), (Praha, 1973).Google Scholar
Newman, Vivien (ed.). Tumult and Tears: The Story of the Great War through the Eyes and Lives of Its Women Poets (Barnsley, 2016).Google Scholar
Noakes, Vivien Voices of Silence: The Alternative Book of First World War Poetry (Phoenix Mill, Gloucestershire, 2006).Google Scholar
Nyamende, A. ‘The Life and Times of Isaac William Wauchope (1852-1917)’, Quarterly Bulletin of the National Library of South Africa 65 (2011), 1/2, pp. 4–15.Google Scholar
O’Dowd, Bernard. The Poems of Bernard O’Dowd: Collected Edition, Murdoch, Walter (ed.), (Melbourne, 1944).Google Scholar
O’Grady, Thomas. ‘Places and Times: The Doubleness of Francis Ledwidge’, Studies: An Irish Quarterly, 104, 414 (2015), pp. 144–56.Google Scholar
O’Oleschinski, Brigitte. ‘Trakl Tapete’, in Trakl und wir. Fünfzig Blicke in einen Opal, Bonné, Mirko and Schulz, Tom (eds.) (München, 2014), pp. 164–6.Google Scholar
Omissi, David (ed.). Indian Voices of the Great War 1914–1918 (Basingstoke: Macmillan, 1999).Google Scholar
Opland, J. ‘Nineteenth-century Xhosa literature’, Kronos Southern African Histories 30 (November 2004), pp. 22-46.Google Scholar
Opland, J. Words That Circle Words: A Choice of South African Oral Poetry (Parklands, 1992).Google Scholar
Opland, J. and Mtuze, P. T. (eds. and trans.). ‘SEK Mqhayi, Iziganeko zesizwe: occasional poems (1900-1943)’, Publications of the Opland collection of Xhosa literature, vol. 4. Pietermaritzburg, 2017), pp. 198–9.Google Scholar
O’Prey, Paul (ed.). First World War: Poems from the Front (Imperial War Museum, 2014).Google Scholar
O’Prey, Paul. ‘Robert Graves and Literary Survival’, War Poetry Review (London, 2007).Google Scholar
O’Toole, Tina, Gillian McIntosh, and Muireann O’Cinneide. Women Writing War: Ireland 1880–1922 (Dublin, 2016).Google Scholar
Owen, Wilfred. The Complete Poems and Fragments of Wilfred Owen, 2 vols, Jon Stallworthy (ed.) (Oxford, 1984; new edition, 2013).Google Scholar
Palmer, Andrew and Sally, Minogue. ‘Modernism and First World War Poetry: Alternate Lines’, in A History of Modernist Poetry, Davis, Alex and Jenkins, Lee M. (eds.) (Cambridge, 2015), pp. 227–52.Google Scholar
Palmer, Andrew and Sally Minogue, The Remembered Dead: Poetry, Memory and the First World War (Cambridge, 2018).Google Scholar
Parenteau, Olivier. L’honneur des poètes. Grande Guerre et modernité poétique (Apollinaire, Cocteau, Drieu-la-Rochelle, Éluard) (unpublished PhD thesis, McGill University, 2009).Google Scholar
Parker, George. A History of a Canadian Publishing House: A Study of the Relation between Publishing and the Profession of Writing (Unpublished manuscript, 1969).Google Scholar
Perloff, Majorie. ‘“Easter, 1916”: Yeats’s First World War Poem’, in The Oxford Handbook of British and Irish War Poetry, Tim Kendall (ed.) (Oxford, 2007).Google Scholar
Perloff, Marjorie. ‘The Great War and the European Avant-Garde’, in The Cambridge Companion to The Literature of the First World War, Sherry, Vincent (ed.) (Cambridge, 2005), pp. 141–65.Google Scholar
Pervaia mirovaia voina i russkaia literatura. Politika i poetika: istoriko-kul0turnyi kontekst
, website created by Institut mirovoi literatury [the Institute of World Literature], http://ruslitwwi.ru/.Google Scholar
Pervaia mirovaia voina v russkoi literature, foreword S. Naryshkin, comp. and afterword Gennadii Krasnikov [various authors] (Moscow, 2014).Google Scholar
Petrović, Rastko. ‘Juče i danas’. Srpski književni glasnik, NS, IV, 1 (1 September 1921), pp. 52–4.Google Scholar
‘Veliki drug’, Vreme, N° 1456 (1926).Google Scholar
Phillips, Terry. Irish Literature and the First World War: Culture, Identity and Memory (Bern, 2015).Google Scholar
