Book contents
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Editors’ Preface
- List of Abbreviations
- Norman Scarfe: An Appreciation
- Domesday Herrings
- Searching for Salvation in Anglo-Norman East Anglia
- ‘On the Threshold of Eternity’: Care for the Sick in East Anglian Monasteries
- The Parson’s Glebe: Stable, Expanding or Shrinking?
- Suffolk Churches in the Later Middle Ages: The Evidence of Wills
- Sir John Fastolf and the Land Market: An Enquiry of the Early 1430s regarding Purchasable Property
- Sir Philip Bothe of Shrubland: The Last of a Distinguished Line Builds in Commemoration
- A First Stirring of Suffolk Archaeology?
- Concept and Compromise: Sir Nicholas Bacon and the Building of Stiffkey Hall
- Shrubland before Barry: A House and its Landscape 1660–1880
- Garden Canals in Suffolk
- Estate Stewards in Woodland High Suffolk 1690–1880
- A Journal of a Tour through Suffolk, Norfolk, Lincolnshire and Yorkshire in the Summer of 1741
- Thomas Gainsborough as an Ipswich Musician, a Collector of Prints and a Caricaturist
- Ipswich Museum Moralities in the 1840s and 1850s
- John Cordy Jeaffreson (1831–1901) and the Ipswich Borough Records
- The Caen Controversy
- Select Bibliography of the Writings of Norman Scarfe
Ipswich Museum Moralities in the 1840s and 1850s
Published online by Cambridge University Press: 21 March 2023
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Editors’ Preface
- List of Abbreviations
- Norman Scarfe: An Appreciation
- Domesday Herrings
- Searching for Salvation in Anglo-Norman East Anglia
- ‘On the Threshold of Eternity’: Care for the Sick in East Anglian Monasteries
- The Parson’s Glebe: Stable, Expanding or Shrinking?
- Suffolk Churches in the Later Middle Ages: The Evidence of Wills
- Sir John Fastolf and the Land Market: An Enquiry of the Early 1430s regarding Purchasable Property
- Sir Philip Bothe of Shrubland: The Last of a Distinguished Line Builds in Commemoration
- A First Stirring of Suffolk Archaeology?
- Concept and Compromise: Sir Nicholas Bacon and the Building of Stiffkey Hall
- Shrubland before Barry: A House and its Landscape 1660–1880
- Garden Canals in Suffolk
- Estate Stewards in Woodland High Suffolk 1690–1880
- A Journal of a Tour through Suffolk, Norfolk, Lincolnshire and Yorkshire in the Summer of 1741
- Thomas Gainsborough as an Ipswich Musician, a Collector of Prints and a Caricaturist
- Ipswich Museum Moralities in the 1840s and 1850s
- John Cordy Jeaffreson (1831–1901) and the Ipswich Borough Records
- The Caen Controversy
- Select Bibliography of the Writings of Norman Scarfe
Summary
They favour learning whose actions are worthy of a learned pen.
George Herbert, coll.: Jacula PrudentumIT IS A FACT often repeated, but one seldom fully appreciated, that the Museum established in Ipswich in 1846, and opened in December 1847, received the patronage and practical support of many of the most distinguished scientists of Great Britain.
The sixty lithographicMuseum Portraits by ThomasMaguire, depicting many (but not all) of the Honorary Members and Vice-Presidents, were produced at the personal expense of George Ransome, FLS (l), but are today known more as portrayals of eminent individuals than for the enlightened motives which surrounded their creation. Ransome, a townsman, was in many ways the prime mover in the Museum's formation. Excitement and acclaim surrounded the four Anniversary Meetings and the many public lectures, which reached their high point in the visit of the British Association for the Advancement of Science to Ipswich in 1851. They were also owing to the energetic involvement of Professor J.S. Henslow (1796–1861) (l) (Plate 1), who assisted and advised from the beginning, delivered the Museum's inaugural lecture, and in 1850 became its President. Although these national expectations and celebrity performances were attenuated by the financial collapse of the Museum in January 1853 and its adoption soon afterwards by the Town of Ipswich (sanctioned by public referendum) under the provisions of the ‘Beetle Act’, Henslow remained closely involved in a curatorial way until his death, and maintained his original educational objective, which was nothing less than the moral, intellectual and spiritual empowerment of ordinary people.
There could hardly have been a more portentous hour in the history of the modern understanding of our natural environment, and our place in it, nor more suggestive auspices than those represented by Henslow in his relation to the wider scientific establishment, than the two decades which directly preceded the publication of Darwin's theory of Natural Selection in 1859, and the social, theological and scientific ramifications of that synthesis of theories, which still continues to be explored.
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- Information
- East Anglia's HistoryStudies in Honour of Norman Scarfe, pp. 309 - 332Publisher: Boydell & BrewerPrint publication year: 2002