Skip to main content Accessibility help
×
Home
Hostname: page-component-5d6d958fb5-lm9t2 Total loading time: 2.886 Render date: 2022-11-27T06:55:49.387Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "useRatesEcommerce": false, "displayNetworkTab": true, "displayNetworkMapGraph": false, "useSa": true } hasContentIssue true

Works Cited

Published online by Cambridge University Press:  27 February 2018

Kirk Curnutt
Affiliation:
Troy University, Alabama
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Beattie, Ann. Chilly Scenes of Winter. Garden City: Doubleday, 1976.Google Scholar
Behind the Green Door. Dir. Artie, and Mitchell, John. Mitchell Brothers Film Group, 1972. Film.
Beidler, Philip D. Scriptures for a Generation: What We Were Reading in the ’60s. Athens: University of Georgia Press, 1994.Google Scholar
Benchley, Peter. Jaws. Garden City: Doubleday, 1974.Google Scholar
Berger, Dan. Ed. The Hidden 1970s: Histories of Radicalism. New Brunswick: Rutgers University Press, 2010.Google Scholar
Berkowitz, Edward D. Something Happened: A Political and Cultural Overview of the Seventies. New York: Columbia University Press, 2006.Google Scholar
Blume, Judy. Are You There God? It's Me, Margaret. Scarsdale: Bradbury Press, 1970.Google Scholar
Boogie Nights. Dir. Anderson, Paul Thomas. New Line Cinema, 1997. Film.
Borstelmann, Thomas. The 1970s: A New Global History from Civil Rights to Economic Inequality. Princeton: Princeton University Press, 2012.Google Scholar
Boston Women's Health Book Collective. Our Bodies, Ourselves. New York: Simon and Schuster, 1973.PubMed
Boyle, T. Coraghessan. Drop City. New York: Viking, 2003.Google Scholar
Carroll, Peter. It Seemed Like Nothing Happened: The Tragedy and Promise of America in the 1970s. New York: Holt, Rinehart and Winston, 1982.Google Scholar
Collins, Michael. The Keepers of Truth. London: Orion, 2000.Google Scholar
Coupland, Douglas. Generation X: Tales for an Accelerated Culture. New York: St. Martin's Griffin, 1991.Google Scholar
Cowie, Jefferson. Stayin’ Alive: The 1970s and the Last Days of the Working Class. New York: The New Press, 2010.Google Scholar
Curnutt, Kirk. “Teenage Wasteland: Coming-of-Age Novels in the 1980s and 1990s.” Critique: Studies in Contemporary Fiction 43.1 (Fall 2001): 93111.Google Scholar
Dames, Nicholas. “Seventies Throwback Fiction: A Decade in Review.” n + 1 21 (Winter 2015). https://nplusonemag.com/issue-21/reviews/seventies-throwback-fiction/Google Scholar
Dazed and Confused. Dir. Linklater, Richard. Gramercy Pictures, 1993. Film.
Deep Throat. Dir. Gerard, Jerry. Bryanston Pictures, 1972. Film.
Dickey, James. Deliverance. Boston: Houghton Mifflin, 1970.Google Scholar
Didion, Joan. The White Album. New York: Simon and Schuster, 1979.Google Scholar
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995.Google Scholar
Eugenides, Jeffrey. The Virgin Suicides. New York: Farrar, Straus and Giroux, 1993.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby. 1925. Ed. Bruccoli, Matthew J.. New York: Scribner's, 1991.Google Scholar
French, Warren G. The Fifties: Fiction, Poetry, Drama. DeLand: Everett/Edwards, 1970.Google Scholar
French, Warren G. The Forties: Fiction, Poetry, Drama. DeLand: Everett/Edwards, 1969.Google Scholar
Frum, David. How We Got Here: The Seventies: The Decade that Brought You Modern Life – For Better or Worse. New York: Basic Books, 2000.Google Scholar
Gaddis, William. J R. New York: Knopf, 1975.Google Scholar
Groff, Lauren. Arcadia. New York: Voice/Hyperion, 2012.Google Scholar
Hallberg, Garth Risk. City on Fire. New York: Knopf, 2015.Google Scholar
Happy Days. ABC-TV. 1974–1984. TV series.
Hawkes, John. The Blood Oranges. New York: New Directions, 1970.Google Scholar
Hayes, Isaac. Shaft. Stax, 1971. LP.
Heller, Joseph. Something Happened. New York: Knopf, 1974.Google Scholar
Herr, Michael. Dispatches. New York: Knopf, 1977.Google Scholar
Herr, Michael. “Hell Sucks.” Esquire 70 (August 1968): 6669, 109110.Google Scholar
Hoekstra, David and Dahl, Steve. Disco Demolition: The Night Disco Died. Chicago: Curbside Splendor, 2016.Google Scholar
Hoffman, Abbie. “Sixties Going on Eighties.” In Square Dancing in the Ice Age. Boston: South End Press, 1982. 192195.Google Scholar
Hoffman, Frederick J. The Twenties: American Writing in the Postwar Decade. New York: Viking, 1955.Google Scholar
Hogeland, Lisa Maria. Feminism and Its Fictions: The Consciousness-Raising Movement and the Women's Liberation Movement. Philadelphia: University of Pennsylvania Press, 1998.CrossRefGoogle Scholar
The Ice Storm. Dir. Lee, Ang. Fox Searchlight Pictures, 1997. Film.
Irving, John. The 158-Pound Marriage. New York: Random House, 1974.Google Scholar
Jacobs, Ron. Daydream Sunset: The 60s Counterculture in the 1970s. Petrolia: Counterpunch, 2015.Google Scholar
Jones, Gayl. Corregidora. Boston: Beacon Press, 1975.Google Scholar
Jong, Erica. Fear of Flying. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Jong, Erica. Seducing the Demon: Writing for My Life. New York: Penguin, 2006.Google Scholar
Junker, Howard. “Who Erased the Seventies?” Esquire 88 (December 1977): 152156.Google Scholar
Karl, Frederick R. American Fiction, 1940–1980: A Comprehensive History and Critical Evaluation. New York: HarperCollins, 1983.Google Scholar
Kaufman, Will. American Culture in the 1970s. Edinburgh: Edinburgh University Press, 2009.Google Scholar
Kennedy, Pagan. Platforms: A Microwaved Chronicle of the 1970s. New York: St. Martin's Press, 1994.Google Scholar
Keys, Barbara, Davies, Jack, and Bannan, Elliott. “The Post-Traumatic Decade: New Histories of the 1970s.” Australasian Journal of American Studies 33.1 (July 2014): 117.Google Scholar
Kushner, Rachel. The Flamethrowers. New York: Scribner, 2013.Google Scholar
Le Guin, Ursula K. The Lathe of Heaven. New York: Scribner, 1971.Google Scholar
Lethem, Jonathan. Dissident Gardens. New York: Doubleday, 2013.Google Scholar
Lethem, Jonathan. The Fortress of Solitude. New York: Doubleday, 2003.Google Scholar
Mailer, Norman. The Executioner's Song. Boston: Little, Brown, 1979.Google Scholar
Mailer, Norman. “Mailer on the ’70s – Decade of ‘Image, Skin Flicks and Porn.’” US News and World Report 87.27 (December 10, 1979): 57.Google Scholar
Menand, Louis. “The Seventies Show.” New Yorker 77 (May 28, 2001): 128133. www.newyorker.com/magazine/2001/05/28/the-seventies-showGoogle Scholar
Miller, Stephen Paul. The Seventies Now: Culture as Surveillance. Durham: Duke University Press, 1999.Google Scholar
Moody, Rick. The Ice Storm. Boston: Little, Brown, 1994.Google Scholar
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Morrison, Toni. Song of Solomon. New York: Knopf, 1977.Google Scholar
Morrison, Toni. Sula. New York: Knopf, 1973.Google Scholar
Nehring, Cristina. “Zip It: Erica Jong's Stunning Self-Absorption.” The Atlantic 298.3 (September 2006): 116, 118119. www.theatlantic.com/magazine/archive/2006/09/zip-it/305097/Google Scholar
O'Brien, Tim. Going After Cacciato. New York: Delacorte, 1978.Google Scholar
Perlstein, Rick. The Invisible Bridge: The Fall of Nixon and the Rise of Reagan. New York: Simon and Schuster, 2014.Google Scholar
Perrotta, Tom. Bad Haircut: Stories of the Seventies. Bridgehampton: BridgeWorks, 1994.Google Scholar
Phillips, Scott. The Ice Harvest. New York: Ballantine, 2000.Google Scholar
Piercy, Marge. Woman on the Edge of Time. New York: Knopf, 1976.Google Scholar
Pirsig, Robert M. Zen and the Art of Motorcycle Maintenance. New York: Morrow, 1974.Google Scholar
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Pynchon, Thomas. Inherent Vice. New York: Penguin, 2009.Google Scholar
Rabe, David. The Vietnam Plays. 2 vols. New York: Grove, 1993.Google Scholar
Ravo, Nick. “The 70's (Stayin’ Alive) Won't Die (Stayin’ Alive).” New York Times, November 13, 1991: C3–C4. www.nytimes.com/1991/11/13/garden/the-70-s-stayin-alive-won-t-die-stayin-alive.html
Reservoir Dogs. Dir. Tarantino, Quentin. Miramax Pictures, 1992. Film.
Roiphe, Katie. “The Naked and the Conflicted,” New York Times Sunday Book Review, December 31, 2009. www.nytimes.com/2010/01/03/books/review/Roiphe-t.html?pagewanted=all&_r=0
Stones, Rolling. Black and Blue. Rolling Stones/Atlantic Records, 1976. LP.
Stones, Rolling. Emotional Rescue. Rolling Stones/Atlantic Records, 1980. LP.
Stones, Rolling. Goats Head Soup. Rolling Stones/Atlantic Records, 1973. LP.
Stones, Rolling. Some Girls. Rolling Stones/Atlantic Records, 1978. LP.
Stones, Rolling. Sticky Fingers. Rolling Stones/Atco Records, 1970. LP.
Stones, Rolling. Sucking in the Seventies. Rolling Stones/Atlantic Records, 1981. LP.
Roth, Philip. American Pastoral. Boston: Houghton Mifflin, 1997.Google Scholar
Roth, Philip. The Breast. New York: Houghton Mifflin, 1972.Google Scholar
Roth, Philip. The Ghost Writer. New York: Farrar, Straus and Giroux, 1979.Google Scholar
Roth, Philip. The Great American Novel. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Roth, Philip. My Life as a Man. New York: Holt, Rinehart and Winston, 1974.Google Scholar
Roth, Philip. Our Gang. New York: Random House, 1971.Google Scholar
Roth, Philip. Portnoy's Complaint. New York: Random House, 1969.Google Scholar
Roth, Philip. The Professor of Desire. New York: Farrar, Straus and Giroux, 1977.Google Scholar
Saturday Night Fever. Dir. Badham, John. Paramount Pictures, 1977. Film.
Schulman, Bruce J. The Seventies: The Great Shift in American Culture, Society, and Politics. Cambridge, MA: Da Capo Press, 2001.Google Scholar
Seaman, Barbara. Lovely Me: The Life of Jacqueline Susann. New York: Seven Stories Press, 1987.Google Scholar
Smethurst, James E. The Black Arts Movement: Literary Nationalism in the 1960s and 1970s. Chapel Hill: University of North Carolina Press, 2005.Google Scholar
Smith, Patti. Just Kids. New York: Ecco, 2010.Google ScholarPubMed
Stein, Judith. Pivotal Decade: How the United States Traded Factories for Finance in the Seventies. New Haven: Yale University Press, 2010.Google Scholar
Steinke, Darcey. Sister Golden Hair. Portland: Tin House Books, 2014.Google Scholar
Strain, Christopher B. The Long Sixties: America, 1955–1963. New York: Wiley, 2017.Google Scholar
“Stuck in the Middle with You.” Stealers Wheel. A&M Records, 1973. 45 rpm.
Susann, Jacqueline. The Love Machine. New York: Simon and Schuster, 1969.Google Scholar
Talese, Gay. Thy Neighbor's Wife. Garden City: Doubleday, 1980.Google Scholar
That ’70s Show. Fox TV. 1998–2006. TV series.
Thompson, Hunter S. Fear and Loathing in Las Vegas. 1972. London: HarperCollins, 2005.Google Scholar
Those Fabulous Seventies. Razor & Tie Records, 1990. LP.
Uncle Buck. Dir. Woodess, James. September 8, 1990. CBS. TV series.
Updike, John. Couples. New York: Knopf, 1968.Google Scholar
Updike, John. Rabbit Redux. New York: Knopf, 1971.Google Scholar
Updike, John. Toward the End of Time. New York: Knopf, 1997.Google Scholar
Vanderbilt, Tom. “The Nostalgia Gap.” The Baffler 5 (1993). http://thebaffler.com/salvos/the-nostalgia-gapCrossRefGoogle Scholar
Vinyl. Cr. Jagger, Mick, Scorsese, Martin, Winter, Terence, and Cohen, Rich. HBO, 2016. TV series.
The Virgin Suicides. Dir. Coppola, Sofia. American Zoetrope/Paramount Classics, 1999. Film.
