Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-17T14:38:38.247Z Has data issue: false hasContentIssue false

1 - Musical Legacies from the Ancient World

from Volume I

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adler, Israel. Hebrew Notated Manuscript Sources up to circa 1840: A Descriptive and Thematic Catalogue with a Checklist of Printed Sources, 2 vols., Répertoire International des Sources Musicales Bix1, Munich: G. Henle Verlag, 1989.Google Scholar
Adler, Israel, Bayer, Bathja, and Schleifer, Eliyahu, eds. The Abraham Zvi Idelsohn Memorial Volume, Yuval: Studies of the Jewish Music Research Centre 5. Jerusalem: Magnes Press of Hebrew University, 1986.Google Scholar
al Faruqi, Lois Ibsen. An Annotated Glossary of Arabic Musical Terms. Westport, CT: Greenwood Press, 1981.Google Scholar
At’ayan, Robert. The Armenian Neume System of Notation, trans. Nersessian, Vrej. Surrey: Curzon, 1999.Google Scholar
Atkinson, Charles M. The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, AMS Studies in Music. New York: Oxford University Press, 2009.Google Scholar
Augustine, . De Doctrina Christiana, trans. and ed. Green, R. P. H.. Oxford: Clarendon Press, 1995.Google Scholar
Augustine, . De musica, in PL, vol. xxxii: 10811194.Google Scholar
Augustine, . De musica liber VI: A Critical Edition with a Translation and an Introduction, ed. Jacobsson, Martin, Acta Universitatis Stockholmiensis: Studia Latina Stockholmiensia 47. Stockholm: Almqvist & Wiksell International, 2002.Google Scholar
Augustine, . “On Music [De Musica],” trans. Taliaferro, Robert Catesby, in The Fathers of the Church: A New Translation, ed. Schopp, Ludwig et al., Writings of Saint Augustine 2. New York: CIMA Publishing, 1947, 151379.Google Scholar
Bachmann, M. P., Barrett, Sam, et al., eds. Corpus Rhythmorum Musicum saec. iv–ix. 1: Songs in Non-Liturgical Sources 1. Florence: Sismel, 2007.Google Scholar
Bailey, Terence. The Intonation Formulas of Western Chant, Studies and Texts 28. Toronto: Pontifical Institute of Mediaeval Studies, 1974.Google Scholar
Barker, Andrew. Greek Musical Writings 1: The Musician and His Art, Cambridge Readings in the Literature of Music. Cambridge University Press, 1984.Google Scholar
Barker, Andrew. Greek Musical Writings 2: Harmonic and Acoustic Theory, Cambridge Readings in the Literature of Music. Cambridge University Press, 1989.Google Scholar
Barker, Margaret. The Great High Priest: The Temple Roots of Christian Liturgy. London: T. & T. Clark, 2003.Google Scholar
Barker, Margaret. Temple Themes in Christian Worship. London: T. & T. Clark, 2007.Google Scholar
Barney, Stephen A. et al., trans. The Etymologies of Isidore of Seville. Cambridge University Press, 2006.Google Scholar
Barrett, Sam. The Melodic Tradition of Boethius’ De Consolatione Philosophiae in the Middle Ages, 2 vols., Monumenta Monodica Medii Aevi Subsidia 7. Kassel: Bärenreiter, 2013.Google Scholar
Becker, Adam H. and Reed, Annette Yoshiko, eds. The Ways That Never Parted: Jews and Christians in Late Antiquity and the Early Middle Ages. Minneapolis, MN: Fortress Press, 2007.Google Scholar
Bede, . Libri II De arte metrica et De schematibus et tropis: The Art of Poetry and Rhetoric, trans. and ed. Kendall, Calvin B., Bibliotheca Germanica ser. nov. 2. Saarbrücken: AQ-Verlag, 1991.Google Scholar
Bernhard, Michael, ed. Lexicon Musicum Latinum Medii Aevi. Munich: Verlag der Bayerischen Akademie der Wissenschaften, C. H. Beck, 1992–2006.Google Scholar
Bernhard, Michael, ed. Wortkonkordanz zu Anicius Manlius Severinus Boethius, De institutione musica, Veröffentlichungen der Musikhistorischen Kommission 4. Munich: Bayerische Akademie der Wissenschaften, 1979.Google Scholar
