Book contents
- Frontmatter
- Contents
- Acknowledgments
- Translation and Transliteration
- Introduction: The Acting Subject of Bakhtin
- Chapter 1 Bakhtin and Lukács: Subjectivity, Signifying Form and Temporality in the Novel
- Chapter 2 Bakhtin, Watt and the Early Eighteenth-Century Novel
- Chapter 3 Concepts of Novelistic Polyphony: Person-Related and Compositional-Thematic
- Chapter 4 Familiar Otherness: Peculiarities of Dialogue in Ezra Pound's Poetics of Inclusion
- Chapter 5 Author and Other in Dialogue: Bakhtinian Polyphony in the Poetry of Peter Reading
- Chapter 6 Tradition and Genre: Thomas Kyd's The Spanish Tragedy
- Chapter 7 Bakhtin's Concept of the Chronotope: The Viewpoint of an Acting Subject
- Chapter 8 The Provincial Chronotope and Modernity in Chekhov's Short Fiction
- List of Contributors
Acknowledgments
Published online by Cambridge University Press: 05 May 2013
- Frontmatter
- Contents
- Acknowledgments
- Translation and Transliteration
- Introduction: The Acting Subject of Bakhtin
- Chapter 1 Bakhtin and Lukács: Subjectivity, Signifying Form and Temporality in the Novel
- Chapter 2 Bakhtin, Watt and the Early Eighteenth-Century Novel
- Chapter 3 Concepts of Novelistic Polyphony: Person-Related and Compositional-Thematic
- Chapter 4 Familiar Otherness: Peculiarities of Dialogue in Ezra Pound's Poetics of Inclusion
- Chapter 5 Author and Other in Dialogue: Bakhtinian Polyphony in the Poetry of Peter Reading
- Chapter 6 Tradition and Genre: Thomas Kyd's The Spanish Tragedy
- Chapter 7 Bakhtin's Concept of the Chronotope: The Viewpoint of an Acting Subject
- Chapter 8 The Provincial Chronotope and Modernity in Chekhov's Short Fiction
- List of Contributors
Summary
- Type
- Chapter
- Information
- Bakhtin and his Others(Inter)subjectivity, Chronotope, Dialogism, pp. vii - viiiPublisher: Anthem PressPrint publication year: 2013