Wallace, David Foster. “Certainly the End of Something or Other, One Would Sort of Have to Think.” In Consider the Lobster and Other Essays. Boston: Little, Brown, 2005. 5160. Originally published as “John Updike, Champion Literary Phallocrat, Drops One; Is This Finally the End for the Magnificent Narcissists?” The New York Observer, October 13, 1997. http://observer.com/1997/10/john-updike-champion-literary-phallocrat-drops-one-is-this-finally-the-end-for-magnificent-narcissists/Google Scholar
Wheen, Francis. Strange Days Indeed: The 1970s: The Golden Days of Paranoia. New York: Public Affairs, 2010.Google Scholar
Whole Earth Catalog. 1968–1972. www.wholeearth.com/index.php
Wolfe, Tom. “The ‘Me’ Decade and the Third Great Awakening.” In Mauve Gloves & Madmen, Clutter & Vine, and Other Stories, Sketches, and Essays. New York: Farrar, Straus and Giroux, 1976. 126167.Google Scholar
Woodward, Bob and Bernstein, Carl. All the President's Men. New York: Simon and Schuster, 1974.Google Scholar

Secondary Sources

Adler, Renata. Speedboat. New York: Random House, 1976.Google Scholar
Altman, Robert. Dir. Nashville. Paramount Pictures, 1975. Film.
Apple, Max. Zip: A Novel of the Left and the Right. New York: Viking, 1978.Google Scholar
Beattie, Ann. Chilly Scenes of Winter. Garden City: Doubleday, 1976.Google Scholar
Bellow, Saul. Mr. Sammler's Planet. New York: Viking Press, 1970.Google Scholar
Bullins, Ed. The Taking of Miss Janie. 1975. In Famous American Plays of the 1970s. Ed. Hoffman, Ted. New York: Laurel, 1981. 197235.Google Scholar
Butler, Octavia E. Kindred. Garden City: Doubleday, 1979.Google ScholarPubMed
Coover, Robert. The Public Burning. New York: Grove, 1977.Google Scholar
Davis, L. J. A Meaningful Life. New York: Viking, 1971.Google Scholar
DeLillo, Don. Great Jones Street. Boston: Houghton Mifflin, 1973.Google Scholar
Didion, Joan. Play It As It Lays. New York: Farrar, Straus and Giroux, 1970.Google Scholar
Didion, Joan. The White Album. New York: Simon and Schuster, 1979.Google Scholar
Doctorow, E. L. The Book of Daniel. New York: Random House, 1971.Google Scholar
Doctorow, E. L. Ragtime. New York: Random House, 1975.Google Scholar
Fox, Paula. Desperate Characters. New York: Harcourt, Brace & World, 1970.Google Scholar
Gaines, Ernest J. The Autobiography of Miss Jane Pittman. New York: Dial Press, 1971.Google Scholar
Ginsberg, Allen. The Fall of America: Poems of These States, 1965–1971. San Francisco: City Lights, 1972.Google Scholar
Heifner, Jack. Vanities. New York: Samuel French, 1976.Google Scholar
Heller, Joseph. Something Happened. New York: Knopf, 1974.Google Scholar
Hopper, Dennis. Dir. Easy Rider. Columbia Pictures, 1969. Film.
Kasdan, Lawrence. Dir. The Big Chill. Columbia Pictures, 1983. Film.
Maysles, Albert, Maysles, David, and Zwerin, Charlotte. Dirs. Gimme Shelter. 20th Century-Fox, 1970. Film.
Reed, Ishmael. Flight to Canada. New York: Random House, 1976.Google Scholar
Reed, Ishmael. The Last Days of Louisiana Red. New York: Random House, 1974.Google Scholar
Ritchie, Michael. Dir. The Candidate. Warner Bros., 1972. Film.
Sayles, John. Dir. Return of the Secaucus 7. Libra Films, 1980. Film.
Selvin, John. Altamont: The Rolling Stones, The Hells Angels, and the Inside Story of Rock's Darkest Day. New York: Dey Street, 2016.Google Scholar
Simon, Roger L. The Big Fix. San Francisco: Straight Arrow, 1973.Google Scholar
Updike, John. Rabbit Redux. New York: Knopf, 1971.Google Scholar
Walker, Alice. Meridian. New York: Harcourt Brace Jovanovich, 1976.Google Scholar
Weller, Michael. Moonchildren. 1971. In Famous American Plays of the 1970s. Ed. Hoffman, Ted. New York: Laurel, 1981. 117195.Google Scholar
Altman, Robert. Dir. The Long Goodbye. Lion's Gate, 1974. Film.
Altman, Robert. M*A*S*H. 20th Century-Fox, 1970. Film.
Biskind, Peter. Raging Bulls and Easy Riders: How the Sex-Drugs-and-Rock ’N Roll Generation Saved Hollywood. New York: Touchstone, 1999.Google Scholar
Chandler, Raymond. The Long Goodbye. Boston: Houghton Mifflin, 1953.Google Scholar
Edson, Gus and Hasen, Irwin. Dondi. Chicago: Chicago Tribune Syndicate, 1955–1986. Comic strip.Google Scholar
Heller, Joseph. Catch-22. New York: Macmillan, 1961.Google Scholar
Heller, Joseph. Something Happened. New York: Knopf, 1974.Google Scholar
Heller, Joseph. We Bombed in New Haven. New York: Knopf, 1968.Google Scholar
Hill, George Roy. Dir. Slaughterhouse-Five. Universal Pictures, 1972. Film.
Hitchcock, Alfred. Dir. Foreign Correspondent. United Artists, 1940. Film.
Hooker, Richard. MASH: A Novel about Three Army Doctors. New York: Morrow, 1968.Google Scholar
Kael, Pauline. Reeling: Film Writing 1972–1975. Boston: Little, Brown, 1976.Google Scholar
Lumet, Sidney. Dir. Network. United Artists, 1976. Film.
Nichols, Mike. Dir. Catch-22. Paramount Pictures, 1970. Film.
Polanski, Roman. Dir. Chinatown. Paramount Pictures, 1974. Film.
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Roth, Philip. The Breast. Boston: Houghton Mifflin, 1972.Google Scholar
Roth, Philip. The Great American Novel. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Roth, Philip. My Life as a Man. New York: Holt, Rinehart and Winston, 1974.Google Scholar
Roth, Philip. Our Gang. New York: Random House, 1971.Google Scholar
Roth, Philip. “Writing American Fiction.” In Reading Myself and Others. New York: Farrar, Straus and Giroux, 1975. 117135.Google Scholar
Vonnegut, Kurt. Slaughterhouse-Five, or The Children's Crusade: A Duty-Dance with Death. New York: Delacorte, 1969.Google Scholar
Weiner, Jon. “When Nixon asked Haldeman about Philip Roth.” Los Angeles Review of Books, January 25, 2014. https://lareviewofbooks.org/article/nixon-asked-haldeman-philip-roth/#Google Scholar
Yates, Richard. A Special Providence. New York: Knopf, 1969.Google Scholar
Yates, Richard. Disturbing the Peace. New York: Delacorte, 1975.Google Scholar
Yates, Richard. The Easter Parade. New York: Delacorte, 1976.Google Scholar
Acker, Kathy. Blood and Guts in High School. New York: Grove, 1984.Google Scholar
Barth, John. “The Literature of Exhaustion.” In The Friday Book: Essays and Other Nonfiction. 1984. Baltimore: Johns Hopkins University Press, 1997. 6276.Google Scholar
Barthelme, Donald. The Dead Father. 1975. New York: Farrar, Straus and Giroux, 2004.Google Scholar
Bertens, Hans. The Idea of the Postmodern: A History. London and New York: Routledge, 1995.CrossRefGoogle Scholar
Bradbury, Malcolm. The Modern American Novel. Revised edition. New York: Penguin, 1992.Google Scholar
Currie, Mark. Postmodern Narrative Theory. 2nd edition. New York: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
DeLillo, Don. Ratner's Star. New York: Knopf, 1976.Google Scholar
Hutcheon, Linda. The Politics of Postmodernism: History, Theory, Fiction. London and New York: Routledge, 1988.CrossRefGoogle Scholar
LeClair, Thomas. “William Gass and John Gardner: A Debate on Fiction.” In Conversations with William H. Gass. Ed. Ammon, T. G.. Jackson: University Press of Mississippi, 2003. 4655.Google Scholar
Lewis, Barry. “Postmodernism and Fiction.” In The Routledge Companion to Postmodernism. Ed. Sim, Stuart. 3rd edition. London and New York: Routledge, 2011. 169181.Google Scholar
Lyotard, Jean-François. The Postmodern Condition: A Report On Knowledge. 1979. Trans. Bennington, Geoff and Massumi, Brian. Minneapolis: University of Minnesota Press, 1984.Google Scholar
McHale, Brian. Postmodernist Fiction. London and New York: Routledge, 1987.CrossRefGoogle Scholar
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Ruland, Richard and Bradbury, Malcolm. From Puritanism to Postmodernism: A History of American Literature. London and New York: Routledge, 1991.Google Scholar
Savvas, Theophilus. American Postmodernist Fiction and the Past. New York: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Wolfe, Tom. “Stalking the Billion-Footed Beast: A Literary Manifesto for the New Social Novel.” Harper's Magazine 279 (November 1989): 4556.Google Scholar
Acosta, Oscar Zeta. The Autobiography of a Brown Buffalo. New York: Random House, 1972.Google Scholar
Acosta, Oscar Zeta. The Revolt of the Cockroach People. San Francisco: Straight Arrow Press, 1973.Google Scholar
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. 1987. 2nd edition. San Francisco: Aunt Lute Books, 1999.Google Scholar
Cheung, King-Kok. “‘Don't Tell’: Imposed Silences in The Color Purple and The Woman Warrior.” PMLA 103.2 (March 1988): 162174.CrossRefGoogle Scholar
Chin, Frank. The Chickencoop Chinaman and The Year of the Dragon: Two Plays. Seattle: University of Washington Press, 1981.Google Scholar
Chin, Frank, Chan, Jeffery Paul, Inada, Lawson Fusao, and Wong, Shawn Hsu. Eds. Aiiieeeee! An Anthology of Asian American Writers. Washington, DC: Howard University Press, 1974.Google Scholar
Domina, Lynn. “Liturgies, Rituals, Ceremonies: The Conjunction of Roman Catholic and Native American Religious Traditions in N. Scott Momaday's House Made of Dawn.” Paintbrush: A Journal of Contemporary Multicultural Literature 21 (1994): 727.Google Scholar
Douglas, Christopher. A Genealogy of Literary Multiculturalism. Ithaca: Cornell University Press, 2009.Google Scholar
Douglas, Christopher. If God Meant to Interfere: American Literature and the Rise of the Christian Right. Ithaca: Cornell University Press, 2016.Google Scholar
Gates, Henry Louis The Signifying Monkey: A Theory of African-American Literary Criticism. New York: Oxford University Press, 1988.Google Scholar
Gonzales, RodolfoCorky.” “Yo soy Joaquín / I am Joaquín.” In I Am Joaquín. 1967. Toronto: Bantam Pathfinder Editions, 1972.Google Scholar
Harding, Susan Friend. The Book of Jerry Falwell: Fundamentalist Language and Politics. Princeton: Princeton University Press, 2001.Google Scholar
Hurston, Zora Neale. Mules and Men. 1935. New York: HarperPerennial, 1990.Google Scholar
King, Martin Luther Letter from the Birmingham Jail. 1963. New York: Harper San Francisco, 1994.Google Scholar
Kingston, Maxine Hong. “Cultural Mis-readings by American Reviewers.” In Asian and Western Writers in Dialogue: New Cultural Identities. Ed. Amirthanayagam, Guy. London: Macmillan, 1982. 5565.CrossRefGoogle Scholar
Kingston, Maxine Hong. “Personal Statement.” In Approaches to Teaching Maxine Hong Kingston's “The Woman Warrior.” Ed. Lim, Shirley Geok-lin. New York: MLA, 1991. 2325.Google Scholar
Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood among Ghosts. New York: Vintage, 1976.Google Scholar
LaHaye, Tim. The Faith of Our Founding Fathers. Brentwood: Wolgemuth & Hyatt, 1987.Google Scholar
LaHaye, Tim. and Jenkins, Jerry. Glorious Appearing: The End of Days. Large print edition. Thorndike: Thorndike Press, 2000.Google Scholar
Lester, Rosemarie K.An Interview with Toni Morrison.” In Critical Essays on Toni Morrison. Ed. McKay, Nellie. Boston: G. K. Hall, 1998. 4754.Google Scholar
McGurl, Mark. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press, 2009.Google Scholar
Momaday, N. Scott. House Made of Dawn. 1968. New York: Perennial Classics, 1999.Google Scholar
Morrison, Toni. “Afterword.” In The Bluest Eye. New York: Plume, 1993.Google Scholar