Bernhard, Michael and Bower, Calvin M., eds. Glossa maior in institutionem musicam Boethii, 4 vols., Veröffentlichungen der Musikhistorischen Kommission 9–12. Munich: Bayerische Akademie der Wissenschaften, 1993–2011.Google Scholar
Binder, Abraham W. Biblical Chant. New York: Philosophical Library, 1959.Google Scholar
Boethius, . Anicii Manlii Torquati Severini Boetii De Institutione Arithmetica Libri Duo, De Institutione Musica Libri Quinque, Accedit Geometria quae fertur Boetii, ed. Friedlein, Godofredus. Leipzig: G. Teubner, 1867.CrossRefGoogle Scholar
Boethius, . Fundamentals of Music, trans. Bower, Calvin M., Music Theory Translation Series. New Haven, CT: Yale University Press, 1989.Google Scholar
Bower, Calvin M.The Modes of Boethius,” Journal of Musicology 3 (1984), 252–63.CrossRefGoogle Scholar
Bradshaw, Paul F.Cathedral and Monastic: What’s in a Name?Worship 77 (2003), 341–53.Google Scholar
Braun, Joachim. Music in Ancient Israel/Palestine: Archeological, Written, and Comparative Sources, trans. Stott, Douglas W.. Grand Rapids, MI: William B. Eerdmans, 2002.Google Scholar
Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. New York: Columbia University Press, 1988; 2nd ed. 2008.Google Scholar
Budelmann, Felix, ed. The Cambridge Companion to Greek Lyric. Cambridge University Press, 2009.Google Scholar
Calame, Claude. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions, new ed., trans. Collins, Derek and Orion, Janice. Lanham, MD: Rowan and Littlefield, 2001.Google Scholar
Calame, Claude. The Craft of Poetic Speech in Ancient Greece, trans. Orion, Janice. Ithaca, NY: Cornell University Press, 1995.Google Scholar
Califf, David J. A Guide to Latin Meter and Verse Composition. London: Anthem, 2002.Google Scholar
Senator, Cassiodorus. Cassiodori Senatoris Institutiones., ed. Mynors, R. A. B.. Oxford: Clarendon Press, 1937.Google Scholar
Senator, Cassiodorus. Cassiodorus Senator: Explanation of the Psalms, trans. Walsh, P. G., 3 vols., Ancient Christian Writers 5153. New York: Paulist Press, 1990–91.Google Scholar
Senator, Cassiodorus. Institutions of Divine and Secular Learning and On the Soul, trans. Halporn, James W. and Vesey, Mark, Translated Texts for Historians 42. Liverpool: Liverpool University Press, 2003.Google Scholar
Senator, Cassiodorus. An Introduction to Divine and Human Readings., trans. Jones, Leslie Webber. New York: Columbia University Press, 1946.Google Scholar
Senator, Cassiodorus. Magni Aurelii Cassiodori: Expositio Psalmorum, ed. Adriaen, M., Corpus Christianorum Series Latina 9798. Turnhout: Brepols, 1958.Google Scholar
Chalcidius, . Platonis Timaeus interprete Chalcidio cum eiusdem commentario, ed. Wrobel, Ioh. Leipzig: B. G. Teubner 1876; reprint ed., Frankfurt am Main: Minerva, 1963.Google Scholar
Clement of Alexandria. Clemens Alexandrinus, vol. i: Protrepticus und Paedagogus, ed. Stählin, Otto and Treu, Ursula, 3rd ed., Die griechischen christlichen Schriftsteller. Berlin: Akademie Verlag, 1972.Google Scholar
Clement of Alexandria. Clement of Alexandria, Christ the Educator, trans. Wood, Simon P., The Fathers of the Church: A New Translation. New York: Fathers of the Church, 1954.Google Scholar
de Vogüé, Adalbert and Neufville, Jean, eds. La Règle de saint Benoît, 7 vols., Sources Chrétiennes 181–86 [no series number for vol. 7]. Paris: Cerf, 1971–2, 1977.Google Scholar
Deferrari, Roy Joseph and McGuire, Martin R. P., trans. Saint Basil: The Letters 4, Loeb Classical Library 270. Cambridge, MA: Harvard University Press, 1934 with many reprints.Google Scholar
Doval, Alexis James. Cyril of Jerusalem, Mystagogue: The Authorship of the Mystagogic Catecheses, Patristic Monograph Series 17, Washington, DC: Catholic University of America Press, 2001.Google Scholar
