Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-wpx69 Total loading time: 0 Render date: 2024-09-17T12:13:28.692Z Has data issue: false hasContentIssue false

21 - Being Cool: The Music Scene

from IV - Mizo Modernities

Published online by Cambridge University Press:  05 May 2015

Joy L. K. Pachuau
Affiliation:
Jawaharlal Nehru University
Willem van Schendel
Affiliation:
Universiteit van Amsterdam
Get access

Summary

A striking aspect of the photographs we have collected is that many focus on young people and their sense of fun and style. In earlier chapters (notably Chapters 3 and 16), we looked at two themes – music and fashion – up to the mid-twentieth century. In this chapter and the next, we follow these themes in more recent times. They reveal the emergence of a youth culture and a strong interest in being ‘modern’ in a distinctively local way.

From violins to electric guitars

From the earliest photographs to the most recent ones, it is evident that musical expression was key to cultural change in Mizoram. Church choirs and Christmas carol parties had been remarkable innovations of the 1920s and 1930s, and the following decades had witnessed an outpouring of new songs and compositions. By the 1950s, however, something very different was taking off. Mizo audiences had first heard Hollywood songs on the gramophone in the 1930s (Figure 21.1) and the encounter with foreign troops during Second World War had further kindled an interest in popular music that was not necessarily church-related.

Mizos studying in Shillong picked up new music trends, and at least one Mizo musician took his talents across the world with a Filipino band, influencing Mizo songs back home. P.S. Chawngthu (stage name: Sino Costelo) was born in 1922. While he was employed with the Royal Indian Air Force in Calcutta [in the 1940s], he walked into the Bristol Hotel in Calcutta and Mr. Roman Francisco, thinking he was a fellow Filipino, came up to him and started chatting with him. When Francisco realized that P. S. Chawngthu had trained as a musician … he asked him to join their family. P. S. then learned to play several instruments and dances and thus became part of a 16-member band named “Roman Francisco and His Hawaiian Serenaders” that included Spanish, English, Jamaican and Goan members.[…]

Type
Chapter
Information
The Camera as Witness
A Social History of Mizoram, Northeast India
, pp. 379 - 396
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×