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Morrison, Toni. ‘‘An Interview with Toni Morrison.” Rosemarie K. Lester Hessian Radio Network (Frankfurt, West Germany, 1983). In Critical Essays on Toni Morrison. Ed. McKay, Nellie. Boston: G. K. Hall, 1998.Google Scholar
Okada, John. No-No Boy. Rutland: Tuttle, 1957.Google Scholar
Reed, Ishmael. Mumbo Jumbo. Garden City: Doubleday, 1972.Google Scholar
Reed, Ishmael. “Neo-HooDoo Manifesto.” In Conjure: Selected Poems, 1963–1970. Amherst: University of Massachusetts Press, 1972. 21.Google Scholar
Schaeffer, Francis A. How Should We Then Live? The Rise and Decline of Western Thought and Culture. Old Tappan: Fleming H. Revell, 1976.Google Scholar
Shinn, Christopher. “The Art of War: Ishmael Reed and Frank Chin and the U.S. Black–Asian Alliance of Multicultural Satire.” In African American Humor, Irony, and Satire: Ishmael Reed, Satirically Speaking. Ed. Williams, Dana A.. Newcastle: Cambridge Scholars, 2007. 6283.Google Scholar
Silko, Leslie Marmon. Ceremony. New York: Penguin, 1977.Google Scholar
Sommer, Doris. “Resisting the Heat: Menchú, Morrison, and Incompetent Readers.” In Cultures of United States Imperialism. Eds. Kaplan, Amy and Pease, Donald E.. Durham: Duke University Press, 1993. 407432.Google Scholar
Stowe, Harriet Beecher. Uncle Tom's Cabin. 1851. New York: Norton, 2010.Google Scholar
Valdez, Luís and Steiner, Stan. Eds. Aztlán: An Anthology of Mexican American Literature. New York: Vintage, 1972.Google Scholar
Walker, Alice. Foreword to “Zora Neale Hurston – A Cautionary Tale and a Partisan View.” 1976. Rpt. in Hemenway, Robert E., Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977. xixviii.Google Scholar
Walker, Alice. The Same River Twice: Honoring the Difficult. New York: Washington Square, 1996.Google Scholar
Walker, Alice. “In Search of Zora Neale Hurston.” Ms. Magazine 3.9 (March 1975): 7489.Google Scholar
Warren, Kenneth W. What Was African American Literature? Cambridge, MA: Harvard University Press, 2011.Google Scholar
Wong, Jade Snow. Fifth Chinese Daughter. 1950. Seattle: University of Washington Press, 1989.Google Scholar
Wong, Jade Snow. No Chinese Stranger. New York: Harper and Row, 1975.Google Scholar
Wong, Sau-ling. “‘Sugar Sisterhood’: Situating the Amy Tan Phenomenon.” In The Ethnic Canon: Histories, Institutions, and Interventions. Ed. Palumbo-Liu, David. Minneapolis: University of Minnesota Press, 1995. 174210.Google Scholar
Wright, Richard. Native Son. 1940. New York: Perennial, 1998.Google Scholar
Berman, Neil David. Playful Fictions and Fictional Players: Game, Sport, and Survival in Contemporary American Fiction. Port Washington: Kennikat Press, 1981.Google Scholar
Bowerman, William J. and Harris, W. E.. Jogging: A Medically Approved Physical Fitness Program for All Ages. New York: Grosset and Dunlap, 1967.Google Scholar
Brancato, Robin F. Winning. New York: Random House, 1977.Google Scholar
DeLillo, Don. End Zone. New York: Penguin, 1972.Google Scholar
Fixx, Jim. The Complete Book of Running. New York: Random House, 1977.Google Scholar
Gaines, Charles. Stay Hungry. Garden City: Doubleday, 1972.Google Scholar
Gent, Peter. North Dallas Forty. New York: Morrow, 1973.Google Scholar
Harman, Graham. Guerrilla Metaphysics: Phenomenology and the Carpentry of Things. Chicago: Open Court, 2005.Google Scholar
Jefferson, Thomas. The Portable Thomas Jefferson. New York: Penguin, 1975.Google Scholar
LeClair, Thomas. “Deconstructing the Logos: Don DeLillo's End Zone.” Modern Fiction Studies 33.1 (1987): 105123.CrossRefGoogle Scholar
Lundblad, Michael. The Birth of a Jungle: Animality in Progressive-Era U.S. Literature and Culture. New York: Oxford University Press, 2013.CrossRefGoogle Scholar
McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America. Lawrence: University Press of Kansas, 2013.Google Scholar
Messner, Michael A. Power at Play: Sports and the Problem of Masculinity. Boston: Beacon Press, 1992.Google Scholar
Oriard, Michael. Reading Football: How the Popular Press Created an American Spectacle. Chapel Hill: University of North Carolina Press, 1993.Google Scholar
Parker, John L.. Once a Runner. 1978. New York: Scribner, 1990.Google Scholar
Peterson, Merrill D. Introduction. In Jefferson, Thomas, The Portable Thomas Jefferson. New York: Penguin, 1975. xixli.Google Scholar
Sheehan, George. Running and Being: The Total Experience. 1978. New York: Rodale, 2013.Google Scholar
Watterson, John Sayle. College Football: History, Spectacle, Controversy. Baltimore: Johns Hopkins University Press, 2000.Google Scholar
Animal House. Dir. John Landis. Universal Pictures, 1978. Film.
Boston Women's Health Book Collective. Our Bodies, Ourselves. New York: Simon and Schuster, 1973.PubMed
Brown, Rita Mae. Rubyfruit Jungle. Plainfield: Daughters, 1973.Google Scholar
Brownmiller, Susan. Against Our Will: Men, Women, and Rape. New York: Simon and Schuster, 1975.Google Scholar
Carnal Knowledge. Nichols, Dir. Mike. AVOC Embassy Pictures, 1971. Film.
Chicago, Judy. The Dinner Party. Brooklyn Museum, 1979. Art installation.
Deep Throat. Gerard, Dir. Jerry. Bryanston Pictures, 1972. Film.
D'Emilio, John and Freedman, Estelle B.. Intimate Matters: A History of Sexuality in America. New York: Harper and Row, 1988.Google Scholar
Dickey, James. Deliverance. Boston: Houghton Mifflin, 1970.Google Scholar
French, Marilyn. The Women's Room. New York: Summit, 1977.Google Scholar
The Ice Storm. Lee, Dir. Ang. Fox Searchlight Pictures, 1997. Film.
Irving, John. The World According to Garp. New York: Dutton, 1978.Google Scholar
Jong, Erica. Fear of Flying. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Jong, Erica. How to Save Your Own Life. New York: Holt, Rinehart and Winston, 1977.Google Scholar
Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood among Ghosts. New York: Vintage, 1976.Google Scholar
Kipnis, Laura. “(Male) Desire and (Female) Disgust: Reading Hustler.” In Ecstasy Unlimited: On Sex, Capital, Gender and Aesthetics. Minneapolis: University of Minnesota Press, 1993. 219242.Google Scholar
Levin, Ira. The Stepford Wives. New York: Random House, 1972.Google Scholar
Lorde, Audre. “The Uses of the Erotic: The Erotic as Power.” In Sister Outsider: Essays and Speeches by Audre Lorde. Berkeley: Crossing Press, 1984. 5359.Google Scholar
Lyon, Janet. “Gender and Sexuality.” In The Cambridge Companion to American Modernism. Ed. Kalaidjian, Walter. New York: Cambridge University Press, 2005. 221241.CrossRefGoogle Scholar
Mailer, Norman. The Prisoner of Sex. Boston: Little, Brown, 1971.Google Scholar
Millett, Kate. Sexual Politics. Garden City: Doubleday, 1970.Google Scholar
Moody, Rick. The Ice Storm. Boston: Little, Brown, 1994.Google Scholar
Morgan, Marabel. The Total Woman: How to Make Your Marriage Come Alive. Old Tappan: Revell, 1973.Google Scholar
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Morrison, Toni. Sula. New York: Knopf, 1973.Google Scholar
Pretty Baby. Malle, Dir. Louis. Paramount Pictures, 1978. Film.
Rechy, James. City of Night. New York: Grove, 1963.Google Scholar
Rechy, James. The Sexual Outlaw: A Documentary. New York: Grove, 1977.Google Scholar
Redstockings. “The Redstockings Manifesto.” In Sisterhood is Powerful: An Anthology of Writings from the Women's Liberation Movement. Ed. Morgan, Robin. New York: Random House, 1970. 533536.Google Scholar
Reuben, David. Everything You Always Wanted to Know about Sex* (*But Were Afraid to Ask). Philadelphia: David McKay, 1969.Google Scholar
Rich, Adrienne. On Lies, Secrets, and Silence: Selected Prose, 1966–1978. New York: Norton, 1979.Google Scholar
Robbins, Harold. The Lonely Lady. New York: Simon and Schuster, 1976.Google Scholar
Rossner, Judith. Looking for Mr. Goodbar. New York: Simon and Schuster, 1975.Google Scholar
Segal, Erich. Love Story. New York: Harper and Row, 1970.Google Scholar
Sexton, Anne. The Complete Poems of Anne Sexton. Boston: Houghton Mifflin, 1981.Google Scholar
Smith, Barbara. “Toward a Black Feminist Criticism.” Conditions 1.2 (1977): 2544.Google Scholar
Snitow, Ann, Stansell, Christine, and Thompson, Sharon. Eds. Powers of Desire: The Politics of Sexuality. New York: Monthly Review Press, 1983.Google Scholar
Sontag, Susan. Illness as Metaphor. New York: Farrar, Straus and Giroux, 1978.Google Scholar
Susann, Jacqueline. Once is Not Enough. New York: Morrow, 1973.Google Scholar
Syfers, Judy. “I Want a Wife.” Ms. Magazine 1.1 (December 20, 1971): 56.Google Scholar
Taxi Driver. Scorsese, Dir. Martin. Columbia Pictures, 1976. Film.
Williams, Linda. Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” Berkeley: University of California Press, 1989.Google Scholar
Wu, Yung-Hsing. “Closely, Consciously Reading Feminism.” In This Book Is an Action: Feminist Print Culture and Activist Aesthetics. Eds. Harker, Jaime and Farr, Cecilla Konchar. Urbana: University of Illinois Press, 2016. 87110.Google Scholar
Allen, Chadwick. “Blood (and) Memory.” American Literature 71.1 (March 1999): 93116.Google Scholar
Angelou, Maya. Gather Together in My Name. New York: Random House, 1974.Google Scholar
Angelou, Maya. The Heart of a Woman. New York: Random House, 1981.Google Scholar
Angelou, Maya. I Know Why the Caged Bird Sings. New York: Random House, 1969.Google Scholar
Angelou, Maya. Singin’ and Swingin’ and Gettin’ Merry Like Christmas. New York: Random House, 1976.Google Scholar
Bailey, Beth. “She ‘Can Bring Home the Bacon’: Negotiating Gender in the 1970s.” In America in the 70s. Eds. Bailey, Beth and Farber, David. Lawrence: University Press of Kansas, 2004. 107128.Google Scholar
Bailey, Beth. and Farber, David. “Introduction.” In America in the 70s. Eds. Bailey, Beth and Farber, David. Lawrence: University Press of Kansas, 2004. 18.Google Scholar
Baldwin, James. The Devil Finds Work. New York: Dial Press, 1976.Google Scholar
Baldwin, James. No Name in the Street. New York: Dial Press, 1972.Google Scholar
Boston Women's Health Book Collective. Our Bodies, Ourselves. New York: Simon and Schuster, 1973.PubMed
Buss, Helen M. Repossessing the World: Reading Memoirs by Contemporary Women. Waterloo, Ontario: Wilfrid Laurier University Press, 2002.Google Scholar
Clifton, Lucille. Generations: A Memoir. New York: Random House, 1976.Google Scholar
Crumb, Robert. R. Crumb's Head Comix. 1968. New York: Fireside Press, 1988.Google Scholar
Davis, Angela. With My Mind on Freedom: An Autobiography. New York: Bantam, 1974.Google Scholar
Dyer, Wayne W. Pulling Your Own Strings. New York: Hamlyn, 1978.Google Scholar
Dyer, Wayne W. Your Erroneous Zones. New York: Funk & Wagnalls, 1976.Google Scholar
Fong, Bobby. “Maxine Hong Kingston's Autobiographical Strategy in The Woman Warrior.” Biography: An Interdisciplinary Quarterly 12.2 (Spring 1989): 116126.CrossRefGoogle Scholar
Gardner, Jared. “Autobiography's Biography, 1972–2007.” Biography: An Interdisciplinary Quarterly 31.1 (Winter 2008): 126.CrossRefGoogle Scholar
Giovanni, Nikki. Gemini: An Extended Autobiographical Statement on My First Twenty-five Years of Being a Black Poet. Indianapolis: Bobbs-Merrill, 1971.Google Scholar
Green, Justin. Binky Brown Meets the Holy Virgin Mary. Last Gasp Ecco Funnies, 1972.