Drijvers, Jan Willem. Cyril of Jerusalem: Bishop and City, Supplements to Vigiliae Christianae 72. Leiden: Brill, 2004.Google Scholar
Dunn, James D. G., ed. Jews and Christians: The Parting of the Ways, A.D. 70 to 135: The Second Durham-Tübingen Research Symposium on Earliest Christianity and Judaism (Durham, September 1989). Grand Rapids, MI: Wm. B. Eerdmans, 1999.Google Scholar
Egeria, . Egeria’s Travels, trans. Wilkinson, John, 3rd ed. Oxford: Aris & Phillips, Oxbow Books, 2006.Google Scholar
Egeria, . Egérie: Journal de Voyage (Itinéraire), ed. Maraval, Pierre, Sources Chrétiennes 296. Paris: Cerf, 1982.Google Scholar
Ezra, Daniel Stökl Ben. The Impact of Yom Kippur on Early Christianity: The Day of Atonement from Second Temple Judaism to the Fifth Century. Tübingen: Mohr Siebeck, 2003.Google Scholar
Favonius, . Favonii Eulogii Disputatio de somnio Scipionis, ed. Holder, Alfred. Leipzig: B. G. Teubner, 1901.Google Scholar
Ferrari, G. R. F.Plato and Poetry,” in The Cambridge History of Literary Criticism 1: Classical Criticism, ed. Kennedy, George A.. Cambridge University Press, 1989, 92148.Google Scholar
Fiensy, David A. Prayers Alleged to Be Jewish: An Examination of the Constitutiones Apostolorum, Brown Judaic Studies 65. California, CA: Scholars Press, 1985.Google Scholar
Fine, Steven, ed. The Temple of Jerusalem from Moses to the Messiah: In Honor of Professor Louis H. Feldman, Brill Reference Library of Judaism 29. Leiden: Brill, 2011.Google Scholar
Flender, Reinhard. Der Biblische Sprechgesang und seine mündliche Überlieferung in Synagoge und Griechischer Kirche, Quellenkataloge zur Musikgeschichte 20. Wilhelmshaven: Heinrichshofen 1988.Google Scholar
Flender, Reinhard. “Die Entzifferung der massoretischen Akzente und der ekphonetischen Notation – ein Forschungbericht,” in Musikkulturgeschichte: Festschrift Constantin Floros zum 60. Geburtstag, ed. Petersen, P.. Wiesbaden: Breitkopf & Härtel, 1990, 479–90.Google Scholar
Flender, Reinhard. Hebrew Psalmody: A Structural Investigation, Yuval Monograph Series 9. Jerusalem: Magnes Press, 1990.Google Scholar
Floros, Constantin. Universale Neumenkunde, 3 vols. Kassel-Wilhelmshöhe: Bärenreiter, 1970.Google Scholar
Franklin, John C.Hearing Greek Microtones,” in Ancient Greek Music in Performance: Symposion Wien 29. Sept.–1. Okt. 2003, ed. Hagel, Stefan and Harrauer, Christine, Wiener Studien Beiheft 30. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2005, 950.Google Scholar
Frøyshov, Stig Simeon R.The Cathedral-Monastic Distinction Revisited 1: Was Egyptian Desert Liturgy a Pure Monastic Office?Studia Liturgica 37 (2007) 198216.Google Scholar
Frøyshov, Stig Simeon R.The Early Development of the Liturgical Eight-Mode System in Jerusalem,” Saint Vladimir’s Theological Quarterly 51 (2007), 139–78.Google Scholar
Fry, Timothy, ed. RB 1980: The Rule of St. Benedict in Latin and English with Notes. Collegeville, MN: Liturgical Press, 1981.Google Scholar
Fujita, Neil S. A. Crack in the Jar: What Ancient Jewish Documents Tell Us about the New Testament. New York: Paulist Press, 1986.Google Scholar
Gerlach, Karl. The Antenicene Pascha: A Rhetorical History, Liturgia Condenda 7. Leuven: Peeters, 1998.Google Scholar
Grabbe, Lester L. An Introduction to Second Temple Judaism: History and Religion of the Jews in the Time of Nehemiah, the Maccabees, Hillel and Jesus. London: T. & T. Clark, 2010.Google Scholar
Haas, Max. “Griechische Musiktheorie in arabischen, hebräischen und syrischen Zeugnissen, Quellen, Literatur,” in Vom Mythos zur Fachdisziplin: Antike und Byzanz, Geschichte der Musiktheorie 2, ed. Volk, Konrad et al. Darmstadt: Wissenschaftliche Buchgesellschaft, 2006, 635785.Google Scholar
Hagel, Stefan. Ancient Greek Music: A New Technical History. Cambridge: CUP, 2009.Google Scholar
