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from Part II - Theater

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

Baskervill, Charles Read. The Elizabethan Jig and Related Song Drama. Chicago: U of Chicago P, 1929.Google Scholar
Bawcutt, N. W. The Control and Censorship of Caroline Drama. Oxford: Clarendon, 1996.Google Scholar
Bentley, G. E. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon, 1940–68.Google Scholar
Berry, Herbert. The Boar’s Head Playhouse. Washington: Folger Books, 1986.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Chambers, E. K. William Shakespeare. 2 vols,. Oxford: Clarendon, 1930.Google Scholar
Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Basingstoke: Macmillan, 1991.Google Scholar
Foakes, R. A., and Rickert, R. T., eds. Henslowe’s Diary. Cambridge: Cambridge University Press, 1961.Google Scholar
Greg, W. W., ed. Malone Society Collections. Oxford: The Malone Society, 1910. 1. 3.Google Scholar
Gurr, Andrew. “Henry Carey’s Peculiar Letter.” Shakespeare Quarterly 56 (2004): 5175.CrossRefGoogle Scholar
Gurr, Andrew. Shakespeare’s Opposites. Cambridge: Cambridge University Press, 2009.Google Scholar
Gurr, Andrew. The Shakespearian Playing Companies. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
Howard, Jean E. Theater of a City: The Places of London Comedy, 1598–1642. Philadelphia: U of Pennsylvania P, 2007.CrossRefGoogle Scholar
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Further reading

Astington, John H. Actors and Acting in Shakespeare’s Time: The Art of Stage Playing. Cambridge: Cambridge University Press, 2010.CrossRefGoogle Scholar
Bentley, G. E. The Profession of Player in Shakespeare’s Time. Princeton: Princeton UP, 1984.Google Scholar
Cox, John D., and Kastan, David Scott, eds. A New History of Early English Drama. New York: Columbia UP, 1997.Google Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.Google Scholar
Dutton, Richard, ed. The Oxford Handbook of Early Modern Theatre. Oxford: Oxford UP, 2009.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 4th ed. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Gurr, Andrew, and Ichikawa, Mariko. Staging in Shakespeare’s Theatres. Oxford: Oxford UP, 2000.Google Scholar
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Weimann, Robert. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds. English Professional Theatre, 1530–1660. Cambridge: Cambridge University Press, 2000.Google Scholar

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