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Introduction

from Part II - Theater

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Baskervill, Charles Read. The Elizabethan Jig and Related Song Drama. Chicago: U of Chicago P, 1929.Google Scholar
Bawcutt, N. W. The Control and Censorship of Caroline Drama. Oxford: Clarendon, 1996.Google Scholar
Bentley, G. E. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon, 1940–68.Google Scholar
Berry, Herbert. The Boar’s Head Playhouse. Washington: Folger Books, 1986.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Chambers, E. K. William Shakespeare. 2 vols,. Oxford: Clarendon, 1930.Google Scholar
Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Basingstoke: Macmillan, 1991.Google Scholar
Foakes, R. A., and Rickert, R. T., eds. Henslowe’s Diary. Cambridge: Cambridge University Press, 1961.Google Scholar
Greg, W. W., ed. Malone Society Collections. Oxford: The Malone Society, 1910. 1. 3.Google Scholar
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Gurr, Andrew. Shakespeare’s Opposites. Cambridge: Cambridge University Press, 2009.Google Scholar
Gurr, Andrew. The Shakespearian Playing Companies. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
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Further reading

Astington, John H. Actors and Acting in Shakespeare’s Time: The Art of Stage Playing. Cambridge: Cambridge University Press, 2010.CrossRefGoogle Scholar
Bentley, G. E. The Profession of Player in Shakespeare’s Time. Princeton: Princeton UP, 1984.Google Scholar
Cox, John D., and Kastan, David Scott, eds. A New History of Early English Drama. New York: Columbia UP, 1997.Google Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.Google Scholar
Dutton, Richard, ed. The Oxford Handbook of Early Modern Theatre. Oxford: Oxford UP, 2009.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 4th ed. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Gurr, Andrew, and Ichikawa, Mariko. Staging in Shakespeare’s Theatres. Oxford: Oxford UP, 2000.Google Scholar
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Weimann, Robert. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds. English Professional Theatre, 1530–1660. Cambridge: Cambridge University Press, 2000.Google Scholar

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