Book contents
- Frontmatter
- Contents
- Abbreviations
- List of maps
- List of figures
- List of tables
- Notes on contributors
- Map
- Preface
- Introduction
- PART I
- 1 The past 50,000 years: an archaeological view
- 2 Newcomers, c. 1600–1800
- 3 Convict transportation in global context, c. 1700–88
- 4 The early colonial presence, 1788–1822
- 5 Expansion, 1820–50
- 6 The advent of self-government, 1840s–90
- 7 The gold rushes of the 1850s
- 8 Colonial states and civil society, 1860–90
- 9 Rethinking the 1890s
- 10 Making the federal Commonwealth, 1890–1901
- PART II
- Further reading
- Chronology
- Index
- Frontmatter
- Contents
- Abbreviations
- List of maps
- List of figures
- List of tables
- Notes on contributors
- Map
- Preface
- Introduction
- PART I
- PART II
- Further reading
- Chronology
- Index
9 - Rethinking the 1890s
from PART I
Published online by Cambridge University Press: 05 November 2013
- Frontmatter
- Contents
- Abbreviations
- List of maps
- List of figures
- List of tables
- Notes on contributors
- Map
- Preface
- Introduction
- PART I
- 1 The past 50,000 years: an archaeological view
- 2 Newcomers, c. 1600–1800
- 3 Convict transportation in global context, c. 1700–88
- 4 The early colonial presence, 1788–1822
- 5 Expansion, 1820–50
- 6 The advent of self-government, 1840s–90
- 7 The gold rushes of the 1850s
- 8 Colonial states and civil society, 1860–90
- 9 Rethinking the 1890s
- 10 Making the federal Commonwealth, 1890–1901
- PART II
- Further reading
- Chronology
- Index
- Frontmatter
- Contents
- Abbreviations
- List of maps
- List of figures
- List of tables
- Notes on contributors
- Map
- Preface
- Introduction
- PART I
- PART II
- Further reading
- Chronology
- Index
Summary
In 1895 a theatrical company associated with London's Gaiety Theatre brought musical comedy to Australia. Hailed as the latest thing in popular entertainment, musical comedy had a reputation for its emphasis on flirtation, fashion and the glamour of its female stars. Australian audiences, drawn by the publicity, gathered eagerly for the company's first production, A Gaiety Girl. Demand was so clamorous in Sydney that an auction was held for opening-night tickets, fetching the breathtaking sum of 24 shillings for the best seats. The theatre critic for the Bulletin, the Sydney-based weekly, was rapturous in his reviews. He urged all men of discernment to buy a ticket, regardless of the gloomy economic times.
The romping frivolity of theatricals such as A Gaiety Girl was one reason the 1890s were later described as ‘gay’ or ‘naughty’ in Britain, parts of Europe and the United States. Outside intellectual circles, the decade was mythologised as an era of breezy hedonism: big nights out on London's West End, the rampant growth of New York's Tin Pan Alley, and rouge-tinted evenings at Montmartre dance halls. In Australia, terms such as ‘Gay Nineties’ or ‘Naughty Nineties’ – like their French equivalent, Belle Epoque – never came into currency. The decade certainly attracted an extraordinary degree of myth making, some of which concerned the wine-fuelled hi-jinks of male bohemians in Sydney and Melbourne. Overwhelmingly, however, the nineties have been remembered for their intensity rather than gaiety, as a period of political and cultural experimentation rather than of racy gossip and glamorous nights on the town.
There are good reasons for the portrayal of Australia's 1890s as a period of such intensity. The decade began with bruising strikes, followed by the harrowing Depression in every colony but Western Australia. The Depression punctured the confidence that had developed during the long boom in the eastern colonies between 1860 and 1890.
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- The Cambridge History of Australia , pp. 218 - 241Publisher: Cambridge University PressPrint publication year: 2013
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