Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-lvwk9 Total loading time: 0 Render date: 2024-10-05T15:57:21.921Z Has data issue: false hasContentIssue false

Suggested Further Reading

Published online by Cambridge University Press:  21 January 2017

Jennifer Putzi
Affiliation:
College of William and Mary, Virginia
Alexandra Socarides
Affiliation:
University of Missouri, Columbia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Argersinger, Jana L. and Cole, Phyllis, eds. Toward a Female Genealogy of Transcendentalism. Athens: University of Georgia Press, 2014.
Armstrong, Isobel. Victorian Poetry: Poetry, Poetics, and Politics. New York: Routledge, 1993.
Armstrong, Isobel, Bristow, Joseph and Sharrock, Cath, eds. Nineteenth-Century Women Poets. Oxford and New York: Oxford University Press, 1996.
Backscheider, Paula R. Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre. Baltimore: Johns Hopkins University Press, 2005.
Bailey, Brigitte, Viens, Katheryn P., and Wright, Conrad Edick, eds. Margaret Fuller and Her Circles. Durham: University of New Hampshire Press, 2013.
Barrett, Faith. To Fight Aloud Is Very Brave: American Poetry and the Civil War. Amherst: University of Massachusetts Press, 2012.
Bauer, Dale M. and Gould, Philip, eds. The Cambridge Companion to Nineteenth-Century American Women's Writing. Cambridge: Cambridge University Press, 2001.
Beam, Dorri. Style, Gender, and Fantasy in Nineteenth-Century Women's Writings. Cambridge and New York: Cambridge University Press, 2011.
Bennett, Paula Bernat. “Laughing all the Way to the Bank: Female Sentimentalists in the Marketplace, 1825–1850.” Studies in American Humor 3 (2002): 11–25.Google Scholar
Bennett, Paula Bernat, ed. Nineteenth-Century American Women Poets: An Anthology. Malden and Oxford: Wiley-Blackwell, 1998.
Bennett, Paula Bernat, ed. Palace-Burner: The Selected Poetry of Sarah Piatt. Urbana: University of Illinois Press, 2001.
Bennett, Paula Bernat. Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800–1900. Princeton: Princeton University Press, 2003.
Bennett, Paula Bernat. “‘Pomegranate-Flowers’: The Phantasmic Productions of Late-Nineteenth-Century Anglo-American Women Poets.” Solitary Pleasures: The Historical, Literary, and Artistic Discourses of Autoeroticism. Bennett, Paula and Rosario, Vernon A. II, eds. New York: Routledge, 1995. 189–213.
Bennett, Paula Bernat. “Was Sigourney a Poetess? The Aesthetics of Victorian Plenitude in Lydia Sigourney's Poetry.” Comparative American Studies 5 (2007): 265–289.Google Scholar
Bennett, Paula Bernat, Kilcup, Karen L. and Schweighauser, Philipp, eds. Teaching Nineteenth-Century American Poetry. New York: Modern Language Association of America, 2007.
Boggs, Colleen G. Transnationalism and American Literature: Literary Translation, 1773–1892. New York: Routledge, 2007.
Boyd, Melba Joyce. Discarded Legacy: Politics and Poetics in the Life of Frances E. W. Harper, 1825–1911. Detroit: Wayne State University Press, 1994.
Brooks, Joanna. “Our Phillis, Ourselves.” American Literature 82.1 (2010): 1–28.Google Scholar
Callahan, Monique-Adelle. Between the Lines: Literary Transnationalism and African American Poetics. Oxford and New York: Oxford University Press, 2011.
Carretta, Vincent. Phillis Wheatley: Biography of a Genius. Athens and London: University of Georgia Press, 2011.
Carretta, Vincent, ed. Unchained Voices: An Anthology of Black Authors in the English Speaking World of the Eighteenth-Century. Lexington: University of Kentucky Press, 2003.
Carruth, Mary, ed. Feminist Interventions in Early American Studies. Birmingham: University of Alabama Press, 2006.
Cavitch, Max. American Elegy: The Poetry of Mourning from the Puritans to Whitman, Minneapolis: University of Minnesota Press, 2007.
Cavitch, Max. “Lazarus and the Golem of Liberty.” American Literary History 18.1 (Spring 2006): 1–28.Google Scholar
Chapman, Alison, ed. Victorian Women Poets. Cambridge: D. S. Brewer, 2003.
Cherciu, Lucia. “Parody as Dialogue and Disenchantment: Remembering Phoebe Cary.” American Transcendental Quarterly 20.1 (March 2006): 325–341.Google Scholar
Cohen, Lara Langer and Stein, Jordan Alexander, eds. Early African American Print Culture. Philadelphia: University of Pennsylvania Press, 2012.
