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20 - The New Negro Renaissance

Published online by Cambridge University Press:  05 November 2015

Mark Richardson
Affiliation:
Doshisha University, Kyoto
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Publisher: Cambridge University Press
Print publication year: 2015

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References

Further Reading

Amos, Shawn, compiler, Rhapsodies in Black: Music and Words from the Harlem Renaissance (Los Angeles: Rhino Records, 2000).Google Scholar
Bontemps, Arna, The Harlem Renaissance Remembered (New York: Dodd Mead, 1972).Google Scholar
Hemenway, Robert, Zora Neale Hurston (Champaign-Urbana: University of Illinois Press, 1977).Google Scholar
Hull, Gloria T., Color, Sex, and Poetry (Bloomington: Indiana University Press, 1987).Google Scholar
Hutchinson, George, The Harlem Renaissance in Black and White (Cambridge, MA: Harvard University Press, 1995).Google Scholar
Rampersad, Arnold, The Life of Langston Hughes, Volume 1: 1902–1941 (New York: Oxford University Press, 2002).Google Scholar
Schwartz, A. B. Christa, Gay Voices of the Harlem Renaissance (Bloomington: Indiana University, 2003).Google Scholar
Tidwell, John Edgar and Tracy, Steven C., eds., After Winter: The Art and Life of Sterling A. Brown (New York: Oxford University Press, 2009).Google Scholar
Tracy, Steven C., Hot Music, Ragmentation, and the Bluing of American Literature. (Tuscaloosa: University of Alabama Press, 2015).
Tracy, Steven C., Langston Hughes and the Blues (Champaign-Urbana: University of Illinois Press, 1988).Google Scholar
Watson, Steven, The Harlem Renaissance: Hub of African American Culture, 1920–1930 (New York: Pantheon Books, 1995).Google Scholar
Wintz, Cary and Finkelman, Paul, eds., Encyclopedia of the Harlem Renaissance (New York: Routledge, 2004).Google Scholar

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