Guffy, Ossie. Ossie: The Autobiography of a Black Woman. New York: Norton, 1971.Google Scholar
Harris, Thomas Anthony. I'm OK, You're OK: A Practical Guide to Transactional Analysis. New York: Harper and Row, 1969.Google Scholar
Hart, Francis Russell. “History Talking to Itself: Public Personality in Recent Memoir.” New Literary History 11.1 (Autumn 1979): 193210.CrossRefGoogle Scholar
Hatfield, Charles. Alternative Comics: An Emerging Literature. Jackson: University Press of Mississippi, 2005.Google Scholar
Kingston, Maxine Hong. China Men. New York: Vintage, 1980.Google Scholar
Kingston, Maxine Hong. “Cultural Mis-readings by American Reviewers.” In Asian and Western Writers in Dialogue: New Cultural Identities. Ed. Amirthanayagam, Guy. London: Macmillan, 1982. 5565.CrossRefGoogle Scholar
Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood among Ghosts. New York: Vintage, 1976.Google Scholar
Korda, Michael. Power! How to Get It, How to Use It. New York: Random House, 1975.Google Scholar
Lasch, Christopher. The Culture of Narcissism: American Life in an Age of Diminishing Expectation. New York: Norton, 1979.Google Scholar
Mailer, Norman. “Mailer on the ’70s – Decade of ‘Image, Skin Flicks and Porn.’” US News and World Report 87.27 (December 10, 1979): 57.Google Scholar
McGee, Micki. Self-Help, Inc.: Makeover Culture in American Life. Oxford: Oxford University Press, 2005.CrossRefGoogle Scholar
Miller, Nancy K. But Enough About Me: Why We Read Other People's Lives. New York: Columbia University Press, 2002.CrossRefGoogle Scholar
Momaday, N. Scott. The Names: A Memoir. New York: Harper and Row, 1976.Google Scholar
Momaday, N. Scott The Way to Rainy Mountain. Albuquerque: University of New Mexico Press, 1969.Google Scholar
Nelson, Deborah. “Panel: Comics and Autobiography: Phoebe Gloeckner, Justin Green, Aline Kominsky-Crumb, Carol Tyler.” Moderator, Deborah Nelson. May 19, 2012. Critical Inquiry 40.3 (Spring 2014): 86103.CrossRefGoogle Scholar
Pascal, R. Design and Truth in Autobiography. 1960. New York: Routledge, 2016.Google Scholar
Porter, Eric. “Affirming and Disaffirming Actions: Remaking Race in the 1970s.” In America in the 70s. Eds. Bailey, Beth and Farber, David. Lawrence: University Press of Kansas, 2004. 5074.Google Scholar
Rak, Julie. “Are Memoirs Autobiography?” Genre 36 (Fall/Winter 2004): 305326.Google Scholar
Rak, Julie. Boom! Manufacturing Memoir for the Popular Market. Waterloo, Ontario: Wilfrid Laurier University Press, 2013.Google Scholar
Rankine, Claudia. “Her Excellence: What Serena Williams Means to Us.” New York Times Magazine. August 30, 2015. 3843.
Ringer, Robert J. Looking Out for Number One. New York: Funk & Wagnalls, 1977.Google Scholar
Ringer, Robert J.. Winning Through Intimidation. New York: Funk & Wagnalls, 1973.Google Scholar
Schulman, Bruce J. The Seventies: The Great Shift in American Culture, Society, and Politics. Cambridge, MA: Da Capo Press, 2001.Google Scholar
Smith, Sidonie A.The Song of a Caged Bird: Maya Angelou's Quest after Self-Acceptance.” In Maya Angelou's I Know Why the Caged Bird Sings. Ed. Bloom, Harold. Philadelphia: Chelsea House, 1998. 313.Google Scholar
Smith, Sidonie A. and Watson, Julia. Reading Autobiography: A Guide for Interpreting Life Narratives. 2nd edition. Minneapolis: University of Minnesota Press, 2010.Google Scholar
Spiegelman, Art. Breakdowns. New York: Nostalgia Press, 1977.Google Scholar
Spiegelman, Art. In the Shadow of No Towers. New York: Pantheon Books, 2004.Google Scholar
Spiegelman, Art. The Complete Maus. New York: Pantheon, 1997.Google Scholar
Spiegelman, Art. and Griffith, Bill. Arcade: The Comics Revue. San Francisco: Print Mint, 1975–1977.Google Scholar
Stone, Albert E.Modern American Autobiography: Texts and Transactions.” In American Autobiography: Retrospect and Prospect. Ed. Eakin, Paul John. Madison: University of Wisconsin Press, 1991. 95120.Google Scholar
Witek, Joseph. Ed. Art Spiegelman: Conversations. Jackson: University Press of Mississippi, 2007.Google Scholar
Wolfe, Tom. “The ‘Me’ Decade and the Third Great Awakening.” In Mauve Gloves & Madmen, Clutter & Vine, and Other Stories, Sketches, and Essays. New York: Farrar, Straus and Giroux, 1976. 126167.Google Scholar
Angelou, Maya. And Still I Rise. New York: Random House, 1978.Google Scholar
Angelou, Maya. I Know Why the Caged Bird Sings. New York: Random House, 1969.Google Scholar
Awkward, Michael. Inspiriting Influences: Tradition, Revision, and Afro-American Women's Novels. New York: Columbia University Press, 1989.Google Scholar
Bambara, Toni Cade. Gorilla, My Love. New York: Random House, 1972.Google Scholar
Bambara, Toni Cade. “Salvation is the Issue.” In Black Women Writers: Arguments and Interviews. Ed. Evans, Mari. London: Pluto Press, 1985.Google Scholar
Bambara, Toni Cade. Ed. The Black Woman: An Anthology. New York: New American Library, 1970.Google Scholar
Baraka, Amiri. AM/TRAK. New York: Phoenix Bookshop, 1979.Google Scholar
Baraka, Amiri. “An Agony, As Now.” 1964. In The LeRoi Jones/Amiri Baraka Reader. Ed. Harris, William J.. New York: Thunder's Mouth Press, 1991.Google Scholar
Baraka, Amiri. Dutchman. New York: Morrow, 1964.Google Scholar
Baraka, Amiri. It's Nation Time. Chicago: Third World Press, 1970.Google Scholar
Baraka, Amiri. It's Nation Time – African Visionary Music. Black Forum/Motown, 1972. LP.
Baraka, Amiri. Junkies Are Full of (SHHH…). 1970. In Black Drama Anthology. Eds. King, Woodie and Milner, Ron. New York: New American Library, 1971. 1123.Google Scholar
Baraka, Amiri. The Sidney Poet Heroical: In 29 Scenes. 1973. New York: Ishmael Reed Publishing Company, 1979.Google Scholar
Baraka, Amiri. Spirit Reach. Newark: Jihad Productions, 1972.Google Scholar
Brooks, Gwendolyn. Aloneness. 1971. Detroit: Broadside, 1990.Google Scholar
Brooks, Gwendolyn. Beckonings. Detroit: Broadside, 1975.Google Scholar
Brooks, Gwendolyn. “The Children of the Poor.” In The Norton Anthology of African American Literature. Eds. Gates, Jr. Henry L. and McKay, Nellie Y.. New York: Norton, 1997. 1587.Google Scholar
Brooks, Gwendolyn. Family Pictures. Detroit: Broadside, 1970.Google Scholar
Brooks, Gwendolyn. In the Mecca. New York: Harper and Row, 1968.Google Scholar
Brooks, Gwendolyn. To Disembark. Chicago: Third World Press, 1981.Google Scholar
Bullins, Ed. Daddy, Or The Prince of Darkness. Alexandria: Alexandria Street Press, 1977.Google Scholar
Bullins, Ed. The Fabulous Miss Marie. 1971. In Ed Bullins: Twelve Plays and Selected Writings. Ed. Sell, Mike. Ann Arbor: University of Michigan Press, 2006. 101134.CrossRefGoogle Scholar
Bullins, Ed. The Taking of Miss Janie. 1975. In Famous American Plays of the 1970s. Ed. Hoffman, Ted. New York: Laurel, 1988. 197235.Google Scholar
Clifton, Lucille. Good News About the Earth: New Poems. New York: Random House, 1972.Google Scholar
Clifton, Lucille An Ordinary Woman. New York: Random House, 1974.Google Scholar
Curwood, Anastasia. Stormy Weather: Middle Class African American Marriages Between the Two World Wars. Chapel Hill: University of North Carolina Press, 2010.CrossRefGoogle Scholar
Dickson-Carr, Darryl. The Columbia Guide to Contemporary African American Fiction. New York: Columbia University Press, 2005.CrossRefGoogle Scholar
Dubey, Madhu. Black Women Novelists and the Nationalist Aesthetic. Bloomington: Indiana University Press, 1994.Google Scholar
Dubey, Madhu. Signs and Cities: Black Literary Postmodernism. Chicago: University of Chicago Press, 2003.CrossRefGoogle Scholar
Ellison, Ralph. “What America Would Be Like Without Blacks.” 1970. In The Collected Essays of Ralph Ellison. Ed. Callahan, John. New York: Modern Library, 2003. 581588.Google Scholar
English, Daylanne. Each Hour Redeem: Time and Justice in African American Literature. Minneapolis: University of Minnesota Press, 2013.CrossRefGoogle Scholar
Funkadelic. “(Not Just) Knee Deep.” Uncle Jam Wants You. Warner Bros., 1979.
Gaines, Ernest J. The Autobiography of Miss Jane Pittman. New York: Dial Press, 1971.Google Scholar
Giovanni, Nikki. Black Feeling, Black Talk/Black Judgement. New York: Morrow, 1970.Google Scholar
Giovanni, Nikki. Cotton Candy on a Rainy Day. 1978. New York: HarperPerennial, 1980.Google Scholar
Giovanni, Nikki. My House. 1972. New York: HarperPerennial, 1974.Google Scholar
Giovanni, Nikki. Re: Creation. Detroit: Broadside Press, 1970.Google Scholar
Haley, Alex. Roots: The Saga of an American Family. New York: Doubleday, 1976.Google Scholar
Harper, Michael. Debridement. New York: Doubleday, 1973.Google ScholarPubMed
Harper, Michael. History is Your Own Heartbeat. Urbana: University of Illinois Press, 1971.Google Scholar
Harper, Michael. Nightmare Begins Responsibility. Urbana: University of Illinois Press, 1975.Google Scholar
Harper, Phillip Brian. Abstractionist Aesthetics: Artistic Form and Social Critique in African American Culture. New York: New York University Press, 2015.CrossRefGoogle Scholar
Harris, William J.Black Aesthetic.” In The Oxford Companion to African American Literature. Eds. Andrews, William L., Foster, Frances Smith, and Harris, Trudier. New York: Oxford University Press, 1997. 6770.Google Scholar
Hayden, Robert. Angle of Ascent: New and Selected Poems by Robert Hayden. New York: Liveright, 1975.Google Scholar
Hayden, Robert. A Ballad of Remembrance. London: Paul Brennan, 1962.Google Scholar
Hayden, Robert. The Lion and the Archer: Poems. Nashville: Counterpoise, 1948.Google Scholar
Hayden, Robert. Words in the Mourning Time: Poems by Robert Hayden. London: October House, 1970.Google Scholar
Henderson, Stephen. Understanding the New Black Poetry: Black Speech and Black Music as Poetic References. New York: Morrow, 1972.Google Scholar
Hogue, W. Lawrence. Race, Modernity, Postmodernity: A Look at the History and the Literatures of People of Color Since the 1960s. Albany: State University of New York, 1996.Google Scholar
Hughes, Langston and Bontemps, Arna. Eds. The Poetry of the Negro. New York: Doubleday, 1970.Google Scholar
Iton, Richard. In Search of the Black Fantastic. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Jablon, Madelyn. Black Metafiction: Self-Consciousness in African American Literature. Iowa City: University of Iowa Press, 1997.Google Scholar
Johnson, Charles. Introduction to Oxherding Tale. New York: Scribner, 1995. ixxii.Google ScholarPubMed
Johnson, Charles. “Whole Sight: Notes on New Black Fiction.” 1985. In I Call Myself An Artist: Writings By and About Charles Johnson. Ed. Byrd, R.. Bloomington: Indiana University Press, 1999. 8590.Google Scholar
Jordan, June. Some Changes. New York: Dutton, 1971.Google ScholarPubMed
Jordan, June. Things That I Do in the Dark: Selected Poetry. New York: Doubleday, 1977.Google Scholar
Kelley, William Melvin. Dunford Travels Everywhere. New York: Doubleday, 1970.Google Scholar
Kennedy, Adrienne. “An Evening with Dead Essex.” Theater 9.2 (Spring 1978): 6678.CrossRefGoogle Scholar
Kennedy, Adrienne. Funnyhouse of A Negro. 1964. In The Adrienne Kennedy Reader. Minneapolis: University of Minnesota Press, 2001. 1126.Google Scholar
Kennedy, Adrienne. A Movie Star Has to Star in Black and White. 1976. In The Adrienne Kennedy Reader. Minneapolis: University of Minnesota Press, 2001. 6278.Google Scholar
Killens, John Oliver. The Cotillion, or One Good Bull is Half the Herd. 1971. Minneapolis: Coffee House Press, 2002.Google Scholar
Leak, Jeffrey. Racial Myths and Masculinity in African American Literature. Knoxville: University of Tennessee Press, 2005.Google Scholar
Major, Clarence. Reflex and Bone Structure. New York: Fiction Collective, 1975.Google Scholar
McPherson, James Alan. Elbow Room. Boston: Little, Brown, 1977.Google Scholar
Melhem, D. H. Gwendolyn Brooks: Poetry and the Heroic Voice. Lexington: University of Kentucky Press, 1987.Google Scholar
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Nash, William. Charles Johnson's Fiction. Urbana: University of Illinois Press, 2003.Google Scholar
Neal, Mark Anthony. Soul Babies: Black Popular Culture and the Post-Soul Aesthetic. New York: Routledge, 2002.Google Scholar
Pryse, Marjorie and Spillers, Hortense J.. Eds. Conjuring: Black Women, Fiction, and Literary Tradition. Bloomington: Indiana University Press, 1985.Google Scholar
Reed, Ishmael. Mumbo Jumbo. Garden City: Doubleday, 1972.Google Scholar
Roberson, Ed. Etai-Eken. Pittsburgh: University of Pittsburgh Press, 1975.Google Scholar
Roberson, Ed. When Thy King is a Boy. Pittsburgh: University of Pittsburgh Press, 1970.Google Scholar
Rodgers, Carolyn M. The Heart as Ever Green. New York: Anchor, 1978.Google Scholar
Rodgers, Carolyn M. How I Got Ovah: New and Selected Poems. Garden City: Doubleday, 1975.Google Scholar
Rody, Caroline. The Daughter's Return: African-American and Caribbean Women's Fictions of History. Oxford: Oxford University Press, 2001.Google Scholar
Russell, Thaddeus. “The Color of Discipline: Civil Rights and Black Sexuality.” American Quarterly 60.1 (2008): 101128.CrossRefGoogle Scholar
Scott-Heron, Gil. “Whitey on the Moon.” A New Black Poet: Small Talk at 125th and Lenox. Flying Dutchman, 1970. LP track.