Cohen, Michael. The Social Lives of Poems in Nineteenth-Century America. Philadelphia: University of Pennsylvania Press, 2015.
Coultrap-McQuin, Susan. Doing Literary Business: American Women Writers in the Nineteenth-Century. Chapel Hill: University of North Carolina Press, 1990.
Diehl, Joanne Feit. Women Poets and the American Sublime. Bloomington: Indiana University Press, 1990.
Dillon, Elizabeth Maddox. “Sentimental Aesthetics.” American Literature 76.3 (September 2004): 495–523.Google Scholar
Dobson, Joanne. “Reclaiming Sentimental Literature.” American Literature 69.2 (June 1997): 264–288.Google Scholar
Elbert, Monika M. Separate Spheres No More: Gender Convergence in American Literature, 1830–1939. Tuscaloosa: University of Alabama Press, 2000.
Erkkila, Betsy. The Wicked Sisters: Women Poets, Literary History, and Discord. Oxford and New York: Oxford University Press, 1992.
Ferry, Anne. Tradition and the Individual Poem: An Inquiry into Anthologies. Stanford: Stanford University Press, 2001.
Ferry, Anne, Pease, Donald, and Rowe, John Carlos, eds. Re-framing the Transnational Turn in American Studies. Lebanon: Dartmouth College Press, 2011.
Finch, Annie. “The Sentimental Poetess in the World: Metaphor and Subjectivity in Lydia Sigourney's Nature Poetry.” Legacy 5.2 (Fall 1998): 3–18.Google Scholar
Foster, Frances Smith, ed. A Brighter Coming Day: A Frances Ellen Watkins Harper Reader. New York: Feminist Press of CUNY, 1990.
Foster, Frances Smith, ed. Written By Herself: Literary Production by African American Women, 1746–1892. Indianapolis: Indiana University Press, 1993.
Gardner, Jared. The Rise and Fall of Early American Magazine Culture. Urbana: University of Illinois Press, 2012.
Ginzberg, Lori D. Women and the Work of Benevolence: Morality, Politics, and Class in the Nineteenth-Century United States. New Haven: Yale University Press, 1990.
Golding, Alan. From Outlaw to Classic: Canons in American Poetry. Madison: University of Wisconsin Press, 1995.
Graham, Maryemma and Ward, Jerry W., eds. Cambridge History of African American Literature. Cambridge and New York: Cambridge University Press, 2011.
Gray, Janet. Race and Time: American Women's Poetics from Antislavery to Modernity. Iowa City: University of Iowa Press, 2004.
Gray, Janet, ed. She Wields a Pen: American Women Poets of the Nineteenth Century. Iowa City: University of Iowa Press, 1997.
Gruesz, Kirsten Silva. Ambassadors of Culture: The Transamerican Origins of Latino Writing. Princeton: Princeton University Press, 2002.
Hagenbuchle, Roland, ed. American Poetry Between Tradition and Modernism. Regensburg: Verlag Friedrich Pustet, 1984.
Hager, Christopher and Marrs, Cody. “Against 1865: Reperiodizing the Nineteenth Century.” J19: The Journal of Nineteenth-Century Americanists 1 (2013): 259–284.Google Scholar
Henderson, Desirée. Grief and Genre in American Literature, 1790–1870. New York: Ashgate, 2011.
Hollander, John, ed. American Poetry: The Nineteenth Century. New York: Library of America, 1993.
Homestead, Melissa. American Women Authors and Literary Property, 1822–1869. Cambridge: Cambridge University Press, 2010.
Jackson, Virginia. “American Victorian Poetry: The Transatlantic Poetic.” Victorian Poetry 43 (2005): 157–164.Google Scholar
Jackson, Virginia. Dickinson's Misery: A Theory of Lyric Reading. Princeton: Princeton University Press, 2005.
Jackson, Virginia and Prins, Yopie. “Lyrical Studies.” Victorian Literature and Culture 7 (1999): 521–530.Google Scholar
Kelley, Mary. Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America. Oxford and New York: Oxford University Press, 1984.
Kete, Mary Louise. Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America. Durham: Duke University Press, 2000.
Kilcup, Karen and Sorby, Angela, eds. Over The River and Through The Woods: An Anthology of Nineteenth-Century American Children's Poetry. Baltimore: Johns Hopkins University Press, 2014.
Klotz, Sarah. “A Flight From Home: Negotiations of Gender and Nationality in Frances Osgood's Early Career.” Bailey, Brigitte, Damon-Bach, Lucinda, and Lueck, Beth L., eds. Transatlantic Women: Nineteenth-Century Women Writers and Great Britain. Durham: University of New Hampshire Press, 2012. 3–20.