Picchione, John and Lawrence R. Smith (eds.). Twentieth-Century Italian Poetry: An Anthology (Toronto, 1993).Google Scholar
Picon, Guillaume. Poèmes de poilus. Anthologie de poèmes français, anglais, allemands, italiens, russes, 1914-1918 (Paris, 2014).Google Scholar
Pinthus, Kurt (ed.). Menschheitsdämmerung: Ein Dokument des Expressionismus (Berlin, 1920).Google Scholar
Pinthus, Kurt Menschheitsdämmerung / Dawn of Humanity: A Document of Expressionism, Joanna M. Ratych et al. (trans.), (Columbia, 1994).Google Scholar
Plain, Gill. ‘Great Expectations: Rehabilitating the Recalcitrant War Poets’, Feminist Review 51 (Autumn 1995), pp. 41–65.Google Scholar
Pocock, Guy Noel (ed.). Modern Poetry: The King’s Treasuries of Literature (London, 1920).Google Scholar
Potter, Jane. ‘“A Certain Poetess”: Recuperating Jessie Pope’, in Far Beyond the Lines: Landscapes and Voices of the Great War, Smith, Angela K. and Cowman, Krista (eds.) (Abingdon, 2016), pp. 97–114.Google Scholar
Potter, Jane ‘“I can find no word to qualify my experiences except the word SHEER”’: Wilfred Owen’s Letters and his Baptisms of Fire’, in Writing the Great War / Comment écrire la Grande Guerre? Poétiques francophones et anglophones / Francophone and Anglophone Poetics, Bianchi, Nicolas and Garfitt, Toby (eds.) (Oxford, 2017), pp. 121–135.Google Scholar
Potter, Jane ‘Jessie Pope’, Oxford Dictionary of National Biography, https://doi-org.libezproxy.open.ac.uk/10.1093/ref:odnb/98109 https://doi.org/10.1093/ref:odnb/98109.Google Scholar
Potts, Donna L. ‘Irish Poetry and the Modernist Canon: A Reappraisal of Katharine Tynan’, in Border-Crossings: Irish Writers and National Identities, Kirkpatrick, Kathyrn (ed.) (Tuscaloosa, 2000), pp. 79–99.Google Scholar
Pound, Ezra The Selected Letters of Ezra Pound: 1907–1941, Paige, D. D., (ed.) (New York, 1971).Google Scholar
Pourrat, Henri. Les montagnards. Chronique paysanne de la Grande Guerre (mars 1916) (Paris, 1919).Google Scholar
Porter, Joy. Trauma, Primitivism and the First World War: The Making of Frank Prewett (London, 2021).Google Scholar
Preston, Carrie J. Modernism’s Mythic Pose: Gender, Genre, Solo Performance (Oxford: Oxford University Press, 2011).Google Scholar
Prévost, Ernest and Charles, Dornier (eds.). Le livre épique, anthologie des poèmes de la Grande Guerre (Paris, 1920).Google Scholar
Prewett, Frank. The Selected Poems of Frank Prewett, Meyer, Bruce and Callaghan, Barry (eds.) (Toronto, 2000).Google Scholar
Price, Alan. The End of the Age of Innocence: Edith Wharton and the First World War (New York, 1996).Google Scholar
Procacci, Giovanna. ‘Women in Popular Demonstrations against the War in Italy (1914-1918)’, in Living War, Thinking Peace (1914–1924): Women’s Experiences, Feminist Thought, and International Relations, Bianchi, Bruna and Ludbrook, Geraldine (eds.) (Newcastle, 2016), pp. 2–26.Google Scholar
Procacci, Giovanna., ‘Women in Popular Demonstrations Against the War in Italy (1914–1918),’ in Living War, Thinking Peace: Women’s Experiences, Feminist Thought, and International Relations, Bruna Bianchi and Geraldine Ludbrook (eds.) (Newcastle upon Tyne, 2016).Google Scholar
Rabindra Racanaboli (Calcutta, 1915).Google Scholar
Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture (New Haven, 1998).Google Scholar
Rainey, Lawrence. Christine Poggi and Laura Wittman, Futurism: An Anthology (New Haven, 2009).Google Scholar
Ransome, Arthur. The Autobiography of Arthur Ransome, Hart-Davis, Rupert (ed.) (London, 1976).Google Scholar
Rayfield, Donald. ‘The Soldier’s Lament: World War One Folk Poetry in the Russian Empire’, Slavonic and East European Review, 1 (1988), pp. 66–90.Google Scholar