Shange, Ntozake. For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf. 1976. New York: Collier, 1989.Google Scholar
Shaw, Woody. Moontrane. Muse, 1975. LP.
Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.Google Scholar
Sundquist, Eric. King's Dream: The Legacy of Martin Luther King's I Have a Dream Speech. New Haven: Yale University Press, 2009.Google Scholar
Taylor-Guthrie, Danille. Conversations with Toni Morrison. Jackson: University Press of Mississippi, 1994.Google Scholar
Walker, Alice. “Alice Walker.” In Interviews with Black Writers. Ed. O'Brien, John. New York: Liveright, 1973. 185211.Google Scholar
Walker, Alice. The Color Purple. 1982. Orlando: Harcourt, 2003.Google Scholar
Walker, Alice. Goodnight, Willie Lee, I'll See You in the Morning. New York: Dial Press, 1979.Google Scholar
Walker, Alice. In Search of Our Mothers' Gardens: Womanist Prose. New York: Harcourt Brace Jovanovich, 1983.Google Scholar
Walker, Alice. Revolutionary Petunias and Other Poems. San Diego: Harvest, 1973.Google Scholar
Wallace, Michele. Black Macho and the Myth of the Superwoman. New York: Dial Press, 1978.Google Scholar
Watts, Jerry. Amiri Baraka: The Politics and Art of a Black Intellectual. New York: New York University Press, 2001.Google Scholar
Wideman, John Edgar. Hurry Home. New York: Harcourt Brace Jovanovich, 1970.Google Scholar
Wideman, John Edgar. The Lynchers. New York: Harcourt Brace Jovanovich, 1973.Google Scholar
Williams, Dana. In the Light of Likeness-Transformed: The Literary Art of Leon Forrest. Columbus: Ohio State University Press, 2005.Google Scholar
Williams, Dana. Ed. Contemporary African American Fiction: New Critical Essays. Columbus: Ohio State University Press, 2009.Google Scholar
Williams, Mance. Black Theatre in the 1960s and 1970s: A Historical-Critical Analysis of the Movement. Westport: Greenwood Press, 1985.Google Scholar
Abbey, Edward. The Monkey Wrench Gang. 1975. Salt Lake City: Dream Garden Press, 1999.Google Scholar
Apple, Max. “The Oranging of America.” In The Oranging of America. New York: Grossman/Viking, 1976. 119.Google Scholar
Asimov, Isaac. The Gods Themselves. Garden City: Doubleday, 1972.Google Scholar
Bell, David. “Anti-Idyll: Rural Horror.” In Contested Countryside Cultures: Otherness, Marginalization and Rurality. Eds. Cloke, Paul and Little, Jo. London: Routledge, 1997. 94108.Google Scholar
Benchley, Peter. Jaws. Garden City: Doubleday, 1974.Google Scholar
Berry, Wendell. The Memory of Old Jack. New York: Harcourt, 1974.Google Scholar
Bigjim, Fred Seagayuk and Ito-Adler, James. Letters to Howard: An Interpretation of the Alaska Native Land Claims. Anchorage: Alaska Methodist University Press, 1974.Google Scholar
Brand, Stewart. “The Purpose of the Whole Earth Catalog.” The Whole Earth Catalog 1 (1968): 1.Google Scholar
Brand, Stewart. Whole Earth Discipline: An Ecopragmatist Manifesto. New York: Viking, 2009.Google Scholar
Brown, Donna. Back to the Land: The Enduring Dream of Self-Sufficiency in Modern America. Madison: University of Wisconsin Press, 2011.Google Scholar
Buell, Lawrence. The Environmental Imagination. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Callicott, J. Baird. Earth's Insights: A Multicultural Survey of Ecological Ethics from the Mediterranean Basin to the Australian Outback. Berkeley: University of California Press, 1994.Google Scholar
Carson, Rachel. Silent Spring. Boston: Houghton Mifflin, 1962.Google Scholar
Carver, Raymond. Will You Please Be Quiet, Please?. New York: McGraw-Hill, 1976.Google Scholar
Clement, Hal. Ocean on Top. New York: DAW Books, 1973.Google Scholar
Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton: Princeton University Press, 1992.Google Scholar
Coughran, Chris. “Green Scripts in Gravity's Rainbow: Pynchon, Pastoral Ideology and the Performance of Ecological Self.” Interdisciplinary Studies in Literature and Environment 16.2 (Spring 2009): 265279.CrossRefGoogle Scholar
Day of the Woman [I Spit on Your Grave]. Dir. Zarchi, Meir. Cinemagic Pictures, 1978. Film.
DeKeseredy, Walter et al.Mad Men in Bib Overalls: Media's Horrification and Pornification of Rural Culture.” Critical Criminology 22 (2014): 179197.CrossRefGoogle Scholar
Dickey, James. Deliverance. Boston: Houghton Mifflin, 1970.Google Scholar
Dillard, Annie. Pilgrim at Tinker Creek. 1974. New York: HarperPerennial, 2007.Google Scholar
Dippie, Brian. The Vanishing American: White Attitudes and U.S. Indian Policy. Lawrence: University Press of Kansas, 1982.Google Scholar
Elkin, Stanley. The Franchiser. New York: Farrar, Straus and Giroux, 1976.Google Scholar
Falk, Jim. Global Fission: The Battle over Nuclear Power. Oxford: Oxford University Press, 1982.Google Scholar
Frum, David. How We Got Here: The ’70s: The Decade That Brought You Modern Life – For Better or Worse. New York: Basic Books, 2000.Google Scholar
Hailey, Arthur. Airport. Garden City: Doubleday, 1968.Google Scholar
Hailey, Arthur. The Moneychangers. Garden City: Doubleday, 1975.Google Scholar
Hailey, Arthur. Overload. Garden City: Doubleday, 1979.Google Scholar
Hailey, Arthur. Wheels. Garden City: Doubleday, 1971.Google Scholar
Haines, John. For the Century's End: Poems, 1990–1999. Seattle: University of Washington Press, 2001.Google Scholar
Haines, John. Living Off the Country: Essays on Poetry and Place. Ann Arbor: University of Michigan Press, 1981.Google Scholar
Haines, John. News from the Glacier: Selected Poems 1960–80. Middletown: Wesleyan University Press, 1982.Google Scholar
Haines, John. The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness: A Memoir. Minneapolis: Graywolf Press, 1989.Google Scholar
Haines, John. Winter News: Poems. Middletown: Wesleyan University Press, 1966.Google Scholar
Haldeman, Joe. The Forever War. New York: St. Martin's, 1974.Google Scholar
The Hills Have Eyes. Dir. Craven, Wes. Blood Relations Company, 1977. Film.Google Scholar
Isaacs, Bruce. The Orientation of Future Cinema: Technology, Aesthetics, Spectacle. New York: Bloomsbury, 2003.Google Scholar
Jacob, Jeffery. New Pioneers: The Back-to-the-Land Movement and the Search for a Sustainable Future. University Park: Pennsylvania State University Press, 1997.Google Scholar
James, Beverly and Daley, Patrick. Cultural Politics and the Mass Media: Alaska Native Voices. Champaign: University of Illinois Press, 2004.Google Scholar
Jameson, Fredric. “Cognitive Mapping.” In Marxism and the Interpretation of Culture. Eds. Nelson, Cary and Grossberg, Lawrence. Champaign: University of Illinois Press, 1988. 347360.CrossRefGoogle Scholar
Jobs, Steve. “Commencement Speech.” Stanford University Commencement Ceremonies, Stanford, CA, June 12, 2005. http://news.stanford.edu/2005/06/14/jobs-061505/
King, Stephen. The Shining. Garden City: Doubleday, 1977.Google Scholar
Kirk, Andrew G. Counterculture Green: The Whole Earth Catalog and American Environmentalism. Lawrence: University Press of Kansas, 2007.Google Scholar
Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.Google Scholar
Le Guin, Ursula K. The Word for World is Forest. New York: Berkley, 1972.Google Scholar
Levy, Emanuel. Small-Town America in Film: The Decline and Fall of Community. New York: Continuum, 1991.Google Scholar
Lewis, R. W. B. The American Adam: Innocence, Tragedy and Tradition in the 19th Century. Chicago: University of Chicago Press, 1959.Google Scholar
Locke, Richard. “One of the Longest, Most Difficult, Most Ambitious Novels in Years.” New York Times Book Review. March 11, 1973. www.nytimes.com/books/97/05/18/reviews/pynchon-rainbow.html
Longen, Eugene. “Dickey's ‘Deliverance’: Sex and the Great Outdoors.” Southern Literary Journal 9.2 (Spring 1977): 137149.Google Scholar
Lopez, Barry. Desert Notes: Reflections in the Eye of a Raven. Kansas City: Andrews McMeel, 1976.Google Scholar
Lopez, Barry. Of Wolves and Men. New York: Scribner, 1978.Google Scholar
Lyotard, Jean-François. The Postmodern Condition: A Report On Knowledge. Trans. Bennington, Geoff and Massumi, Brian. Minneapolis: University of Minnesota Press, 1984.Google Scholar
McPhee, John. Coming into the Country. New York: Farrar, Straus and Giroux, 1977.Google Scholar
Mitchell, Timothy. “Carbon Democracy.” Economy and Society 38.3 (2009): 399432.CrossRefGoogle Scholar
Momaday, N. Scott. The Gourd Dancer: Poems. New York: Harper and Row, 1976.Google Scholar
Mortensen, Peter. “Postmodernity, Culture, and Environment in The God of Small Things.” In Beyond Postmodernism: Reassessment in Literature, Theory, and Culture. Ed. Stierstorfer, Klaus. New York: Walter de Gruyter, 2003. 179197.Google Scholar
Morton, Timothy. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Morton, Timothy. The Ecological Thought. Cambridge, MA: Harvard University Press, 2010.Google Scholar
Mother Earth News. Madison: John and Jane Shuttleworth, 1970–1979. www.motherearthnews.com/
Norman, Gurney. Divine Right's Trip. New York: Dial Press, 1972.Google Scholar
O'Brien, Jean. Firsting and Lasting: Writing Indians out of Existence in New England. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Opperman, Serpil. “Seeking Environmental Awareness in Postmodern Fictions.” Critique 49.3 (Spring 2008): 243253.Google Scholar
Owens, Louis. “‘Ecstatic Strategies’: Gerald Vizenor's Darkness in Saint Louis Bearheart.” In Narrative Chance: Postmodern Discourse on Native American Indian Literatures. Ed. Vizenor, Gerald. Norman: University of Oklahoma Press, 1989. 141155.Google Scholar
Petsko, Gregory. “The Blue Marble.” Genome Biology 12.112 (2011): 23. http://genomebiology.biomedcentral.com/articles/10.1186/gb-2011-12-4-112CrossRefGoogle ScholarPubMed
Plumwood, Val.Deep Ecology, Deep Pockets, and Deep Problems: A Feminist Ecosocialist Analysis.” In Beneath the Surface: Critical Essays in the Philosophy of Deep Ecology. Eds. Katz, Eric et al. Cambridge, MA: MIT Press, 2000. 5984.Google Scholar
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Rae, Patricia. “Double Sorrow: Proleptic Elegy and the End of Arcadianism in 1930s Britain.” In Modernism and Mourning. Ed. Rae, Patricia. Lewisburg: Bucknell University Press, 2007. 213239.Google Scholar
Reich, Charles A. The Greening of America. New York: Random House, 1970.Google Scholar
Rodriguez, Robyn and Gonzalez, Vernadette. “Asian American Auto/Biographies: The Gendered Limits of Consumer Citizenship in Import Subcultures.” In Alien Encounters: Popular Culture in Asian America. Eds. Nguyen, Mimi Thi and Tu, Thuy Linh Nguyen. Durham: Duke University Press, 2007. 247271.Google Scholar
Romero, Laura. “Vanishing Americans: Gender, Empire, and New Historicism.” American Literature 63.3 (1991): 385404.CrossRefGoogle Scholar
Schmitt, Ronald. “Transformations of the Hero in James Dickey's Deliverance.” James Dickey Newsletter 8.1 (Fall 1991): 916.Google Scholar
Shannon, Beth Tashery and Williamson, John W.. “Gurney Norman.” In Interviewing Appalachia: The Appalachian Journal Interviews, 1978–1992. Eds. Williamson, John W. and Arnold, Edwin T.. Knoxville: University of Tennessee Press, 1994. 277309.Google Scholar
Sharrett, Christopher. “The Idea of Apocalypse in The Texas Chainsaw Massacre.” In Planks of Reason: Essays on the Horror Film. Ed. Grant, Barry Keith. Metuchen: Scarecrow Press, 1984. 300320.Google Scholar
Shuttleworth, John. “The Plowboy Interview.” Mother Earth News 32 (March/April 1975): 7. www.motherearthnews.com/nature-and-environment/interview-with-the-mother-earth-news-founderGoogle Scholar
Silko, Leslie Marmon. Ceremony. New York: Penguin, 1977.Google Scholar
Soles, Carter. “Sympathy for the Devil: The Cannibalistic Hillbilly in 1970s Rural Slasher Films.” In Ecocinema: Theory and Practice. Eds. Rust, Stephen, Monani, Salma, and Cubitt, Sean. London: Routledge, 2013. 234250.Google Scholar
Stegner, Wallace. Angle of Repose. Garden City: Doubleday, 1971.Google Scholar
The Texas Chainsaw Massacre. Dir. Hooper, Tobe. Vortex, 1974. Film.