Hagel, Stefan. “Twenty-Four in Auloi: Aristotle, Met. 1093b, the Harmony of the Spheres, and the Formation of the Perfect System,” in Ancient Greek Music in Performance: Symposion Wien 29. Sept.–1. Okt. 2003, ed. Hagel, Stefan and Harrauer, Christine, Wiener Studien Beiheft 30. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2005, 5191.Google Scholar
Haïk-Vantoura, Suzanne. The Music of the Bible Revealed: The Deciphering of a Millenary Notation, trans. Webber, Dennis, ed. Wheeler, John. Berkeley, CA: bibal Press; San Francisco, CA: King David’s Harp, 1991.Google Scholar
Hankinson, R. J., ed. The Cambridge Companion to Galen. Cambridge University Press, 2008.Google Scholar
Hannick, Christian, ed. Rhythm in Byzantine Chant: Acta of the Congress Held at Hernen Castle in November 1986. Hernen: A. A. Bredius Foundation, 1991.Google Scholar
Havelock, Eric A. Preface to Plato. Cambridge, MA: Belknap Press, 1963; reprint 1982.Google Scholar
Hecht, Neil S. et al., eds. An Introduction to the History and Sources of Jewish Law. Oxford University Press, 2002.Google Scholar
Herzog, Avigdor. The Intonation of the Pentateuch in the Heder of Tunis. Tel Aviv: Israel Music Institute, 1963.Google Scholar
Herzog, Avigdor. “Masoretic Accents (Musical Rendition),” in Encyclopedia Judaica. Jerusalem: Encyclopedia Judaica; New York: Macmillan, 1971, 11: 1098–112.Google Scholar
Hirshberg, Jehoash. Music in the Jewish Community of Palestine 1880–1948: A Social History. Oxford: Clarendon Press, 1995.Google Scholar
Höeg, Carsten, Zuntz, Günther, and Engberg, Sysse Gudrun, eds. Prophetologium 12, 8 vols., Monumenta Musicae Byzantinae: Lectionaria 1. Copenhagen: Munksgaard, 1939–81.Google Scholar
Hoffman, Lawrence. “Jewish Liturgy and Jewish Scholarship,” in Judaism in Late Antiquity. 1: The Literary and Archaeological Sources, ed. Neusner, Jacob, Handbuch der Orientalistik 1: Der nahe und mittlere Osten 16. Leiden: E. J. Brill, 1994, 239–66.Google Scholar
Holy Monastery and Archiepiscopate of Sinai. Τα νέα ευρήματα του Σινά. Athens: Ministry of Culture, Mount Sinai Foundation, 1998.Google Scholar
Hourihane, Colum, ed. King David in the Index of Christian Art. Princeton, NJ: Index of Christian Art, Princeton University Department of Art and Archaeology, Princeton University Press, 2002.Google Scholar
Huglo, Michel. “Bilan de 50 années de recherche (1939–1989) sur les notations musicales de 850 à 1300,” Acta Musicologica 62 (1990) 224–59.Google Scholar
Huglo, Michel. “[Review of Constantin Floros, Universale Neumenkunde],” Revue de Musicologie 58 (1972), 109–12.Google Scholar
Idelsohn, Abraham Z. Jewish Music in Its Historical Development. New York: Schocken Books, 1967.Google Scholar
,. Isidori Hispalensis episcopi Etymologiarum sive originum libri XX, ed. Lindsay, W. M., 2 vols. Oxford: Clarendon Press, 1911.Google Scholar
Jacobson, Joshua R. Chanting the Hebrew Bible: The Art of Cantillation. Philadelphia: Jewish Publication Society, 2002.Google Scholar
Jaeger, Werner. Paideia: The Ideals of Greek Culture 2: In Search of the Divine Centre, trans. Highet, Gilbert. Oxford University Press, 1943, reprinted 1971.Google Scholar
Janeras, Sebastià. “I vangeli domenicali della resurrezione nelle tradizioni liturgiche agiopolita e bizantina,” in Paschale Mysterium: Studi in memoria dell’Abate Prof. Salvatore Marsili (1910–1983), ed. Farnedi, Giustino, Studia Anselmiana 91; Analecta Liturgica 10. Rome: Pontificio Ateneo S. Anselmo, 1986, 5569.Google Scholar
Jeffery, Peter. “The Earliest Christian Chant Repertory Recovered: The Georgian Witnesses to Jerusalem Chant,” Journal of the American Musicological Society 47 (1994), 139.Google Scholar