Kohler, Michelle. Miles of Stare: Transcendentalism and the Problem of Literary Vision in Nineteenth-Century America. Tuscaloosa: University of Alabama Press, 2014.
Larson, Kerry ed. The Cambridge Companion to Nineteenth-Century American Poetry. Cambridge and New York: Cambridge University Press, 2011.
Larson, Kerry ed. Imagining Equality in Nineteenth-Century American Literature. Cambridge: Cambridge University Press, 2008.
Lawrence, Kathleen. “The ‘Dry-Lighted Soul’ Ignites: Emerson and His Soul-Mate Caroline Sturgis as Seen in Her Houghton Manuscripts.” Harvard Library Bulletin 16.3 (2005): 37–67.Google Scholar
Lawrence, Kathleen. “Soul Sisters and the Sister Arts: Margaret Fuller, Caroline Sturgis, and Their Private World of Love and Art.” ESQ: A Journal of the American Renaissance 57.1 (2011): 79–104.Google Scholar
Lehuu, Isabelle. Carnival on the Page: Popular Print Media in Antebellum America. Chapel Hill: University of North Carolina, 2000.
Leighton, Angela. Victorian Women Poets: Writing Against the Heart. Charlottesville: University Press of Virginia, 1992.
Leonard, Keith. Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights. Charlottesville: University of Virginia Press, 2006.
Levin, Joanna. Bohemia in America, 1858–1920. Stanford: Stanford University Press, 2010.
Levin, Joanna and Whitely, Edward, eds. Whitman among the Bohemians. Iowa City: University of Iowa Press, 2014.
Loeffelholz, Mary. Dickinson and the Boundaries of Feminist Theory. Urbana: University of Illinois Press, 1991.
Loeffelholz, Mary. From School to Salon: Reading Nineteenth-Century American Women's Poetry. Princeton: Princeton University Press, 2004.
Mandell, Laura, ed. “The Transatlantic Poetess.” Romanticism on the Net 29–30 (February–May 2003). www.erudit.org/revue/ron/2003/v/n29/index.html.
Martin, Wendy, ed. The Cambridge Companion to Emily Dickinson. Cambridge: Cambridge University Press, 1992.
McGill, Meredith L. American Literature and the Culture of Reprinting, 1834–1853. Philadelphia: University of Pennsylvania Press, 2003.
McGill, Meredith L., ed. The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. New Brunswick: Rutgers University Press, 2008.
Mellor, Anne K. Romanticism and Gender. New York: Routledge, 1993.
Miller, Cristanne. Reading in Time: Emily Dickinson in the Nineteenth Century. Amherst: University of Massachusetts Press, 2012.
Morris, Timothy. Becoming Canonical in American Poetry. Urbana and Chicago: University of Illinois Press, 1995.
Newcomb, John Timberlake. Would Poetry Disappear? American Verse and the Crisis of Modernity. Columbus: Ohio State University Press, 2004.
Okker, Patricia. Our Sister Editors: Sarah J. Hale and the Tradition of Nineteenth-Century American Women Editors. Athens: University of Georgia Press, 1995.
Ostriker, Alicia. Stealing the Language: The Emergence of Women's Poetry in America. Boston: Beacon, 1986.
Parker, Robert Dale, ed. The Sound the Stars Make Rushing Through the Sky: The Writings of Jane Johnston Schoolcraft. Philadelphia: University of Pennsylvania Press, 2007.
Petrino, Elizabeth A. Emily Dickinson and Her Contemporaries: Women's Verse in America, 1820–1885. Lebanon: University Press of New England, 1998.
Petrino, Elizabeth A.‘We are Rising as a People’: Frances Harper's Radical Views on Class and Racial Equality in Sketches of Southern Life.” American Transcendental Quarterly 19.2 (June 2005): 133–153.Google Scholar
Putzi, Jennifer. “‘Some Queer Freak of Taste’: Gender, Authorship, and the ‘Rock Me to Sleep’ Controversy.” American Literature 84.4 (2012): 769–795.Google Scholar
Richards, Eliza, ed. Emily Dickinson in Context. Cambridge and New York: Cambridge University Press, 2013.
Richards, Eliza, ed. Gender and the Poetics of Reception in Poe's Circle. Cambridge and New York: Cambridge University Press, 2004.
Roberts, Jess. “‘The Little Coffin’: Anthologies, Conventions, and Dead Children.” Representations of Death in Nineteenth-Century US Writing and Culture. Frank, Lucy, ed. Burlington: Ashgate, 2007. 141–154.
