Book contents
- Frontmatter
- Contents
- Dedication
- Preface
- Chapter One Unmixed English Gentry
- Chapter Two A Genuine Pagan (1890–97)
- Chapter Three Black Woods and Unfathomed Caves (1898–1902)
- Chapter Four What of Unknown Africa? (1902–1908)
- Chapter Five Barbarian and Alien (1908–14)
- Chapter Six A Renewed Will to Live (1914–17)
- Chapter Seven Feverish and Incessant Scribbling (1917–19)
- Chapter Eight Cynical Materialist (1919–21)
- Chapter Nine The High Tide of My Life (1921–22)
- Chapter Ten For My Own Amusement (1923–24)
- Chapter Eleven Ball and Chain (1924)
- Chapter Twelve Moriturus Te Saluto (1925–26)
- Chapter Thirteen Paradise Regain'd (1926)
- Chapter Fourteen Cosmic Outsideness (1927–28)
- Chapter Fifteen Fanlights and Georgian Steeples (1928–30)
- Chapter Sixteen Non-supernatural Cosmic Art (1930–31)
- Chapter Seventeen Mental Greed (1931–33)
- Chapter Eighteen In My Own Handwriting (1933–35)
- Chapter Nineteen Caring about the Civilization (1929–37)
- Chapter Twenty The End of One's Life (1935–37)
- Epilogue: Thou Art Not Gone
- Notes
- Index
Chapter Eighteen - In My Own Handwriting (1933–35)
- Frontmatter
- Contents
- Dedication
- Preface
- Chapter One Unmixed English Gentry
- Chapter Two A Genuine Pagan (1890–97)
- Chapter Three Black Woods and Unfathomed Caves (1898–1902)
- Chapter Four What of Unknown Africa? (1902–1908)
- Chapter Five Barbarian and Alien (1908–14)
- Chapter Six A Renewed Will to Live (1914–17)
- Chapter Seven Feverish and Incessant Scribbling (1917–19)
- Chapter Eight Cynical Materialist (1919–21)
- Chapter Nine The High Tide of My Life (1921–22)
- Chapter Ten For My Own Amusement (1923–24)
- Chapter Eleven Ball and Chain (1924)
- Chapter Twelve Moriturus Te Saluto (1925–26)
- Chapter Thirteen Paradise Regain'd (1926)
- Chapter Fourteen Cosmic Outsideness (1927–28)
- Chapter Fifteen Fanlights and Georgian Steeples (1928–30)
- Chapter Sixteen Non-supernatural Cosmic Art (1930–31)
- Chapter Seventeen Mental Greed (1931–33)
- Chapter Eighteen In My Own Handwriting (1933–35)
- Chapter Nineteen Caring about the Civilization (1929–37)
- Chapter Twenty The End of One's Life (1935–37)
- Epilogue: Thou Art Not Gone
- Notes
- Index
Summary
The house is a square wooden edifice of the 1800 period … The fine colonial doorway is like my bookplate come to life, though of a slightly later period with side lights & fan carving instead of a fanlight. In the rear is a picturesque, village-like garden at a higher level than the front of the house. The upper flat we have taken contains 5 rooms besides bath & kitchenette nook on the main (2nd) floor, plus 2 attic storerooms—one of which is so attractive that I wish I could have it for an extra den! My quarters—a large study & a small adjoining bedroom—are on the south side, with my working desk under a west window affording a splendid view of the lower town's outspread roofs & of the mystical sunsets that flame behind them. The interior is as fascinating as the exterior—with colonial fireplaces, mantels, & chimney cupboards, curving Georgian staircase, wide floorboards, old-fashioned latches, small-paned windows, sixpanel doors, rear wing with floor at a different level (3 steps down), quaint attic stairs, &c.—just like the old houses open as museums. After admiring such all my life, I find something magical & dreamlike in the experience of actually living in one … I keep half-expecting a museum guard to come around & kick me out at 5 o'clock closing time!
A passage like this can be found in nearly every letter Lovecraft wrote during this period, and testifies to the miraculous stroke of luck whereby a move made for purely economic reasons—and after Lovecraft had come to feel so at home at 10 Barnes after seven years’ residence there—resulted in his landing in a colonial-style house he had always longed for. Even his birthplace, 454 Angell Street, was not colonial, although of course it remained dear to his heart for other reasons.
Across the back garden from 66 College Street was a boarding-house, at which Annie customarily ate both her meals; Lovecraft would eat there occasionally, but he preferred either to go downtown to some cheaper eatery or to make his own humble meals out of cans or from groceries purchased at delicatessens or grocery stores such as the Weybosset Food Basket (still in operation).
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- A Dreamer and a VisionaryH P Lovecraft in His Time, pp. 329 - 345Publisher: Liverpool University PressPrint publication year: 2001