Jeffery, Peter. “Jerusalem and Rome (and Constantinople): The Heritage of Two Great Cities in the Formation of the Medieval Chant Traditions,” in Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary 3–8 September 1990. Budapest: Hungarian Academy of Sciences, Institute for Musicology, 1992, 163–74.Google Scholar
Jeffery, Peter. “The Lost Chant Tradition of Early Christian Jerusalem: Some Possible Melodic Survivals in the Byzantine and Latin Chant Repertories,” Early Music History 11 (1992), 151–90.CrossRefGoogle Scholar
Jeffery, Peter. “Philo’s Impact on Christian Psalmody,” in Psalms in Community: Jewish and Christian Textual, Liturgical, and Artistic Traditions, ed. Attridge, Harold W. and Fassler, Margot E., Society of Biblical Literature Symposium Series 25. Leiden: E. J. Brill and Atlanta: Society of Biblical Literature, 2003, 147–87.Google Scholar
Jeffery, Peter. “[Review of Suzanne Haïk-Vantoura, The Music of the Bible Revealed: The Deciphering of a Millenary Notation],” Biblical Archaeology Review 18/4 (July/August 1992), 6.Google Scholar
Jeffery, Peter. “The Sunday Office of Seventh-Century Jerusalem in the Georgian Chantbook (Iadgari): A Preliminary Report,” Studia Liturgica 21 (1991), 5275.CrossRefGoogle Scholar
Jeffery, Peter. “Werner’s The Sacred Bridge, Volume 2: A Review Essay,” Jewish Quarterly Review (1987), 283–98.Google Scholar
John of Salisbury. The Metalogicon of John of Salisbury: A Twelfth-Century Defense of the Verbal and Logical Arts of the Trivium., trans. McGarry, Daniel D.. Berkeley and Los Angeles: University of California Press, 1955.Google Scholar
Johnson, Maxwell. “Sub Tuum Praesidium: The Theotokos in Christian Life and Worship before Ephesus,” in The Place of Christ in Liturgical Prayer: Trinity, Christology, and Liturgical Theology, ed. Spinks, Bryan D.. Collegeville, MN: Liturgical Press, 2008, 243–67.Google Scholar
Jonker, Louis. “Another Look at the Psalm Headings: Observations on the Musical Terminology,” Journal of Northwest Semitic Languages 30 (2004), 6585.Google Scholar
Kalib, Sholom. The Musical Tradition of the Eastern European Synagogue, 2 vols. in 6. Syracuse: Syracuse University Press, 2001–2005.Google Scholar
Kardong, Terrence G., trans. Benedict’s Rule: A Translation and Commentary. Collegeville, MN: Liturgical Press, 1996.Google Scholar
Kerovpyan, Aram. Manuel de notation musicale arménienne moderne, Musica Mediaevalis Europae Occidentalis 2. Tutzing : H. Schneider, 2001.Google Scholar
Kolyada, Yelena. A Compendium of Musical Instruments and Instrumental Terminology in the Bible, translated Kolyada, Y. and Clark, David J.. London: Equinox, 2009.Google Scholar
Krueger, Wolfgang. “[Review of Constantin Floros, Universale Neumenkunde],” German Studies 6 (1971), 6975.Google Scholar
La Croix, Richard R., ed. Augustine on Music: An Interdisciplinary Collection of Essays, Studies in the History and Interpretation of Music 6. Lewiston [NY]: Edwin Mellen Press, 1988.Google Scholar
Langer, Ruth. Cursing the Christians? A History of the Birkat HaMinim. New York: Oxford University Press, 2011.Google Scholar
Langer, Ruth. To Worship God Properly: Tensions between Liturgical Custom and Halakhah in Judaism. n.p.: Hebrew Union College Press, 1998.Google Scholar
Levin, Flora R. Greek Reflections on the Nature of Music. Cambridge: CUP, 2009.Google Scholar
Levine, Lee I. The Ancient Synagogue: The First Thousand Years. New Haven, CT: Yale University Press, 2005.Google Scholar
Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, NJ: Princeton University Press, 1998.Google Scholar
Maas, Martha and McIntosh Snyder, Jane. Stringed Instruments of Ancient Greece. New Haven, CT: Yale University Press, 1989.Google Scholar