Read, Peter. ‘Guillaume Apollinaire’, in The Lost Voices of War World War 1: An Anthology of Writers, Poets and Playwrights, Cross, Tim (ed.) (London, 1988).Google Scholar
Reilly, Catherine (ed.). English Poetry of the First World War: A Bibliography (London, 1978).Google Scholar
Reilly, Catherine Scars Upon My Heart: Women’s Poetry and Verse of the First World War (London, 1981).Google Scholar
Rensen, Marleen. ‘Restoring the Republic of Letters: Romain Rolland, Stefan Zweig and Transnational Community Building in Europe, 1914–34’, in (Re)constructing Communities in Europe, 1918–1968: Senses of Belonging Below, Beyond and Within the Nation State, Couperus, Stefan and Kaal, Harm (eds.) (New York, 2017), pp. 153–74.Google Scholar
Reynolds, David. The Long Shadow: The Great War and the Twentieth Century (London, 2013).Google Scholar
Ribeiro, Julia. ‘“Knowing You Will Understand”: The Usage of Poetry as a Historical Source about the Experience of the First World War’, Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses, 2018, 31, pp. 109–24.Google Scholar
Richards, Jeffrey. ‘“Passing the Love of Women”: Manly Love and Victorian Society’, in Manliness and Morality: Middle-class Masculinity in Britain and America, 1800–1940, Mangan, J. A. and Walvin, James (eds.) (Manchester, 1987), pp. 92–122.Google Scholar
Ricketts, Harry. ‘“Fear’s Head Hid In Joke”: Donald H. Lea and Alfred Clark, Two New Zealand First World War Poets’, Journal of New Zealand Literature, 33, 2, 2015, pp. 50–71.Google Scholar
Rilke, Rainer Maria. Werke. Kommentierte Ausgabe in vier Bänden. Manfred Engel et al. (eds.), (Frankfurt am Main und Leipzig, 1996).Google Scholar
Roberts, Charles G. D. The Collected Poems of Sir Charles G. D. Roberts, Pacey, Desmond (ed.) (Wolfville, NS, 1985).Google Scholar
Roberts, David. Minds at War: The Poetry and Experience of the First World War (Sussex: 1996).Google Scholar
Rosenberg, Isaac. The Collected Works of Isaac Rosenberg, Bottomley, Gordon and Harding, Denys (eds.), with a foreword by Sassoon, Siegfried (London, 1937).Google Scholar
Rosenberg, Isaac. Poetry Out of My Head and Heart, Liddiard, Jean (ed.) (London, 2007).Google Scholar
Rosenberg, Isaac. Isaac Rosenberg 1890–1918 Catalogue with Letters. Maurice de Sausmarez and Jon Silkin (eds.) (Leeds, 1959).Google Scholar
Roshwald, Aviel and Richard, Stites (eds.). European Culture in the Great War: The Arts, Entertainment, and Propaganda, 1914–1918 (Cambridge, 1999).Google Scholar
Rothkopf, Carol Z. Selected Letters of Siegfried Sassoon and Edmund Blunden (London: 2012).Google Scholar
Ruskino, N. Elaine. ‘The Theme of War in the Works of Gumilev’, Slavic and East European Journal, 32 (1977), pp. 204–13.Google Scholar
Ruzich, Constance M. International Poetry of the First World War: An Anthology of Lost Voices (London, 2020).Google Scholar
Rzhevsky, Nicholas and Tatiana, Shamkovich (trans.). ‘The Tale of Igor’, in An Anthology of Russian Literature from Earliest Writings to Modern Fiction: Introduction to a Culture, Rzhevsky, Nicholas (ed.) (Armonk, 2004), pp. 11–20.Google Scholar
Saba, Umberto. Canzoniere, Hochfield, George and Nathan, Leonard (eds. and trans.) (New Haven, 2008).Google Scholar
Sanders, Michael and Philip M. Taylor. British Propaganda During the First World War (London, 1982).Google Scholar
Sargant, E. B. and Sargant, M. (eds.). The Country’s Call: A Short Selection of Patriotic Verse (London, 1914).Google Scholar
Sassoon, Siegfried. The Complete Memoirs of George Sherston (London: Faber and Faber, 1960).Google Scholar
Schnapp, Jeffrey. ‘Filippo Tommaso Marinetti’, in Twentieth-Century Italian Poetry: An Anthology, Picchione, John and Smith, Lawrence R. (eds.) (Toronto, 1993), p. 105.Google Scholar