Trussler, Michael. “The Narrowed Voice: Minimalism and Raymond Carver.” Studies in Short Fiction 31.1 (Winter 1994): 2337.Google Scholar
Vizenor, Gerald. Darkness in Saint Louis Bearheart. St. Paul: Truck Press, 1978.Google Scholar
Von Doviak, Scott. Hick Flicks: The Rise and Fall of Redneck Cinema. Jefferson: McFarland, 2005.Google Scholar
Whole Earth Catalog. San Francisco: Portola Institute, 1968–1972. www.wholeearth.com/index.php
Wiggington, Eliot. Ed. The Foxfire Book: Hog Dressing, Log Cabin Building, Mountain Crafts and Foods, Planting by the Signs, Snake Lore, Hunting Tales, Faith Healing, Moonshining, and Other Affairs of Plain Living. Garden City: Doubleday, 1972.Google Scholar
Williams, Raymond. The Country and the City. London: Chatto and Windus, 1973.Google Scholar
Barr, Marleen. Ed. Future Females: A Critical Anthology. Bowling Green: Bowling Green University Press, 1981.Google Scholar
Butler, Andrew M. Solar Flares: Science Fiction in the 1970s. Liverpool: Liverpool University Press, 2013.CrossRefGoogle Scholar
Butler, Octavia E.Bloodchild.” 1984. In Bloodchild and Other Stories. New York: Seven Stories Press, 2005.Google Scholar
Butler, Octavia E. Kindred. Garden City: Doubleday, 1979.Google ScholarPubMed
Butler, Octavia E. Mind of My Mind. Garden City: Doubleday, 1977.Google ScholarPubMed
Butler, Octavia E. Patternmaster. Garden City: Doubleday, 1976.Google Scholar
Butler, Octavia E. Survivor. Garden City: Doubleday, 1978.Google Scholar
Cherryh, C. J. The Faded Sun: Kesrith. New York: Daw, 1978.Google Scholar
Clute, John and Nicholls, Peter. Eds. The Encyclopedia of Science Fiction. New York: St. Martin's, 1993.Google Scholar
Cooper, Parley J. The Feminists. New York: Pinnacle Books, 1971.Google Scholar
Crossley, Robert J. Introduction to Butler, Octavia E., Kindred: The 25th Anniversary Edition. Boston: Beacon Press, 2003. ixxvii.Google Scholar
Culp, Christopher. Review of Solar Flares: Science Fiction in the 1970s. Journal of Popular Culture 46.5 (October 2013): 11131115.CrossRef
DeLillo, Don. Ratner's Star. New York: Knopf, 1976.Google Scholar
Donawerth, Jane. Frankenstein's Daughters: Women Writing Science Fiction. Syracuse: Syracuse University Press, 1997.Google Scholar
Glissant, Edouard. “Editorial.” The Unesco Courier 11 (November 1984): 1.Google Scholar
Heilbrun, Carolyn. Toward a Recognition of Androgyny. New York: Knopf, 1973.Google Scholar
Higgins, David M.Encyclopedia of 1970s SF.” Science Fiction Studies 121.40, Part 3 (November 2013): 551553.CrossRefGoogle Scholar
King, Stephen. The Stand. Garden City: Doubleday, 1978.Google ScholarPubMed
Lefanu, Sarah. Feminism and Science Fiction. Bloomington: Indiana University Press, 1989.Google Scholar
Le Guin, Ursula K. The Left Hand of Darkness. New York: Ace, 1969.Google Scholar
Le Guin, Ursula K. “Myth and Archetype in Science Fiction.” In The Language of the Night: Essays on Fantasy and Science Fiction. Ed. Wood, Susan. New York: Putnam, 1979. 7382.Google Scholar
Lessing, Doris. Briefing for a Descent into Hell. New York: Knopf, 1971.Google Scholar
Levin, Ira. The Stepford Wives. New York: Random House, 1972.Google Scholar
McCaffrey, Anne. Dragonquest. New York: Ballantine, 1971.Google Scholar
McCaffrey, Anne. Dragonsinger. New York: Ballantine, 1977.Google Scholar
McCaffrey, Anne. Dragonsong. New York: Ballantine, 1976.Google Scholar
McCaffrey, Anne. The White Dragon. New York: Ballantine, 1978.Google Scholar
McIntyre, Vonda. Dreamsnake. London: Pan, 1978.Google Scholar
MacLean, Katherine. The Missing Man. New York: Putnam, 1975.Google Scholar
Piercy, Marge. Woman on the Edge of Time. New York: Fawcett Crest, 1976.Google Scholar
Platt, Charles. Dream Makers, Volume II. New York: Berkley, 1983.Google Scholar
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Roberts, Robin A. Anne McCaffrey: A Life with Dragons. Jackson: University Press of Mississippi, 2007.Google Scholar
Roberts, Robin A. A New Species: Gender and Science in Science Fiction. Urbana: University of Illinois Press, 1993.Google Scholar
Russ, Joanna. The Female Man. New York: Bantam, 1975.Google ScholarPubMed
Sargent, Pamela. Ed. Women of Wonder: Science Fiction Stories by and about Women. New York: Vintage, 1974.Google Scholar
Silverberg, Robert. “Who is Tiptree, What is He?” Introduction to Tiptree, Jr. James, Warm Worlds and Otherwise. New York: Ballantine, 1975. ix–xviii.Google Scholar
Toffler, Alvin. Future Shock. New York: Random House, 1970.Google Scholar
Wilhelm, Kate. Juniper Time. New York: Harper and Row, 1979.Google Scholar
Wilhelm, Kate. Where Late the Sweet Birds Sing. New York: Harper and Row, 1976.Google Scholar
Angelou, Maya. I Know Why the Caged Bird Sings. New York: Random House, 1969.Google Scholar
Baldwin, James. If Beale Street Could Talk. New York: Dial Press, 1974.Google Scholar
Baraka, Amiri. Dutchman and the Slave: Two Plays. New York: Morrow, 1964.Google Scholar
Beck, Robert [Slim, Iceberg]. Trick Baby, The Story of a White Negro. Los Angeles: Holloway House, 1967.Google Scholar
Benchley, Peter. Jaws. Garden City: Doubleday, 1974.Google Scholar
Bullins, Ed. The Theme is Blackness: “The Corner” and Other Plays. New York: Morrow, 1973.Google Scholar
Cassuto, Leonard. Hard-Boiled Sentimentality: The Secret History of American Crime Stories. New York: Columbia University Press, 2008.Google Scholar
Catch-22. Dir. Nichols, Mike. Paramount Pictures, 1970. Film.
Cawelti, John G. Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. Chicago: University of Chicago Press, 1976.Google Scholar
Condon, Richard. Winter Kills. New York: Dial Press, 1974.Google Scholar
Coover, Robert. The Public Burning. New York: Viking, 1977.Google Scholar
Cornwell, Patricia. Postmortem. New York: Scribner's, 1990.Google Scholar
Crumley, James. The Last Good Kiss. New York: Random House, 1978.Google Scholar
Death Wish. Dir. Winner, Michael. Paramount Pictures, 1974. Film.Google Scholar
Deliverance. Dir. Boorman, John. Warner Bros., 1972. Film.Google Scholar
Diamonds Are Forever. Dir. Hamilton, Guy. United Artists, 1971. Film.Google Scholar
Dickey, James. Deliverance. Boston: Houghton Mifflin, 1970.Google Scholar
Dresner, Lisa M. The Female Investigator in Literature, Film, and Popular Culture. Jefferson: McFarland, 2007.Google Scholar
The Drowning Pool. Dir. Rosenberg, Stuart. First Artists/Warner Bros., 1975. Film.Google Scholar
Feiffer, Jules. The White House Murder Case: A Play in Two Acts and Dick and Jane: A One-Act Play. New York: Grove, 1970.Google Scholar
Fleming, Ian. Diamonds Are Forever. London: Cape, 1956.Google Scholar
Fleming, Ian. Live and Let Die. London: Cape, 1954.Google Scholar
Fleming, Ian. The Man with the Golden Gun. London: Cape, 1965.Google Scholar
Fleming, Ian. Moonraker. London: Cape, 1955.Google Scholar
Fleming, Ian. The Spy Who Loved Me. London: Cape, 1962.Google Scholar
Forrest, Katherine V. Amateur City. New York: Naiad Press, 1984.Google Scholar
Gaddis, William. J R. New York: Knopf, 1975.Google Scholar
Garfield, Brian. Death Sentence. New York: Evans, 1975.Google Scholar
Garfield, Brian. Death Wish. New York: McKay, 1972.Google Scholar
Gifford, Justin. Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing. Philadelphia: Temple University Press, 2013.Google Scholar
The Godfather. Dir. Coppola, Francis Ford. Paramount Pictures, 1972. Film.Google Scholar
The Godfather Part II. Dir. Coppola, Francis Ford. Paramount Pictures, 1974. Film.Google Scholar
Goines, Donald. Dopefiend. Los Angeles: Holloway House, 1971.Google Scholar
Goines, Donald. Never Die Alone. Los Angeles: Holloway House, 1974.Google Scholar
Gordone, Charles. No Place to Be Somebody: A Black Black Comedy in Three Acts. Indianapolis: Bobbs-Merrill, 1969.Google Scholar
Grafton, Sue. X. New York: Putnam, 2015.Google Scholar
Guare, John. Landscape of the Body. 1977. New York: Grove, 2007.Google Scholar
Guare, John. “What It Was Like.” Preface to Landscape of the Body. 1977. New York: Grove, 2007. viixix.Google Scholar
Hammett, Dashiell. The Big Knockover, Selected Stories and Short Novels. Ed. Hellman, Lillian. New York: Vintage, 1972.Google Scholar
Hammett, Dashiell. The Maltese Falcon. New York: Knopf, 1930.Google Scholar
Harper. Dir. Smight, Jack. Warner Bros., 1966. Film.Google Scholar
Heller, Joseph. Catch-22. New York: Simon and Schuster, 1961.Google Scholar
Higgins, George V. Coogan's Trade. New York: Knopf, 1974.Google Scholar
Higgins, George V. Dreamland. Boston: Little, Brown, 1977.Google Scholar
Higgins, George V. The Friends of Eddie Coyle. New York: Knopf, 1972.Google Scholar
Higgins, George V. Kennedy for the Defense. New York: Knopf, 1980.Google Scholar
Highsmith, Patricia. The Talented Mr. Ripley. New York: Coward-McCann, 1955.Google Scholar
Hillerman, Tony. The Blessing Way. New York: Harper, 1970.Google Scholar
Himes, Chester. Blind Man with a Pistol. New York: Morrow, 1969.Google Scholar
Jackie Brown. Dir. Tarantino, Quentin. Miramax, 1997. Film.Google Scholar
Jaws. Dir. Spielberg, Steven. Universal, 1975. Film.Google Scholar
Jong, Erica. Fear of Flying. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Kesey, Ken. One Flew Over the Cuckoo's Nest. New York: Viking, 1962.Google Scholar
Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood among Ghosts. New York: Vintage, 1976.Google Scholar
Leonard, Elmore. The Big Bounce. New York: Fawcett, 1969.Google Scholar
Leonard, Elmore. City Primeval: High Noon in Detroit. New York: Arbor House, 1980.Google Scholar
Leonard, Elmore. Elmore Leonard: Four Novels of the 1970s [Fifty-two Pickup, Swag, Unknown Man No. 89, The Switch]. New York: Library of America, 2014.Google Scholar
Leonard, Elmore. Get Shorty. New York: Delacorte, 1990.Google Scholar
Leonard, Elmore. Mr. Majestyk. New York: Dell, 1974.Google Scholar
Leonard, Elmore. Preface to Higgins, George V., The Friends of Eddie Coyle. New York: Holt, 2000. vvii.Google Scholar
Leonard, Elmore. Rum Punch. New York: Delacorte, 1992.Google Scholar
Levin, Ira. Deathtrap: A Thriller in Two Acts. New York: Random House, 1979.Google Scholar
Live and Let Die. Dir. Hamilton, Guy. United Artists, 1973. Film.Google Scholar
Looking for Mr. Goodbar. Dir. Brooks, Richard. Paramount Pictures, 1977. Film.Google Scholar
Macdonald, Ross. The Blue Hammer. New York: Knopf, 1976.Google Scholar
Macdonald, Ross. The Drowning Pool. New York: Knopf, 1950.Google Scholar
Macdonald, Ross. The Goodbye Look. New York: Knopf, 1969.Google Scholar
Macdonald, Ross. The Moving Target. New York: Knopf, 1949.Google Scholar
Macdonald, Ross. The Underground Man. New York: Knopf, 1971.Google Scholar
Magny, Claude-Edmonde. The Age of the American Novel: The Film Aesthetic between the Two Wars. Trans. Hochman, Eleanor. 1946. New York: Ungar, 1972.Google Scholar
Mamet, David. American Buffalo. In American Buffalo, Sexual Perversity in Chicago, and Duck Variations. London: Methuen, 1978.Google Scholar
The Man with the Golden Gun. Dir. Hamilton, Guy. Eon Productions, 1975. Film.Google Scholar
Moonraker. Dir. Gilbert, Lewis. Eon Productions, 1979. Film.Google Scholar
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Morrison, Toni. Song of Solomon. New York: Knopf, 1977.Google Scholar
Morrison, Toni. Sula. New York: Knopf, 1973.Google Scholar
Muller, Marcia. Ask the Cards a Question. New York: St. Martin's, 1982.Google Scholar
Muller, Marcia. The Cheshire Cat's Eye. New York: St Martin's, 1983.Google Scholar
Muller, Marcia. Edwin of the Iron Shoes. New York: McKay, 1977.Google Scholar
Muller, Marcia. Games to Keep the Dark Away. New York: St. Martin's, 1984.Google Scholar
Muller, Marcia. Leave a Message for Willie. New York: St. Martin's, 1984.Google Scholar
Munoz Martinez, Bernardo, Munoz, Alfonso Ceballos, and Romero, Ramon Espejo. Eds. Violence in American Drama. Jefferson: McFarland, 2011.Google Scholar
Norman, Marsha. Getting Out: A Play in Two Acts. New York: Dramatists Play Service, 1979.Google Scholar
Odets, Clifford. Three Plays: Awake and Sing, Waiting for Lefty, Til the Day I Die. New York: Random House, 1935.Google Scholar
One Flew Over the Cuckoo's Nest. Dir. Forman, Milos. United Artists, 1975. Film.Google Scholar
Osborn, John Jay The Paper Chase. New York: American, 1970.Google Scholar
The Paper Chase. Dir. Bridges, James. 20th Century-Fox, 1973. Film.Google Scholar
Paretsky, Sara. Indemnity Only. New York: Dial Press, 1982.Google Scholar
Parker, Robert B. Early Autumn. Boston: Houghton Mifflin, 1981.Google Scholar
Parker, Robert B. God Save the Child. Boston: Houghton Mifflin, 1974.Google Scholar
Parker, Robert B. The Godwulf Manuscript. Boston: Houghton Mifflin, 1973.Google Scholar
Parker, Robert B. Mortal Stakes. Boston: Houghton Mifflin, 1975.Google Scholar
Parker, Robert B. The Widening Gyre. New York: Delacorte, 1983.Google Scholar
Piercy, Marge. Woman on the Edge of Time. New York: Knopf, 1976.Google Scholar
Piñero, Miguel. Short Eyes. InOutlaw: The Collected Works of Miguel Piñero. 1974. Houston: Arte Público Press, 2010. 193247.Google Scholar
Plath, Sylvia. The Bell Jar. New York: Harper and Row, 1971.Google Scholar
Price, Richard. The Wanderers. New York: Houghton Mifflin, 1974.Google Scholar
Puzo, Mario. The Godfather. New York: Putnam, 1969.Google Scholar
Reed, Ishmael. Mumbo Jumbo. Garden City: Doubleday, 1972.Google Scholar
Ribman, Ronald. The Poison Tree: A Drama in Two Acts. New York: Samuel French, 1977.Google Scholar
Rossner, Judith. Looking for Mr. Goodbar. New York: Simon and Schuster, 1975.Google Scholar
Rzepka, Charles J.Twentieth-Century American Crime and Detective Fiction.” In A Companion to the Modern American Novel, 1900–1950. Ed. Matthews, John T.. Oxford: Wiley-Blackwell, 2009. 454465.CrossRefGoogle Scholar
Sanchez, Thomas. Rabbit Boss. New York: Knopf, 1973.Google Scholar
Sanchez, Thomas. The Zoot-Suit Murders. New York: Knopf, 1978.Google Scholar
Shange, Ntozake. For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf: A Choreopoem. New York: Macmillan, 1976.Google Scholar
Shepard, Sam. Buried Child. In Buried Child, Seduced, and Suicide in B Flat. New York: Urizen, 1979.Google Scholar
The Spy Who Loved Me. Dir. Lewis Gilbert. Eon Productions, 1977. Film.