Macrobius, . Macrobius: Commentarium in somnium Scipionis., ed. Eyssenhardt, Franciscus. Leipzig: B. G. Teubner, 1868.Google Scholar
Capella, Martianus. Martianus Capella, ed. Willis, James. Leipzig: Teubner, 1983.Google Scholar
Capella, Martianus. Martianus Capella and the Seven Liberal Arts, trans. Stahl, William Harris and Johnson, Richard, 2 vols., Records of Civilization, Sources and Studies 84. New York: Columbia University Press, 1971.Google Scholar
Mathiesen, Thomas J. Ancient Greek Music Theory: A Catalogue Raisonné of Manuscripts, Répertoire International des Sources Musicales Bxi. Munich: G. Henle Verlag, 1988.Google Scholar
Mathiesen, Thomas J. Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages, Publications of the Center for the History of Music Theory and Literature 2. Lincoln: University of Nebraska Press, 1999.Google Scholar
Mathiesen, Thomas J.Harmonia and Ethos in Ancient Greek Music,” Journal of Musicology 3 (1984), 264–79.Google Scholar
Mathiesen, Thomas J.Problems of Terminology in Ancient Greek Music: ῾APMONÍA,” in Festival Essays for Pauline Alderman, ed. Karson, Burton. Provo, UT: Brigham Young University Press, 1976), 317.Google Scholar
McCready, Wayne O. and Reinhartz, Adele. Common Judaism: Explorations in Second Temple Judaism. Minneapolis, MN: Fortress Press, 2008.Google Scholar
McDonald, Lee M. The Biblical Canon: Its Origin, Transmission, and Authority, 3rd ed. Peabody, MA: Hendrickson, 2007.Google Scholar
McDonald, Lee M. and Sanders, James A. The Canon Debate. Peabody, MA: Hendrickson, 2002.Google Scholar
McGuckin, John Anthony. At the Lighting of the Lamps: Hymns of the Ancient Church. Oxford: SLG Press; Harrisburg, PA: Morehouse Publishing, 1995.Google Scholar
McKinnon, James W.The Exclusion of Musical Instruments from the Ancient Synagogue,” Proceedings of the Royal Musical Association 106 (1979–80).Google Scholar
McKinnon, James W. Music in Early Christian Literature. Cambridge University Press, 1987.Google Scholar
McKinnon, James W.On the Question of Psalmody in the Ancient Synagogue,” Early Music History 6 (1986), 159–91.Google Scholar
Meyer-Baer, Kathi. Music of the Spheres and the Dance of Death: Studies in Musical Iconology. Princeton, NJ: Princeton University Press, 1970.Google Scholar
Murray, Penelope and Wilson, Peter, eds. Music and the Muses: The Culture of “Mousikē” in the Classical Athenian City. Oxford University Press, 2004.Google Scholar
Nagy, Gregory. “Early Greek Views of Poets and Poetry,” in The Cambridge History of Literary Criticism, vol. i: Classical Criticism, ed. Kennedy, George A.. Cambridge University Press, 1989, 177.Google Scholar
Neils, Jennifer et al. Goddess and Polis: The Panathenaic Festival in Ancient Athens. Princeton, NJ: Princeton University Press, 1992.Google Scholar
Nickelsburg, George W. E., Jewish Literature between the Bible and the Mishnah. Philadelphia: Fortress, 1981.Google Scholar
Norberg, Dag. An Introduction to the Study of Medieval Latin Versification, trans. Roti, Grant C. and de La Chapelle Skubly, Jacqueline. Washington, DC: Catholic University of America Press, 2004.Google Scholar
Pelosi, Francesco. Plato on Music, Soul and Body, trans. Henderson, Sophie. Cambridge University Press, 2010.Google Scholar
Plank, Peter. ΦΩΣ ΙΛΑΡΟΝ: Christushymnus und Lichtdanksagung der frühen Christenheit, Hereditas: Studien zur Alten Kirchengeschichte 20. Bonn: Borengässer, 2001.Google Scholar
Pliny the Younger. Pliny: Letters and Panegyricus, trans. Radice, Betty, 2 vols., Loeb Classical Library 55, 59. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Pöhlmann, Egert and West, Martin L., eds. Documents of Ancient Greek Music: The Extant Melodies and Fragments. Oxford: Clarendon Press, 2001.Google Scholar
Powers, Harold S. et al. “Mode,” in NG2, vol. 16: 778.Google Scholar