Rubin, Joan Shelley. Songs of Ourselves: The Uses of Poetry. Cambridge: Harvard University Press, 2007.
Shields, David S. Civil Tongues and Polite Letters in British America. Chapel Hill: University of North Carolina Press, 1997.
Shields, David S. Oracles of Empire: Poetry, Politics, and Empire in British America, 1690–1750. Chicago: University of Chicago Press, 1990.
Socarides, Alexandra. Dickinson Unbound: Paper, Process, Poetics. Oxford and New York: Oxford University Press, 2012.
Sorby, Angela. “The Milwaukee School of Fleshy Poetry: Ella Wheeler Wilcox's Poems of Passion and Popular Aestheticism.” Legacy 26.1 (2009): 69–91.Google Scholar
Sorby, Angela. Schoolroom Poets: Childhood, Performance, and the Place of American Poetry, 1865–1917. Durham: University of New Hampshire Press, 2005.
Stabile, Susan. Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America. Ithaca: Cornell University Press, 2004.
Stancliff, Michael. Frances Ellen Watkins Harper: African American Reform Rhetoric and the Rise of a Modern Nation State. New York: Routledge, 2011.
Steele, Jeffrey. Transfiguring America: Myth, Ideology, and Mourning in Margaret Fuller's Writing. Columbia: University of Missouri Press, 2001.
Steiner, Dorothea. “Women Poets in the Twilight Period.” American Poetry Between Tradition and Modernism. Hagenbuchle, Roland, ed. Regensburg: Verlag Friedrich Pustet, 1984. 169–190.
Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1790–1860. Oxford and New York: Oxford University Press, 1985.
Vietto, Angela. Women and Authorship in Revolutionary America. Aldershot: Ashgate Publishing, 2006.
Vincent, Patrick H. The Romantic Poetess: European Culture, Politics, and Gender, 1820–1840. Hanover: University Press of New England Press, 2004.
Walker, Cheryl, ed. American Women Poets of the Nineteenth Century: An Anthology. New Brunswick: Rutgers University Press, 1995.
Walker, Cheryl, ed. “Ina Coolbrith and the Nightingale Tradition.” Legacy 6.1 (1989): 27–33.Google Scholar
Walker, Cheryl, ed. The Nightingale's Burden: Women Poets before 1900. Bloomington: Indiana University Press, 1983.
Walker, Cheryl, ed. “Nineteenth-Century Women Poets and Realism.” American Literary Realism 23.3 (1991): 24–41.Google Scholar
Watt, Emily Stipes. The Poetry of American Women from 1632 to 1943. Austin: University of Texas Press, 1977.
Wendorff, Laura C.‘The Vivid Dreamings of an Unsatisfied Heart’: Gender Ideology, Literary Aesthetics, and the ‘Poetess’ in Nineteenth-Century America.” American Transcendental Quarterly 15 (2001): 109–129.Google Scholar
Weyler, Karen A. Empowering Words: Outsiders and Authorship in Early America. Athens: The University of Georgia Press, 2013.
Williams, Gary. Hungry Heart: The Literary Emergence of Julia Ward Howe. Amherst: University of Massachusetts Press, 1999.
Williams, Susan S. Reclaiming Authorship: Literary Women in America, 1850–1900. Philadelphia: University of Pennsylvania Press, 2006.
Wolosky, Shira. Feminist Theory Across Disciplines: Feminist Community and American Women's Poetry. New York: Routledge, 2013.
Wolosky, Shira. Major Voices: 19th-century American Women's Poetry. New Milford: The Toby Press, 2003.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Suggested Further Reading
  • Edited by Jennifer Putzi, College of William and Mary, Virginia, Alexandra Socarides, University of Missouri, Columbia
  • Book: A History of Nineteenth-Century American Women's Poetry
  • Online publication: 21 January 2017
  • Chapter DOI: https://doi.org/10.1017/9781316018767.027
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Suggested Further Reading
  • Edited by Jennifer Putzi, College of William and Mary, Virginia, Alexandra Socarides, University of Missouri, Columbia
  • Book: A History of Nineteenth-Century American Women's Poetry
  • Online publication: 21 January 2017
  • Chapter DOI: https://doi.org/10.1017/9781316018767.027
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Suggested Further Reading
  • Edited by Jennifer Putzi, College of William and Mary, Virginia, Alexandra Socarides, University of Missouri, Columbia
  • Book: A History of Nineteenth-Century American Women's Poetry
  • Online publication: 21 January 2017
  • Chapter DOI: https://doi.org/10.1017/9781316018767.027
Available formats
×