Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
17 - Marianne Moore
Published online by Cambridge University Press: 05 November 2015
Edited by
Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
- Type
- Chapter
- Information
- The Cambridge Companion to American Poets , pp. 231 - 244Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Blackmur, R. P., “The Method of Marianne Moore,” in The Double-Agent: Essays on Craft and Elucidation (New York: Arrow, 1935): 141–171.Google Scholar
Goodridge, Celeste, Hints and Disguises: Marianne Moore and Her Contemporaries (Iowa City: University of Iowa Press, 1989).Google Scholar
Holley, Margaret, The Poetry of Marianne Moore: A Study in Voice and Value (New York: Cambridge University Press, 1987).Google Scholar
Kalstone, David, “Trial Balances: Elizabeth Bishop and Marianne Moore,” Grand Street 3 (Autumn 1983): 115–135.CrossRefGoogle Scholar
Kalstone, David, Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell, ed. Hemenway, Robert (New York: Farrar, Straus and Giroux, 1989).Google Scholar
Keller, Lynn, “Words Worth a Thousand Postcards: The Bishop-Moore Correspondence,” American Literature 55 (October 1983): 405–429.CrossRefGoogle Scholar
Phelan, Margaret M., “H.D. and Marianne Moore: Correspondences and Contradictions.” Ph.D. dissertation. Rutgers University, 1987.Google Scholar
Quarterly Review of Literature 4.2 (1948). Special Marianne Moore issue.Google Scholar
Sagetrieb 6.3 (Winter 1987). Special Marianne Moore issue.Google Scholar
Scheik, Susan, “Writing War Poetry Like a Woman,” Critical Inquiry 13 (Spring 1987): 532–556.CrossRefGoogle Scholar
Schulman, Grace, Marianne Moore: The Poetry of Engagement (Urbana and Chicago: University of Illinois Press, 1986).Google Scholar
Stapleton, Laurence, Marianne Moore: The Poet’s Advance (Princeton: Princeton University Press, 1978).Google Scholar
Steinman, Lisa M., Made in America: Science, Technology, and American Modernist Poets (New Haven: Yale University Press, 1987).Google Scholar
Twentieth Century Literature 30.2–30.3 (1984). Special Marianne Moore issue.CrossRefGoogle Scholar
Willia, Patricia C., Marianne Moore: Vision into Verse (Philadelphia: The Rosenbach Museum and Library, 1987).Google Scholar
Willia, Patricia C., ed., Marianne Moore: Woman and Poet (Orono: National Poetry Foundation, 1990).Google Scholar
Manuscripts and Papers
The Rosenbach Museum and Library, Philadelphia. Houses Moore’s correspondence, manuscripts, notebooks and library.
The Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University. Houses Moore’s correspondence and correspondence and papers associated with Moore’s tenure at The Dial.
The Henry W. and Albert A. Berg Collection, New York Public Library. Houses additional Dial correspondence: Moore’s letters to and from James Sibley Watson, Jr.