Quodvultdeus, . Opera Quodvultdeo Carthaginiensi Episcopo Tributa, ed. Braun, R., Corpus Christianorum Series Latina 60. Turnhout: Brepols, 1976.Google Scholar
Raasted, Jørgen. Intonation Formulas and Modal Signatures in Byzantine Musical Manuscripts, Monumenta Musicae Byzantinae: Subsidia 7. Copenhagen: Munksgaard, 1966.Google Scholar
Raasted, Jørgen and Troelsgård, Christian, eds. Paleobyzantine Notations: A Reconsideration of the Source Material. Hernen: A. A. Bredius Foundation, 1995.Google Scholar
Randel, Don. “Al-Fārābī and the Role of Arabic Music Theory in the Latin Middle Ages,” Journal of the American Musicological Society 29 (1976), 173–88.Google Scholar
Randhofer, Regina. “By the Rivers of Babylon: Echoes of the Babylonian Past in the Musical Heritage of the Iraqi Jewish Diaspora,” Ethnomusicology Forum 13 (2004), 2145.Google Scholar
Raven, David J. D. S. Latin Metre. London: Bristol Classical Press, 1998.Google Scholar
Reif, Stefan C. Judaism and Hebrew Prayer: New Perspectives on Jewish Liturgical History. Cambridge University Press, 1993.Google Scholar
Rosowsky, Solomon. The Cantillation of the Bible: The Five Books of Moses. New York: Reconstructionist Press, 1957.Google Scholar
Schidlovsky, Nicolas, ed. Sticherarium Palaeoslavicum Petropolitanum, 2 parts, Monumenta Musicae Byzantinae 12. Copenhagen: C. A. Reitzel, 2000.Google Scholar
Schulz, Frieder. “Lumen Christi: Der altkirchliche Vespergesang Phos hilaron; Zur westkirchlichen Rezeption: Forschung, Übertragung, Musikfassung,“ Jahrbuch für Liturgik und Hymnologie 43 (2004), 1148.Google Scholar
Sergius, . [Sergii] Explanationum in Artem Donati Libri II, ed. Keil, Heinrich, Grammatici Latini 4. Leipzig: Teubner, 1864.Google Scholar
Sharvit, Uri. “The Musical Realization of Biblical Cantillation Symbols (Te΄amîm) in the Jewish Yemenite Tradition,” Yuval: Studies of the Jewish Music Research Center 4. Jerusalem: Magnes Press of Hebrew University, 1982, 179210.Google Scholar
Shiloah, Amnon. The Theory of Music in Arabic Writings (c. 900–1900), 2 vols., Répertoire International des Sources Musicales Bx-Bxa. Munich: G. Henle Verlag, 1979–2003.Google Scholar
Shoemaker, Stephen J. “Marian Liturgies and Devotion in Early Christianity,” in Mary: The Complete Resource, ed. Boss, Sarah Jane. London: Continuum, 2007, 130–45.Google Scholar
Silva Barris, Joan. Metre and Rhythm in Greek Verse, Wiener Studien, Beiheft 35. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2011.Google Scholar
Smith, John Arthur. Music in Ancient Judaism and Early Christianity. Surrey and Burlington, Vermont: Ashgate, 2011.Google Scholar
Spector, Johanna. “Chant and Cantillation,” Musica Judaica 9 (1986–87), 121.Google Scholar
Spence, Stephen. The Parting of the Ways: The Roman Church as a Case Study, Interdisciplinary Studies in Ancient Culture and Religion 5. Leuven: Peeters, 2004.Google Scholar
Stahl, William Harris, trans. Commentary on the Dream of Scipio, Records of Western Civilization. New York: Columbia University Press, 1990.Google Scholar
Stewart, Alistair C.The Christological Form of the Earliest Syntaxis: The Evidence of Pliny,” Studia Liturgica 41 (2011), 18.Google Scholar
Stewart-Sykes, Alistair and Hood Newman, Judith. Early Jewish Liturgy: A Sourcebook for Use by Students of Early Christian Liturgy. Cambridge: Grove Books, 2001.Google Scholar
Strunk, Oliver. “The Byzantine Office at Hagia Sophia,” in Essays on Music in the Byzantine World, ed. Kenneth Levy. New York: W. W. Norton, 1977, 112–50.Google Scholar
Strunk, Oliver. “Intonations and Signatures of the Byzantine Modes,” in Essays on Music in the Byzantine World, ed. Levy, Kenneth. New York: W. W. Norton, 1977, 1936.Google Scholar
