In her poetry, Anne Finch employs fable to simultaneously distance herself from abusive satire, which she associates with lampoon, and produce reformative satire, or satire that addresses the shortcomings of society more generally in an effort to bring about the improvement of the culture-at-large. In spite of her purported aversion to lampoonery, however, Finch represents within several of her verse fables figurative satirists who abuse their targets without seeking to reform them. She does so not with a censorious tone designed to encourage readers’ disapproval but in a manner that emphasizes the figurative satirists’ pleasure, pleasure that emerges largely from reversals of power. Finch not only invites the reader to participate in this pleasure but appears to do so herself. As a writer of satirical fables, Finch engages critically with questions regarding what satire should be. At the same time, a number of her fables suggest her desire to engage in satire as she wishes it could be: an empowering personal attack with no repercussions.