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Wright, Richard. American Hunger. New York: Harper & Row, 1977. A continuation of Black Boy; Wright’s account of his years in Chicago; published posthumously.Google Scholar

Wright, Richard. Black Boy: A Record of Childhood and Youth. New York: Harper & Brothers, 1945.Google Scholar

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Wright, Richard. Twelve Million Black Voices: A Folk History of the Negro in the United States. Photo direction by Edwin Rosskam. New York: Viking Press, 1941.Google Scholar

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Wright, Richard. “Adventure and Love in Loyalist Spain” (Review of The Wall of Men, by William Rollins). New Masses, XXVI (March 8, 1938), 25–26.Google Scholar

Wright, Richard. “Alger Revisited, or My Stars! Did We Read That Stuff?” (Review of Horatio Alger’s Collected Novels). P.M. Magazine (September 16, 1945), m8.Google Scholar

Wright, Richard. “American G.I.’s Fears Worry Gertrude Stein” (Review of Brewise and Willie by Gertrude Stein in the form of a letter to Roger Pippett). P.M. Magazine (July 26, 1946), m15–m16.Google Scholar

Wright, Richard. “American Negroes in France.” Crisis, LVIII (June–July 1951), 381–383.Google Scholar

Wright, Richard. “Between Laughter and Tears” (Review of These Low Grounds by Walters E. Turpin and Their Eyes Were Watching God by Zora Neale Hurston). New Masses, 25 (October 5, 1937), 22–25.Google Scholar

Wright, Richard. “Blueprint for Negro Writing.” New Challenge, II (Fall, 1937), 53–65.Google Scholar

Wright, Richard. “Gertrude Stein’s Story is Drenched in Hitler’s Horrors” (Review of Wars I Have Seen by Gertrude Stein). P.M. Magazine (March 11, 1945), m15.Google Scholar

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Wright, Richard. “How He Did It, and Oh!–Where Were Hitler’s Pagan Gods?” Daily Worker (June 24, 1938), 1, 8.Google Scholar

Wright, Richard. “How Jim Crow Feels.” True Magazine (November 1946), 25–27, 154–156. On Wright’s trip to Mexico and the South in the summer of 1940.Google Scholar

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Wright, Richard. “I Support the Soviet Union.” Soviet Russia (September 1941), 29.Google Scholar

Wright, Richard. “I Tried to Be a Communist.” Atlantic Monthly, CLXXXIV (August 1944), 61–70; (September 1944), 48–56. Included in Crossman, Richard, ed., The God That Failed. New York: Harper, 1949.Google Scholar

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Wright, Richard. “Joe Louis Uncovers Dynamite.” New Masses, 17 (October 8, 1935).Google Scholar

Wright, Richard. “Lynching Bee” (Review of Trouble in July by Erskine Caldwell). New Republic, 102 (March 11, 1940), 351.Google Scholar

Wright, Richard. “Neurosis of Conquest” (Review of Prospero and Caliban by Octave Mannoni). The Nation, 183 (October 20, 1956), 330–331.Google Scholar

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Wright, Richard. “Psychiatry Comes to Harlem.” Free World, XII (September 1946), 49–51. Reprinted in Twice a Year (1946–1947) under the title “Psychiatry Goes to Harlem.”Google Scholar

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Wright, Richard. “Spanish Snapshot: Granada, Seville.” Two Cities (Paris), No. 2 (July 1959), 25–34.Google Scholar

Wright, Richard. “The Shame of Chicago.” Ebony, 7 (December 1951), 24–32. On Wright’s return to Chicago in 1949.Google Scholar

Wright, Richard. “The Voiceless Ones” (Review of The Disinherited by Michel Del Castillo). Saturday Review, 443 (April 16, 1960), 53–54.Google Scholar

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Wright, Richard. “Two Novels of the Crushing of Men, One White, One Black” (Review of Focus by Arthur Miller and If He Hollers Let Him Go by Chester Himes). P.M. Magazine (November 25, 1945), m7–m8.Google Scholar

Wright, Richard. “Urban Misery in an American City: Juvenile Delinquency in Harlem.” Twice a Year, no. 14–15 (Fall 1946–Winter 1947), 339–345.Google Scholar

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Wright, Richard. “A Red Love Note.” Left Front, no. 3 (January–February 1934), 3.Google Scholar

Wright, Richard. “Ah Feels It in Mah Bones.” International Literature, 4 (April 1935), 80.Google Scholar

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Wright, Richard. “Hearst Headline Blues.” New Masses, 21 (May 12, 1936), 14.Google Scholar

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Wright, Richard. “I Have Seen Black Hands.” New Masses, 11 (June 26, 1934), 16.Google Scholar

Wright, Richard. “King Joe” (“Joe Louis Blues”). Lyrics for OKEH record no. 6475. Reprinted in New York Amsterdam Star News, October 18, 1941, p. c16.Google Scholar

Wright, Richard. “Obsession.” Midland Left, no. 2 (February 1935), 14.Google Scholar

Wright, Richard. “Old Habit and New Love.” New Masses, 21 (December 15, 1936), 29.Google Scholar

Wright, Richard. “Red Clay Blues.” New Masses, 32 (August 1, 1939), 14. Written in collaboration with Langston Hughes.Google Scholar

Wright, Richard. “Red Leaves of Red Books.” New Masses, 15 (April 30, 1935), 6.Google Scholar

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Wright, Richard. “Spread Your Sunrise.” New Masses, 19 (July 2, 1935), 26.Google Scholar

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Wright, Richard. “We of the Streets.” New Masses, 23 (April 13, 1937), 14.Google Scholar

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Wright, Richard. “Big Boy Leaves Home,” in The New Caravan, eds. Kreymborg, Alfred, Mumford, Lewis, and Rosenfeld, Paul (New York: W. W. Norton, 1936), 124–158. Included in Uncle Tom’s Children.Google Scholar

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Wright, Richard. “Five Episodes,” in Soon, One Morning, ed. Hill, Herbert (New York: Knopf, 1963), Excerpts from “Island of Hallucinations,” an unpublished novel completed in 1959.Google Scholar

Wright, Richard. “Silt.” New Masses, 24 (August 24, 1937), 19–20. Included in Eight Men as “The Man Who Saw the Flood.”Google Scholar

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Wright, Richard. “The Man Who Killed a Shadow.” Zero (Paris) I (Spring 1949), 45–53. Included in Eight Men.Google Scholar

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Wright, Richard. “The Voodoo of Hell’s Half Acre.” Southern Register (Jackson, MS), 1924. (Precise date unknown – no copy available).Google Scholar

Daddy Goodness, an adaption of and collaboration with Louis Sapin. A Negro Ensemble Company Production. 1959.Google Scholar

Native Son, the Biography of a Young American. A Play in Ten Scenes. By Green, Paul and Wright, Richard. New York: Harper & Brothers, 1941.Google Scholar

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