Symeon of Thessalonika. St. Symeon of Thessalonika: The Liturgical Commentaries, trans. and ed. Hawkes-Teeples, Steven. Toronto: Pontifical Institute of Mediaeval Studies, 2010.Google Scholar
Symeon of Thessalonika. St. Symeon of Thessalonike: Treatise on Prayer: An Explanation of the Services Conducted in the Orthodox Church, trans. Simmons, H. L. N.. Brookline, MA: Hellenic College Press, 1984.Google Scholar
Taft, Robert. The Liturgy of the Hours in East and West: The Origins of the Divine Office and its Meaning for Today, 2nd rev. ed. Collegeville, MN: Liturgical Press, 1993.Google Scholar
Teeuwen, Mariken. Harmony and the Music of the Spheres: The Ars Musica in Ninth-Century Commentaries on Martianus Capella, Mittellateinische Studien und Texte 30. Leiden and Boston: Brill, 2002.Google Scholar
Troelsgård, Christian. Byzantine Neumes: A New Introduction to the Middle Byzantine Musical Notation, Monumenta Musicae Byzantinae: Subsidia 9. Copenhagen: Museum Tusculum Press, 2011.Google Scholar
Troelsgård, Christian. “Simple Psalmody in Byzantine Chant,” in Papers Read at the 12th Meeting of the I[nternational] M[usicological] S[ociety] Study Group Cantus Planus: Lillafüred/Hungary, 2004. Aug. 23–28, ed. Dobszay, László. Budapest: Hungarian Academy of Sciences, 2006, 8392.Google Scholar
Troelsgård, Christian and Wolfram, Gerda, eds. Palaeobyzantine Notations II: Acta of the Congress Held at Hernen Castle (the Netherlands), in October 1996. Hernen: A. A. Brediusstichting, 1999.Google Scholar
Velimirović, Miloš. “Evolution of Byzantine Musical Notation in Russia,” in Studi di musica bizantina in onore di Giovanni Marzi, ed. Doda, Alberto, Studi e testi musicali: Nuova serie 6. Lucca: Libreria Musicale Italiana, 1995, 2932.Google Scholar
Velimirović, Miloš. “[Review of Constantin Floros, Universale Neumenkunde],” Journal of the American Musicological Society 25 (1972), 479–83.Google Scholar
Verhelst, Stéphane. Les traditions Judéo-Chrétiennes dans la liturgie de Jérusalem: spécialement la Liturgie de saint Jacques frère de Dieu, Textes et études liturgiques / Studies in Liturgy 17. Leuven: Peeters, 2003.Google Scholar
von Gardner, Johann and Koschmieder, Erwin, eds. Ein handschriftliches Lehrbuch der altrussischen Neumenschrift, Abhandlungen der Bayerische Akademie der Wissenschaften, Philosophisch-Historische Klasse, Neue Folge 57, 62, 68. Munich: Verlag der Bayerischen Akademie der Wissenschaften, in Kommission bei der C. H. Beck’schen Verlagsbuchhandlung, 1963, 1966, 1972.Google Scholar
Wardle, Timothy. The Jerusalem Temple and Early Christian Identity, Wissenschaftliche Untersuchungen zum Neuen Testament, 2. Reihe, 291. Tübingen: Mohr Siebeck, 2010.Google Scholar
Werner, Eric. The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium. London: Denis Dobson; New York: Columbia University Press, 1959; with many reprints.Google Scholar
Werner, Eric. The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium, vol. ii. London: Dobson; New York: Ktav, 1984.Google Scholar
West, Martin L. Ancient Greek Music. Oxford: Clarendon Press, 1992.Google Scholar
Wilken, Robert L. John Chrysostom and the Jews: Rhetoric and Reality in the Late Fourth Century, Transformation of the Classical Heritage 4. Berkeley: University of California Press, 1983; repr. Eugene, Oregon: Wipf & Stock, 2004.Google Scholar
Wolfram, Gerda, ed. Palaeobyzantine Notations III: Acta of the Congress Held at Hernen Castle, the Netherlands, in March 2001. Leuven: Peeters, 2004.Google Scholar
Yarnold, Edward. Cyril of Jerusalem. London: Routledge, 2000.Google Scholar
Zerubavel, Eviatar. “Easter and Passover: On Calendars and Group Identity,” American Sociological Review 47 (1982), 284–89.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×