Schweik, Susan. ‘Writing War Poetry Like a Woman’, Critical Inquiry, 13 (1987), pp. 532–56.Google Scholar
Scolè, Pierlugi. ‘War Losses (Italy)’, in International Encyclopedia of the First World War. http://encyclopedia.1914-1918-online.net/article/war_losses_italy.Google Scholar
Scott, Duncan Campbell. ‘Poetry and Progress’, Canadian Magazine 60, 3 (1923), pp. 187–95.Google Scholar
Scott, Frederick George. In the Battle Silences: Poems Written at the Front (Toronto, ca. 1916).Google Scholar
Seal, Graham. The Soldiers’ Press: Trench Journals in the First World War (Basingstoke, 2013).Google Scholar
A Selection of Poems from Recent Volumes Published by Sidgwick and Jackson (London, 1916).Google Scholar
Service, Robert. ‘Records of a Red Cross Man: Where Grim Men Watch and Wait’, Toronto Daily Star, 15 January 1916.Google Scholar
Sharkey, Michael. Many Such as She: Victorian Australian Women Poets of World War One (Tasmania, 2018).Google Scholar
Sheppard, Richard. ‘German Expressionist Poetry’, in Modernism, Bradbury, M. and McFarlane, J. (eds.) (London, 1976), pp. 274–91.Google Scholar
Sherry, Vincent (ed.). The Cambridge Companion to the Literature of the First World War (Cambridge, 2005).Google Scholar
Sherry, Vincent ‘David Jones’ In Parenthesis: New Measure’, Twentieth Century Literature 28, 4 (Winter 1982), pp. 375–80.Google Scholar
Siebrecht, Claudia. ‘The Mater Dolorosa on the Battlefield: Mourning Mothers in German Women’s Art of the First World War’, in Untold War: New Perspectives in First World War Studies, Jones, Heather, O’Brien, Jennifer and Schmidt-Supprian, Christoph (eds.) (Leiden, 2008), pp. 259–92.Google Scholar
Simmers, George. ‘T.S. Eliot’s Letter to The Nation’, paper presented at American Modernism: Cultural Transactions conference. Oxford Brookes University, 2006.Google Scholar
Sinfield, Mark. ‘Wilfred Owen’s “Mental Cases”: Source and Structure’, Notes and Queries (August, 1982), pp. 339-341.Google Scholar
Smale, Catherine. ‘Auf uns sinken die Toten’: Anti-War Sentiment in Expressionist Women’s Writing from the First World War’, in War in Peace: Pacifist and Anti-War Writing in the Battle for Control of German Great War Memory, Kramer, Andreas and Robertson, Ritchie (eds.) (Munich, 2018), pp. 77–92.Google Scholar
Smale, Catherine. ‘“Erwachende Frauen”: Grief as Protest in Expressionist Women’s Poetry from the First World War’, in Protest and Reform in Wilhelmine German Culture (1871–1918), Woodford, Charlotte and Weiss-Sussex, Godela (eds.) (Munich, 2015), pp. 185–204.Google Scholar
Smith, Angela K. The Second Battlefield: Women, Modernism and the First World War (Manchester, 2000).Google Scholar
Smith, Angela K. and Krista, Cowman (eds.). Landscapes and Voices of the Great War (Abingdon, 2017).Google Scholar
Smith, Leonard V., Stéphane Audoin-Rouzeau, and Annette Becker (eds.). France and the Great War, 1914–1918 (Cambridge, 2003).Google Scholar
Sokolov, Anatolii and Boris, Orlov (eds.). Poety pervoi mirovoi voiny (St Petersburg, 2017).Google Scholar
Somigli, Luca and Simona Storchi (eds.). Annali d’Italianistica 33: The Great War and the Modernist Imagination in Italy (2015).Google Scholar
Songs and Sonnets for England in War Time: Being a Collection of Lyrics by Various Authors Inspired by the Great War [various authors] (London, 1914).Google Scholar
Sorrie, Charles. ‘Censorship of the Press in France, 1917–1918’ (PhD thesis, London School of Economics, 2014).Google Scholar
Sorley, Charles Hamilton., Marlborough and Other Poems, rev’d edition (Cambridge, 1916).Google Scholar
Souter, Gavin. A Torrent of Words: Leon Gellert: A Writer’s Life (Canberra, 1996).