Sweeney Todd: The Demon of Barber Street. Original Cast Recording. RCA, 1979. LP.
Thompson, Jim. Pop. 1280. New York: Gold Medal, 1964.Google Scholar
Valdez, Luis. Zoot Suit. 1978. Houston: Arte Público Press, 2004.Google Scholar
Wagner-Martin, Linda. A History of American Literature from 1950 to the Present. Oxford: Wiley-Blackwell, 2013.Google Scholar
Walker, Alice. Meridian. New York: Harcourt Brace Jovanovich, 1976.Google Scholar
Winter Kills. Dir. Richert, William. Winter Gold/AVCO Embassy Pictures, 1979. Film.Google Scholar
Allen, Bruce. “The Heavy Hitters in Baseball Fiction's Hall of Fame.” Chicago Tribune, April 2, 1978: 7.1, 7.6.
Bellow, Saul. Humboldt's Gift. New York: Viking, 1975.Google Scholar
Blackburn, Sarah. “Sula.” Review of Sula, by Morrison, Toni. New York Times, December 30, 1973: BR3.
Broyard, Anatole. “What a Complicated Machine an Old-School European Is.” Review of Mr. Sammler's Planet, by Bellow, Saul. New York Times, February 1, 1970: BR1, 40.
Buell, Lawrence. The Dream of the Great American Novel. Cambridge, MA: Harvard University Press, 2014.CrossRefGoogle Scholar
Buell, Lawrence. “The Unkillable Dream of the Great American Novel: Moby-Dick as Test Case.” American Literary History 20.1–2 (2008): 132155.CrossRefGoogle Scholar
Carman, Bliss. “A Son of the Old Dominion.” Review of A Son of the Old Dominion, by Harrison, Burton. Bookman 6.1 (September 1897): 6364.Google Scholar
“Could Your Daughter Kill?” Los Angeles Magazine, February 1970: 30.
Doctorow, E. L. Ragtime. New York: Random House, 1975.Google Scholar
“Former Members Liken Black Panthers to the Klan.” New York Times, April 9, 1969: 44.
Freedman, Jonathan. Klezmer America: Jewishness, Ethnicity, Modernity. New York: Columbia University Press, 2008.CrossRefGoogle Scholar
Garfield, Brian. “Western Tales.” Review of Winding Stair, by Jones, Douglas C., and Jason McGee, by Fowler, Robert H.. New York Times, October 28, 1979: BR15, BR47.
“A Great American Novel.” New York Times, March 4, 1899: SR141.
Hawthorne, Nathaniel. The Scarlet Letter. 1850. San Francisco: Ignatius Press, 2009.Google ScholarPubMed
Herman, Luc. “Pynchon, Postmodernism and Quantification: An Empirical Content Analysis of Thomas Pynchon's Gravity's Rainbow.” LL: Language and Literature 12.1 (2003): 2741.CrossRefGoogle Scholar
Hoberek, Andrew. “The Jewish Great American Novel.” In The Cambridge History of the American Novel. Eds. Cassuto, Leonard et al. Cambridge: Cambridge University Press, 2011. 893908.CrossRefGoogle Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. 2nd edition. New York: Routledge, 2002.Google Scholar
Jones, Ernest. The Life and Work of Sigmund Freud. Vol. 2. New York: Basic Books, 1961.Google Scholar
Klemesrud, Judy. “A Criminologist's View of Women Terrorists.” New York Times, January 9, 1978: 1.24.
Kramer, Hilton. “Political Romance.” Review of Ragtime, by Doctorow, E. L.. Commentary, October 1975: 7680.
Lardner, Susan. “Books: Word of Mouth.” Review of Song of Solomon, by Morrison, Toni. The New Yorker, November 17, 1977: 217221.
Latham, Aaron. “A Gentile David against the Hebrew Goliaths.” Review of The Courage of Turtles, by Hoagland, Edward. Chicago Tribune, January 17, 1971: BW5.
Leonard, John. “A Handsome Gift.” Review of Humboldt's Gift, by Bellow, Saul. New York Times, September 7, 1975: BR47.
Lindsey, Robert. “Economy Mars Belief in the American Dream.” New York Times, October 26, 1975: 1.1.
Locke, Richard. “Rabbit Redux.” Review of Rabbit Redux, by Updike, John. New York Times, November 14, 1971: BR12, 1216, 2022.
Lukács, Georg. The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature. Trans. Bostock, Anna. Cambridge, MA: MIT Press, 1971.Google Scholar
Marcus, Greil. “Happy Endings.” Village Voice, August 4, 1975. Rpt. in The Dustbin of History. Cambridge, MA: Harvard University Press, 1995. 8896.Google Scholar
Maurice Thompson's Fine Novel Alice of Old Vincennes.” Bookman 13.1 (March 1901): n.p.
Melville, Herman. Moby Dick; Or, The Whale. 1851. Evanston: Northwestern University Press, 1988.CrossRefGoogle Scholar
Mitchell, Joni. “Blue.” Blue. Reprise, 1971. CD.Google ScholarPubMed
Mitchell, Joni. “Woodstock.” Ladies of the Canyon. Reprise, 1970. CD.Google Scholar
Morrison, Toni. Song of Solomon. New York: Knopf, 1977.Google Scholar
Nabokov, Vladimir. Look at the Harlequins. New York: McGraw-Hill, 1974.Google Scholar
Nabokov, Vladimir. Transparent Things. 1972. In Novels, 1969–1974. New York: Library of America, 1996.Google Scholar
Nixon, Richard M. “Transcript of President's Address On State of the Union to Joint Session of Congress.” New York Times, January 21, 1972: 18.
Norris, Frank. “The Great American Novelist.” In Blix: Moran of the Lady Letty: Essays on Authorship. New York: Doubleday & McClure, 1899. 290292.Google Scholar
Perrin, Tom. The Aesthetics of Middlebrow Fiction: Popular US Novels, Modernism, and Form, 1945–75. New York: Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Peterson, Peter. “The American Dream.” New York Times, January 31, 1972: 41.
Policastro, Michael. “‘The American Dream’: Can It Survive Awakening?” New York Times, October 28, 1979: 7.30.
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Reed, Ishmael. Mumbo Jumbo. Garden City: Doubleday, 1972.Google Scholar
Reynolds, Barbara. “They Found the Melting Pot Broken.” Chicago Tribune, May 23, 1976: 4350.
Roth, Philip. The Great American Novel. New York: Holt, Rinehart and Winston, 1973.Google Scholar
Solomon, Barbara Probst. Arriving Where We Started. New York: Harper and Row, 1972.Google Scholar
Suozzi, Michael. “La Bella Vita.” New York Times, November 28, 1975: 3132.
Updike, John. Rabbit Redux. New York: Knopf, 1971.Google Scholar
Warner, George H. “Our 7,500 Authors.” New York Times, May 25, 1901: 364.
“We Just Decided To.” Episode 1 of The Newsroom. Dir. Greg Mottola. Perf. Jeff Daniels. HBO Studios, 2013. DVD.
Welty, Eudora. The Optimist's Daughter. New York: Random House, 1972.Google Scholar
Wolfe, Thomas. “Radical Chic: That Party at Lenny's.” In Radical Chic and Mau-Mauing the Flak Catchers. New York: Farrar, Straus and Giroux, 1970.Google Scholar
Wolfe, Thomas. “Why They Aren't Writing the Great American Novel Anymore: A Treatise on the Varieties of Realistic Experience.” Esquire 78 (December 1972): 152159, 272280.Google Scholar
Adams, Richard. Watership Down. London: Rex Collins, 1972.Google ScholarPubMed
Airport. Dirs. Seaton, George and Hathaway, Henry. Universal Pictures, 1970. Film.
Airport 1975. Dir. Smight, Jack. Universal, 1974. Film.
Airport ’77. Dir. Jameson, Jerry. Universal, 1977. Film.
Andrews, Nigel. Jaws: A Bloomsbury Movie Guide. London: Bloomsbury, 1999.Google Scholar
Ashe, Penelope. Naked Came the Stranger. Fort Lee: Lyle Stuart, 1969.Google Scholar
Bach, Richard. Jonathan Livingston Seagull: A Story. New York: Macmillan, 1970.Google Scholar
Bahrenburg, Bruce. The True, Behind-the-Scenes Account of Filming The Great Gatsby. New York: Berkley Medallion, 1974.Google Scholar
Becker, Lucille F. Pierre Boulle. Boston: Twayne, 1996.Google Scholar
Benchley, Peter. The Deep. Garden City: Doubleday, 1976.Google Scholar
Benchley, Peter. Jaws. Garden City: Doubleday, 1974.Google Scholar
Benchley, Peter. Jaws. Paperback edition. New York: Bantam, 1975.Google Scholar
Beneath the Planet of the Apes. Dir. Ted Post. 20th Century-Fox, 1970. Film.
