Book contents
- British Musical Modernism
- Music Since 1900
- British Musical Modernism
- Copyright page
- Dedication
- Contents
- Figures
- Book part
- A note on recordings
- Introduction
- 1 Between nationalism and the avant-garde: defining British modernism
- 2 Post-war motifs
- 3 Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960
- 4 A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett
- 5 Group portrait in the Sixties: Davies, Birtwistle, and Goehr to 1967
- 6 Instrumental drama: Musgrave and Birtwistle in the late Sixties
- 7 Vernaculars: Bedford and Souster as pop musicians
- Epilogue
- Works cited
- Index
6 - Instrumental drama: Musgrave and Birtwistle in the late Sixties
Published online by Cambridge University Press: 05 July 2015
- British Musical Modernism
- Music Since 1900
- British Musical Modernism
- Copyright page
- Dedication
- Contents
- Figures
- Book part
- A note on recordings
- Introduction
- 1 Between nationalism and the avant-garde: defining British modernism
- 2 Post-war motifs
- 3 Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960
- 4 A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett
- 5 Group portrait in the Sixties: Davies, Birtwistle, and Goehr to 1967
- 6 Instrumental drama: Musgrave and Birtwistle in the late Sixties
- 7 Vernaculars: Bedford and Souster as pop musicians
- Epilogue
- Works cited
- Index
- Type
- Chapter
- Information
- British Musical ModernismThe Manchester Group and their Contemporaries, pp. 336 - 364Publisher: Cambridge University PressPrint publication year: 2015