Blake, Edith. The Making of the Movie Jaws: On Location…On Martha's Vineyard. New York: Ballantine, 1975.Google Scholar
Blatty, William Peter. The Exorcist. New York: Harper and Row, 1971.Google Scholar
Bloom, Clive. Bestsellers: Popular Fiction since 1900. 2nd edition. London: Palgrave Macmillan, 2008.CrossRefGoogle Scholar
Boulle, Pierre. Bridge over the River Kwai. Trans. Fielding, Xan. New York: Vanguard, 1954.Google Scholar
Boulle, Pierre. Ears of the Jungle. Trans. Dobry, Michael and Cole, Lynda. New York: Vanguard, 1972.Google Scholar
Boulle, Pierre. Monkey Planet [Planet of the Apes]. Trans. Fielding, Xan. London: Penguin, 1964.Google Scholar
Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Ed. Johnson, Randal. Cambridge: Polity Press, 1993.Google Scholar
Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Trans. Emanuel, Susan. Cambridge: Polity Press, 1996.Google Scholar
Bourdieu, Pierre. and Coleman, John S.. Eds. Social Theory for a Changing Society. Boulder: Westview Press, 1991.Google Scholar
Brier, Evan. “Crimes and Bestsellers: Mario Puzo's Path to The Godfather.” In Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code. Eds. Churchwell, Sarah and Smith, Thomas Ruys. London: Continuum, 2012. 277296.Google Scholar
Burgess, Anthony. The Novel Now: A Student's Guide to Contemporary Fiction. London: Faber and Faber, 1971.Google Scholar
Churchwell, Sarah. “Master of Sentiment: The Romances of Nicholas Sparks.” In Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code. Eds. Churchwell, Sarah and Smith, Thomas Ruys. London: Continuum, 2012. 297318.Google Scholar
Collins, Jim. Bring on the Books for Everybody: How Literary Culture Became Popular Culture. Durham: Duke University Press, 2010.CrossRefGoogle Scholar
The Concorde…Airport ’79. Dir. Rich, David Lowell. Universal Pictures, 1979. Film.Google Scholar
Dallas. CBS-TV, 1978–1991. TV series.
Damien: Omen II. Dir. Taylor, Don. 20th Century-Fox, 1978. Film.Google Scholar
Davis, Gwen. The Pretenders. Cleveland: World Publishing, 1969.Google Scholar
Diamond, Neil. Jonathan Livingston Seagull: Original Motion Picture Soundtrack. CBS Records, 1973. LP.Google Scholar
The Dick Cavett Show. ABC-TV, 1968–1977/PBS, 1977–1982. TV series.
DiMaggio, Paul. “Social Structure, Institutions, and Cultural Goods: The Case of the United States.” In Social Theory for a Changing Society. Eds. Bourdieu, Pierre and Coleman, John S.. Boulder: Westview Press, 1991. 133166.Google Scholar
Doctorow, E. L. Ragtime. New York: Random House, 1975.Google Scholar
Earthquake. Dir. Robson, Mark. Universal Pictures, 1975. Film.Google Scholar
The Empire Strikes Back. Dir. Kershner, Irvin. Lucasfilm/20th Century-Fox, 1980. Film.Google Scholar
English, James F. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press, 2005.CrossRefGoogle Scholar
The Exorcist. Dir. Friedkin, William. Warner Bros., 1973. Film.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner's, 1925.Google Scholar
Fowles, John. The French Lieutenant's Woman. Boston: Little, Brown, 1969.Google Scholar
Garland, Sarah. “Missing Numbers: The Partial History of the Bestseller.” In Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code. Eds. Churchwell, Sarah and Smith, Thomas Ruys. London: Continuum, 2012. 3757.Google Scholar
The Godfather. Dir. Coppola, Francis Ford. Paramount, 1972. Film.Google Scholar
Gomery, Douglas. “The Hollywood Blockbuster: Industrial Analysis and Practice.” In Movie Blockbusters. Ed. Stringer, Julian. New York: Routledge, 2003. 7283.Google Scholar
Gottlieb, Carl. The Jaws Log. New York: Dell, 1975.Google Scholar
The Great Gatsby. Dir. Clayton, Jack. Paramount Pictures, 1974. Film.Google Scholar
Hackett, Alice Payne and Burke, James Henry. 80 Years of Best Sellers 1895–1975. New York: R. R. Bowker, 1977.Google Scholar
Hailey, Arthur. Airport. Garden City: Doubleday, 1968.Google Scholar
Hailey, Arthur. Hotel. Garden City: Doubleday, 1965.Google Scholar
Hailey, Arthur. The Moneychangers. Garden City: Doubleday, 1975.Google Scholar
Hailey, Arthur. Overload. Garden City: Doubleday, 1979.Google Scholar
Hailey, Arthur. Wheels. Garden City: Doubleday, 1971.Google Scholar
Hailey, Sheila. I Married a Bestseller: My Life with Arthur Hailey. Garden City: Doubleday, 1978.Google Scholar
Haley, Alex. Roots: The Saga of an American Family. Garden City: Doubleday, 1976.Google Scholar
Heller, Joseph. Something Happened. New York: Knopf, 1974.Google Scholar
Herzog, Arthur. The Swarm. New York: Simon and Schuster, 1974.Google Scholar
Holt, Henry. “The Commercialization of Literature.” Atlantic Monthly 96 (November 1905): 577600.Google Scholar
Howard, Joseph. Damien: Omen II. New York: Futura, 1978.Google Scholar
Hurwood, Bernhardt J. Kingdom of the Spiders. New York: Ace, 1977.Google Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981.Google Scholar
Jaws. Dir. Spielberg, Steven. Universal, 1975. Film.Google Scholar
King, Susan. “William Peter Blatty reflects on 40th Anniversary of The Exorcist.” Los Angeles Times, October 8, 2013. latimes.com/entertainment/movies/moviesnow/la-et-mn-william-peter-blatty-exorcist-20131008-story.html
Kingdom of the Spiders. Dir. John “Bud” Cardos. Dimension Pictures, 1977. Film.PubMed
Konow, David. Reel Terror: The Scary, Bloody, Gory Hundred-Year History of Classic Horror Films. New York: St Martin's Griffin, 2012.Google Scholar
Luey, Beth. “The Organization of the Book Publishing Industry.” In A History of the Book in America, Volume 5: The Enduring Book: Print Culture in Postwar America. Eds. Nord, David Paul, Rubin, Joan Shelley, and Schudson, Michael. Chapel Hill: University of North Carolina Press, 2014. 2954.Google Scholar
Marks, Ben. “The Bizarre Story of How the Original Poster for Jaws Went Missing.” Gizmodo, August 14, 2014. http://gizmodo.com/the-bizarre-story-of-how-the-original-poster-for-jaws-w-1621658366
McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester University Press, 1995.Google Scholar
McGill, Gordon. Omen III: The Final Conflict. New York: Futura, 1980.Google Scholar
McGill, Gordon. Omen IV: Armageddon 2000. New York: Futura, 1983.Google Scholar
McGill, Gordon. Omen V: The Abomination. New York: Futura, 1985.Google Scholar
Messenger, Chris. The Godfather and American Culture: How the Corleones Became “Our Gang.” Albany: State University of New York Press, 2002.Google Scholar
Miller, Laura J.The Best-Seller List as Marketing Tool and Historical Fiction.” Book History 3.1 (2000): 286304.CrossRefGoogle Scholar
The Omen. Dir. Donner, Richard. 20th Century-Fox, 1976. Film.Google Scholar
The Omen III: The Final Conflict. Dir. Baker, Graham. 20th Century-Fox, 1981. Film.Google Scholar
Pitirs, Ronald A. and Stokmans, Mia J. W.. “Genre Categorization and Its Effect on Preference for Fiction Books.” Empirical Studies of the Arts 18.2 (2000): 159166.CrossRefGoogle Scholar
Planet of the Apes. Dir. Shaffner, Franklin J.. 20th Century-Fox, 1968. Film.Google Scholar
Price, Richard. The Wanderers. New York: Avon, 1974.Google Scholar
Puzo, Mario. The Godfather. New York: Putnam, 1969.Google Scholar
Robbins, Harold. The Inheritors. New York: Trident, 1969.Google Scholar
Roots. ABC-TV, 1977. TV mini-series.PubMed
Roth, Philip. Portnoy's Complaint. New York: Random House, 1969.Google Scholar
Schatz, Thomas. “The New Hollywood.” In Movie Blockbusters. Ed. Stringer, Julian. New York: Routledge, 2003. 1544.Google Scholar
Segal, Erich. Love Story. New York: Harper and Row, 1970.Google Scholar
Seltzer, David. The Omen. New York: New American Library, 1976.Google Scholar
Shone, Tom. Blockbuster: How Hollywood Stopped Worrying and Learned to Love the Summer. New York: Free Press, 2004.Google Scholar
Stringer, Julian. Ed. Movie Blockbusters. New York: Routledge, 2003.Google Scholar
Susann, Jacqueline. The Love Machine. New York: Simon and Schuster, 1969.Google Scholar
Sutherland, John. Bestsellers: Popular Fiction of the 1970s. London: Routledge and Kegan Paul, 1981.Google Scholar
Sutherland, John. Bestsellers: A Very Short Introduction. New York: Oxford University Press, 2007.Google Scholar
The Swarm. Dir. Allen, Irwin. Warner Bros., 1978. Film.Google Scholar
The Towering Inferno. Dir. Guillermin, John. 20th Century-Fox, 1974. Film.Google Scholar
Verboord, Marc. “Market Logic and Cultural Consecration in French, German and American Bestseller Lists, 1970–2007.” Poetics 39.4 (August 2011): 290315.CrossRefGoogle Scholar
Vonnegut, Kurt. Breakfast of Champions. New York: Delacorte, 1973.Google Scholar
Wallace, Irving. The Seven Minutes. New York: Simon and Schuster, 1969.Google Scholar
West, James L. W. III. American Authors and the Literary Marketplace since 1900. Philadelphia: University of Pennsylvania Press, 2011.Google Scholar
Whiteside, Thomas. The Blockbuster Complex: Conglomerates, Show Business, and Book Publishing. Middletown: Wesleyan University Press, 1981.Google Scholar
Anson, Jay. The Amityville Horror. New York: Prentice Hall, 1977.Google Scholar
Best of Enemies. Dirs. Neville, Morgan and Gordon, Robert. Magnolia Pictures, 2015. DVD.Google Scholar
Capote, Truman. Answered Prayers: The Unfinished Novel. New York: Plume, 1988.Google Scholar
Capote, Truman. In Cold Blood. New York: Random House, 1966.Google Scholar
Capote, Truman. “La Côte Basque, 1965.” Esquire 90 (November 1975): 110118, 158.Google Scholar
Capote, Truman. Other Voices, Other Rooms. New York: Random House, 1948.Google Scholar
Cheever, John. Falconer. New York: Knopf, 1977.Google Scholar
Clifford, Gary. “Mr. Jacqueline Susann Honors His Late Wife by Hawking Her Final Book.” People Magazine, August 9, 1976. http://people.com/archive/mr-jacqueline-susann-honors-his-late-wife-by-hawking-her-final-book-vol-6-no-6/
Corey, Irwin. “Professor Irwin Corey accepts the National Book Award Fiction Citation for Thomas Pynchon and Gravity's Rainbow.” April 18, 1974. www.irwincorey.org/routines.html
The David Frost Show. Group W Productions, 1968–1972. Syndicated. TV series.
The Dick Cavett Show. ABC-TV, 1968–1977/PBS, 1977–1982. TV series.
Frank, Marcie. How to Be an Intellectual in the Age of TV: The Lessons of Gore Vidal. Durham: Duke University Press, 2005.CrossRefGoogle Scholar
Glass, Loren. Authors Inc.: Literary Celebrity in the Modern United States 1880–1980. New York: New York University Press, 2004.Google Scholar
Grobel, Lawrence. Ed. Conversations with Capote. New York: New American Library, 1985.Google Scholar
Kosinski, Jerzy. Being There. New York: Harcourt Brace Jovanovich, 1970.Google Scholar
Lerner, Betsy. The Forest for the Trees: An Editor's Advice to Writers. New York: Riverhead, 2010.Google Scholar
Mailer, Norman. Advertisements for Myself. New York: Putnam, 1959.Google Scholar
Mailer, Norman. “An Appeal to Lillian Hellman and Mary McCarthy.” New York Times, May 11, 1980: BR1, BR33.
Mailer, Norman. The Armies of the Night: History as Novel, the Novel as History. New York: New American Library, 1968.Google Scholar
Mailer, Norman. The Executioner's Song. Boston: Little, Brown, 1979.Google Scholar
Mailer, Norman. The Naked and the Dead. New York: Rinehart, 1948.Google Scholar
Mailer, Norman. The Prisoner of Sex. Boston: Little, Brown, 1971.Google Scholar
Mallory, Carole. “Mailer and Vidal: The Big Schmooze.” Esquire 115.5 (May 1991): 105106, 108112.Google Scholar
Mary Hartman, Mary Hartman. Filmways, 1976–1977. TV series.
Morrison, Toni. The Bluest Eye. New York: Holt, Rinehart and Winston, 1970.Google Scholar
Puzo, Mario. The Godfather Papers and Other Confessions. New York: Putnam, 1972.Google Scholar
Pynchon, Thomas. Gravity's Rainbow. New York: Viking, 1973.Google Scholar
Rorvik, David M. In His Image: The Cloning of a Man. Philadelphia: J. B. Lippincott, 1978.Google Scholar
Seaman, Barbara. Lovely Me: The Life of Jacqueline Susann. New York: Seven Stories Press, 1987.Google Scholar
Soul! WNET-TV/PBS, 1969–1973. TV series.
The Stanley Siegel Show. WABC-TV, 1975–1980. TV series.
Susann, Jacqueline. Dolores. Garden City: Doubleday, 1976.Google Scholar
Susann, Jacqueline. The Love Machine. New York: Simon and Schuster, 1969.Google Scholar
Susann, Jacqueline. Once is Not Enough. New York: Morrow, 1973.Google Scholar
Susann, Jacqueline. Valley of the Dolls. New York: Bernard Geis/Random House, 1966.Google Scholar
Sutherland, John. Bestsellers: Popular Fiction of the 1970s. London: Routledge, 1981.